Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

Independent Practice: Copernicus

While I understand that an essential element of adolescence is thinking one is the center of the universe, I hold that this independent practice worksheet on Copernicus possesses utility in both the middle and high school classroom–if only to remind teenagers that the sun, not they, stands at the center of our universe. Also, Copernicus is a key figure in the history of science.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Extrinsic Phonics

“Phonics taught as a supplemental learning aid rather than as an integral part of the program of reading instruction, often in separate workshops during special time periods.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Smoking

If you’re looking for a short text on smoking that doesn’t in any way equivocate, than this short reading on that deadly habit should be more than adequate; here is the vocabulary-building and comprehension worksheet than accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Liberty Cap

A symbol of freedom. When a slave was manumitted by the Romans, a small Phrygian cap, usually of red felt, called pileus, was placed on his head; he was termed libertinus (‘freeman’), and his name was registered in the city tribes. When Saturninus, in 100 BC, possessed himself of the Roman Capitol, he hoisted a similar cap to the top of his spear, to indicate that all slaves who had joined his standard should be free; Marius employed the same symbol against Sulla; and when Caesar was murdered, the conspirators marched forth in a body with a cap elevated on a spear, in token of liberty. In the French Revolution, the red cap of liberty was adopted by the revolutionists as an emblem of their freedom from royal authority.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Intaglio

“Term describing designs or forms carved or sunk into a surface, instead of standing out from it. A process used in germ carving as well as in the graphic arts, including engraving and etching.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Shakespeare: As You Like It

“A comedy (c. 1600) by William Shakespeare (1564-1616). The story is based on Rosalynde: Euphue’s Golden Legacy (1590), a romance by Thomas Lodge (1557-1625), although the clown touchstone and the gloomy philosopher Jaques are purely Shakespeare’s inventions. Orlando is forced to flee the court of the usurping Duke Frederick. He takes refuge in the forest of Arden, where the usurping Duke and his followers are now living. Rosalind, the daughter of the usurped Duke is also obliged to flee, having previously fallen in love with Orlando (and he with her). Disguised as the youth Ganymede, she befriends Orlando and encourages him to practice his wooing of Rosalind on him (i.e. Ganymede). There are certain complications, involving various other sets of lovers. In the end, all is revealed, four pairs of lovers marry and Frederick the usurper surrenders the dukedom to its rightful owner.

The title indicates the playwright’s desire to please with his offering. At the end, Rosalind addresses the audience directly:

‘I charge you, O woman, for the love you bear to men, to like as much of this play as please you; and I charge you, O men, for the love you bear to women—as I perceive by your simpering none of you hates them—that between you and the women the play may please.’           V. iv, Epilogue

‘What You Will,’ the subtitle of Twelfth Night, has an equivalent implication. Similar epilogues, asking the audience for their approbation and indulgence, were something of a theatrical convention at the time; for example, at the end of The Tempest Prospero speaks the epilogue, ending:

‘As you from crimes would pardon’d be,

Let your indulgence set me free.’        V. i, Epilogue

There is another example in All’s Well that Ends Well.

There have been two film versions of As You Like It. The 1936 version includes Laurence Olivier in the cast, and J.M. Barrie co-wrote the screenplay. The 1992 version turns the Forest of Arden into a London ‘cardboard city’ for the homeless.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Discovery Learning

“An approach to learning based on the principle of ‘learning by doing’ in which new ideas develop. Discovery learning activities are designed so that students discover facts and principles themselves, through personal experience, rather than having them authoritatively explained by a textbook or a teacher. Discovery learning in prized by progressive and constructivist educators. Some of the principles of discovery learning have long been part of the repertoire of traditional teachers as well, especially in science classes, where, for example, students can directly observe the results of experiments. Critics claim that discovery learning is extremely time-consuming, difficult to manage, and inefficient because so much time is wasted waiting for students to ‘discover’ what is already known by their teachers.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Thurgood Marshall

Today is Martin Luther King Jr. Day in the United States; this holiday, to me at least, given the political and cultural atmosphere in this country, feels especially important this year. If you ever feel a need to do something to make the world a more just place, today is the day to take action. As soon as the temperature rises to its balmy high of six degrees here in Springfield, Massachusetts, I’ll make the two-block trek to the Salvation Army Donation Center to deliver a couple of bags of things I can with which I can afford to part.

To celebrate the day, here is a reading on Supreme Court Justice Thurgood Marshall and a vocabulary building and comprehension worksheet to attend it. As a litigator for the NAACP Legal Defense and Education Fund in the 1930s, 1940s, and 1950s. Justice Marshall did the work to bring about Dr. King’s version of a just society for all, regardless of skin color, in the United States. While he argued a number of significant cases that led  to ethnic justice, his crowning achievement by most standards must be his triumph in the Kansas desegregation case, Brown v. Board of Education.

If you find these materials useful, let me remind you that at this point in January, we are on the eve of Black History Month 2019. Mark’s Text Terminal will feature a full month of posts on Black History–as it does every year.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Difference and Learning

It bears mentioning that cultural differences have nothing to do with intelligence and aptitude. It is hoped that the cognitively savvy educator will appreciate the unique perspectives—literally—that students from various backgrounds may have and exploit those differences to optimize and expand the learning opportunities for all students in a classroom.”

Excerpted from: Rekart, Jerome L. The Cognitive Classroom: Using Brain and Cognitive Science to Optimize Student Success. New York: Rowman & Littlefield Education, 2013.

Aristotle on Rhetoric

Over the years I have been intermittently interested in the Trivium as a way of helping students to think in a linear manner. Anyone dealing with this medieval division and taxonomy of knowledge will quickly come into contact with Scholasticism, and, working backward chronologically, Aristotle. I still haven’t decided if a teacher could or should return to medieval categories of knowledge, but I do think there is a case to be made for teaching rhetoric in high school English Language Arts class.

Because I have some old-fashioned ideas about the equality of opportunity in society, I have made working in struggling, inner-city schools my office for my entire career. Last November, I made the move from one of these schools in New York City to one in Springfield, Massachusetts. One of the first documents to cross my purview in the service of a student was a writing assignment for a work of fiction in an English Language Arts class. My talented colleague, and I thank her for this, asked her students to use one of three rhetorical strategies in this assignment. It was a treat to see.

Anyway, along the way in trying to develop instructional materials related to rhetoric, I transcribed the gravamen of Aristotle’s analysis of rhetoric (from this edition of his treatise) for use in planning a unit on the it. If you can use it, there is a several-page Word document under that hyperlink

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.