Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

 Rotten Reviews: 10:30 on a Summer Night

“…has the proud air of saying in her every painful, glottal line, ‘Hup for prose.’”

Hortense Callisher, The Nation

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Summerhill

“Summerhill: A private English boarding school founded in 1921 by A.S. Neill to implement his belief in the value of eliminating all compulsion from children’s lives. The school was initially opened under a different name in Germany in 1921; in 1923, the school moved to a house called Summerhill in Lyme Regis in the south of England, where it enrolled five pupils. Enrollment was never more than a few dozen students, but the school gained an international reputation because of its radical belief in children’s freedom and Neill’s widely read publications. His book Summerhill was a bestseller in the United States in the 1960s and became required reading in hundreds of universities. Neill was a spokesman for the most permissive wing of the progressive education movement, proposing that children should be free to decide how to live, what to learn, and whether they wanted to learn. Neill believed that ‘the function of the child is to live his own life—not the life that his anxious parents think he should live, nor a life according to the purpose of the educator who thinks he knows best.’”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Tracking

“tracking: A common instructional practice that assigns students to courses or curriculum programs with others who have similar academic goals or skills. Tracking often occurs as a result of student self-selection into programs or courses of varying levels of difficulty. In the past, tracking referred to the two separate paths that students chose to follow: college or a vocation. Currently, however, the term tracking is used to almost interchangeably with the term ability grouping and applies to all grade levels. As currently used, it refers to a decision by the school to place students in different classes according to their ability levels, the rationale being that it enables teachers to provide the same level of instruction to each group. This practice is criticized, however, by those who fear that students in low-level ability groups (or tracks) never gain access to challenging instruction.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Book of Answers: Dr. Seuss’s First Book

“What was the first book published by Dr Seuss (Theodore Geisel)? And to Think I Saw it on Mulberry Street was published in 1937 by Vanguard Press, after being rejected by twenty-three other publishers.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Devil’s Dictionary: Adherent

“Adherent, n. A follower who has not yet obtained all that he expects to get.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

The Algonquin Wits: Robert Benchley on His Dismissal from the World of Advertising

“Benchley spent a short, highly unsuccessful apprenticeship in the advertising department of Curtis Publishing Company, about which he recalled: ‘When I left Curtis (I was given plenty of time to get my hat and coat) I was advised not to stick to advertising. They said I was too tall, or something. I forget just what the reason was they gave.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Theodore Adorno

“Theodore Adorno: (1903-1969): German philosopher, one of the most prominent members of the Frankfurt School. With Max Horkheimer, he attacked the philosophical premises of the Enlightenment tradition. Steeped in Marxist theory, Adorno believed that capitalism turned culture into a ‘fetish,’ an instrument of repression; but contrary to Marx, he took a strongly pessimistic view of the long-term course of history. Instead of progress toward the freedom and fulfillment of all individuals, he saw increasing cultural and political enslavement to the capitalist economic system, aided by technology and ‘instrumental reason.’ He called this process the ‘dialectic of the Enlightenment.’ Adorno was haunted by the question of how intellectuals could perform a critical social role without being co-opted by exactly the forces that they sought to criticize; he worried that social criticism might become a part of the problem rather than a part of the solution.

Adorno, who studied composition under Arnold Schoenberg, also wrote extensively about music. Some of his more important works in English translation include Negative Dialectics (1966), Dialectic of Enlightenment (1972), Minima Moralia (1974), and Aesthetic Theory (1984).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Gross Domestic Product (GDP)

Here is a Cultural Literacy worksheet on gross domestic product (GDP). This is a half-page worksheet with three sentences and three comprehension questions. In spite of its brevity–or perhaps because of it, because the basic concept of GDP is simple–this is a good basic explanation of this broad measure of economic activity in a nation state, state, or province.

I would think this would be useful in just about any social studies class, but especially in the second half of high school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Visual Perception

“visual perception: The ability to recognize and interpret visual information provided to the brain. Difficulties in visual perception are separate from and unrelated to impairment in the visual system that may diminish visual acuity or result in visual impairment or blindness. Visual perception involves the determination and discrimination of spatial information, as well as performance on tasks such as the discrimination of letters and words, geometric designs, and pictures.

Visual perception is an essential component of learning, especially in regard to reading development and to acquiring classroom information. Difficulties with visual perception may significantly affect and individuals ability to discriminate letters and words, and to work with mathematical information.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Fete Galante

“Fete Galante: A scene of an elegant, festive occasion in an open-air setting, depicting dancing, musicales, comedy, etc. Antoine Watteau introduced the fete galante and it became a specialty of French Rococo art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.