Category Archives: Lesson Plans

This category identifies a post with several documents, which will include a lesson plan, and may include a short exercise to being the class (known in the New York City Department of Education as a “do-now”) a worksheet, often scaffolded, a teacher’s copy of the worksheet, and a learning support of some kind.

The Weekly Text, 12 December 2025: The Writing Revolution Templates I; Lesson Plans

OK, I don’t know if I suggested comprehensiveness in these materials, but I think I may have achieved it (or else divulged to the world the degree of my obsessiveness) with them. What you have here, listed in this table of contents, are 18 lesson plan templates that follow the framework of Judith C. Hochman and Natalie Wexler’s The Writing Revolution (San Francisco: Jossey Bass: 2017).

Without further ado, here are the templates, which are numbered as they are in the table of contents, with the Roman numeral one and the Roman alphabet letter following.

I-A*What Makes a Sentence a Sentence; Fragments, Scrambled Sentences, and Run-Ons

I-B*Piece it together; Unscrambling Scrambled Sentences

I-C*Put the Brakes On; Correcting Run-On Sentences

I-D*Four Types of Sentence Writing, Declarative, Imperative, Interrogative and Imperative (Four Templates in One Document)

I-E*What Do You Know? Developing Questions

I-F*Let’s Play Jeopardy; Giving Students the Answers and Asking for Questions

I-G*The Power of Basic Conjunctions, Because, But, and So

I-H*How to Say It in Writing; Subordinating Conjunctions

I-I*Another Name for a Noun, Appositives and Matching Appositives (Two Templates in One Document)

I-J*Put Them Together; Sentence Combining

I-K*Sentence Expansion–Bigger and Better, Expanding Sentences to Expand Students’ Knowledge and Responses and What Do You See? Using Sentence Expansion to Write Captions for Pictures (Two Templates in One Document)

I-L*The Power of Note-Taking; Key Words and Phrases, Abbreviations, and Symbols

I-M*Sentence with a Semicolon Stop

I-N*Sentence with a Colon Stop

I-O*Sentence Stem with a Coordinating Conjunction

I-P*Sentence Stem with and Elision for Parentheses

I-Q*Sentence Stem with Like or As to Produce and Analogy or a Simile

I-R*Partial Sentence with the Conjunctions Except, But, and Although to Join Contrary or Contradictory Pieces of Information

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 5 December 2025: Three Planning Templates for The Writing Revolution

If you are a relatively regular reader of this blog, then you know that I’ve been talking about developing materials to use with Judith C. Hochman and Natalie Wexler’s framework for writing instruction, The Writing Revolution (San Francisco: Jossey Bass, 2017). Last summer (2024) and into this fall (2025), I finally finished developing the templates and other planning documents for units and lesson using The Writing Revolution as their basis.

As I hope this blog shows, I not only spend a lot of time thinking about good writing and how to teach it, but also, I hope, producing some middling quality prose to drive this blog. I have also, over the years (35 of them as a teacher in various capacities) read a plethora of grammar and style manuals for my own edification, but also to help me plan writing instruction.

As far as scripted curricula go, I expect this blog demonstrates abundantly my skepticism towards them and their authors. The Writing Revolution is different for a couple of reasons: it actually calls upon students to understand certain concepts (i.e. subordinating conjunctions to form complex sentences, etc.) in grammar while applying those concepts in the service of composing good prose.

The Writing Revolution also calls upon students to practice, practice, practice writing. Its scope and sequence contains a fair amount of repetition. I know it’s fashionable to call such work “drill and kill,” but it’s also facile and, I would argue, ignorant. There are certain things in this world–say breathing and masturbation–that one need not practice at. But writing? Writers write. And writing well, like playing a musical instrument or perfecting a curve ball, takes practice. Hence my enthusiasm for The Writing Revolution.

For the next five weeks (actually seven, as there will be no Weekly Texts on December 19 or 26th in observance of the holidays), I’ll post all the templates I created based on the framework of The Writing Revolution. 

Let’s begin with three of my own creation, to with, this unit plan template, this lesson plan template, and this worksheet template.

And that is it for this week. Stay tuned, as there is plenty more to come.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 24 October 2025: Two Worksheets on Agriculture and Crop Rotation Based on “The Writing Revolution” Methods

As regular readers of this blog may know, I have been trying for a number of years to develop a set of materials, particularly for my social studies classes (which I am no longer teaching at the moment), based on the methods articulated by Judith C. Hochman and Natalie Wexler in The Writing Revolution (San Francisco: Jossey-Bass, 2017). Even though I have never had a chance to actually teach writing (which was done directly in none of the schools in which I have served in New York City; teachers assign writing work, but don’t really teach students how to write), I have been interested in doing so since I began my career 22 years ago. Now that I am about to retire, I see that I will probably never teach writing, and I probably won’t further develop my store of materials based on The Writing Revolution.

I’ve read enough about curriculum and curriculum design to know that I don’t care much for curricula that aren’t at once scaffolded and flexible. Most are not. But The Writing Revolution is the best thing of its kind I’ve encountered; I knew the first time I read the book that I would want to develop a curriculum based on its methods. It is scaffolded and flexible.

Two years ago, I was finally able to focus on working on these materials. It’s a lot of stuff, and I stipulate that it is uneven at best. Nonetheless–and I think now is a good time to remind users of this blog that most of what you’ll find here is set in Microsoft Word, therefore it is highly convertible and manipulable–I think some of this stuff is worth putting out there. I should also mention that I created a plethora of templates and supports–mostly typed verbatim from the book itself–for developing curricular materials consistent with The Writing Revolution’s prescribed methods.

At the time I began work on this stuff, sometime late in 2018, I thought it might me most useful for my freshman global studies class. This was for a number of reasons, the most salient among them that the New York State Regents Exam in Global Studies was notoriously challenging, and that the student population I served, everyone in my school at the time knew, really struggled with that particular test. But I also wanted to get students writing on their own, and to use language in ways that they otherwise wouldn’t–one of the principal strengths of The Writing Revolution in my opinion.

For global studies, I conceived of strands of work that followed a conceptual and factual arc across a relatively short, but dense and mildly challenging, series of documents. So, without further ado (and with apologies for the ado thus proffered), I offer the documents for Strand Three. This strand would concern agriculture and the earliest cities, but so far, as the lesson plan for Strand Three will show you, I only managed to pull together worksheets on agriculture and crop rotation. These are “developing questions” worksheets: they call upon students to read short passages of text, then develop a question or questions based on what they’ve read. The teachers copy of the agriculture as well as for the worksheet on crop rotation should help make the purpose of this work, and its methods, clearer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 17 October 2025: A Lesson Plan on the Greek Word Roots Gen/o, Gen, and Genesis.

This week’s Text is a lesson plan on the Greek word roots gen/o, -gene, and -genesis. These, as you have probably inferred, carry several meanings: “production,” “formation,” “generation,” “origin,” “cause,” “birth,” “kind,” and “race.” These roots grow into such high-frequency English words as carcinogen, congenital, and genocide, all of which are included in this scaffolded worksheet.

I open this lesson with this context clues worksheet on the adjective prenatal, which I hoped, perhaps vainly and foolishly, would point the way toward the meanings of these word roots.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 26 September 2025: A Lesson Plan on William Blake’s Poem “The Chimney Sweeper”

This week’s Text is a lesson plan on William Blake’s poem, from his book Songs of Innocence and Experience, “The Chimney Sweeper.” I started with Blake in high school, after learning of Allen Ginsberg’s (I was seriously into The Beats in those years) affinity for Blake and hearing The Fugs sing “How Sweet I Roam’d” and “Ah! Sunflower,” and have read him ever since.

Blake’s lyrics lend themselves to music, so Greg Brown’s record of Songs and Innocence and Experience came as little surprise to me when he released it in 1986. In researching this post, I was also not surprised to learn that Benjamin Britten composed a song cycle of Blake’s texts, Songs and Proverbs of William Blake.

In this suite of poems, to my mind, “The Chimney Sweeper” has always stood out. It still nearly brings me to tears every time I encounter it.

This Cultural Literacy worksheet on William Blake (half-page, four-sentence reading, three comprehension questions) opens this lesson. Of course you’ll need a copy the poem itself; and finally, here is the analysis and comprehension worksheet I prepared for the lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 12 September 2025: A Lesson on the Latin Word Roots Duc and Duct

This week’s Text is a lesson on the Latin word roots duc and duct. They mean “to lead” and grow such high-frequency English words as abduct, aqueduct, induct, deduct, deduce, and seduce, all of which are included on the scaffolded worksheet, complete with Romance language cognates. I open this lesson with this context clues on the verb guide. I’d like to think that short do-now points toward the meaning of the two Latin roots under analysis in this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 22 August 2025: A Lesson on the Latin Word Root Pel

This week’s Text is a lesson plan on the Latin word root pel. It means “drive” and can be found in such high-frequency English words as compel, dispel, expel, propel, and repel, all included, of course, on this scaffolded worksheet, which includes cognates from the Romance languages.

I open this lesson with this context clues worksheet on the verb animateIt’s used transitively, and in this document it means “to move to action.” I hope it points the way to the meaning of pel.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 8 August 2025: Lesson Seven of a Unit on Writing Reviews

OK–after eight weeks of drafting these posts, this week’s Text is seventh and final lesson plan of a unit on writing reviews. Since this lesson concludes the unit and turns students loose to write their reviews, I have included four Cultural Literacy worksheets as do-now exercises with the idea that students will need at least four days to write and revise their compositions. So here are those documents on hyperbole, nuance, analogy, and paraphrase. Each of these worksheet is a half-page long with short readings and three or fewer comprehension questions.

At this point in the unit, students should have their thoughts on their review outlined, and, therefore, in a final state of organization. So this short organizer is the worksheet for this lesson, and simply asks students a few final clarifying questions on their planned paper. This is for their benefit, and one final clarifying exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 1 August 2025: Lesson Six of a Unit on Writing Reviews

Here, in this Weekly Text, is sixth lesson plan, the penultimate lesson of the a seven-lesson unit on writing reviews. This lesson opens with this Cultural Literacy worksheet on cliche, the utility of which in a lesson on writing reviews I’ll assume needs no explanation. There are two worksheets for this lesson: the first is a mentor text on outlining; the second is a structured outlining worksheet.

And that it’s for this week. Come back next week for the final lesson in this unit.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Post, 25 July 2025: Lesson Five of a Unit on Writing Reviews

This week’s Text, as you probably expected if you are a regular user of this blog, is the fifth lesson plan of a seven-lesson unit on writing reviews. This lesson opens with this Cultural Literacy worksheet on the fine arts. This is a half-page worksheet with a reading of one simple sentence and two comprehension questions. As this lesson is a brainstorming activity, this reading as worksheet is designed to get students thinking about what they will include in their review, and how they would go about it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.