Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Common Errors in English Usage: Toward, Towards

Once again, from the pages of Paul Brians’ Common Errors in English Usage, here is a worksheet on toward and towards and their proper use in prose.

As Professor Brians’ passage explains, the distinction between these words is a matter of American and British English. Americans tend to use toward, whereas the British prefer towards. In any case, as you would expect, the words are interchangeable. The worksheet contains five prepositional phrases using toward, and calls upon students to build sentences around the phrases. As always, however, this is an open document that you can manipulate to your class’s needs.

Incidentally, Merriam-Webster lists toward as both an adjective and a preposition. If you look up the adjective (meaning “coming soon,” “imminent,” “happening at the moment,” and “afoot” and with an obsolete meaning of    “quick to learn”), I think you’ll agree that teaching it as a preposition (“in the direction of,” etc.) is the best course of action for helping students understand its meaning and proper use.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Printing Instruction

“printing instruction: While computer keyboarding skills are becoming more and more a part of writing, printing remains an essential skill. Printing instruction begins in kindergarten where children are taught to write the letters of the alphabet, and continues through third grade until cursive writing is introduced. Problems in forming letters accurately may be cause by poor visual and motor skills. Extreme printing difficulties are called dysgraphia.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Equity (n)

Here is a context clues worksheet on the noun equity. This is a word, I think, that we want our students to know both in theory and practice–now and forever.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Alexander Woollcott to Corey Ford

Aleck Woollcott once joined Corey Ford at the Ritz Men’s Bar and informed him, ‘Ford, I plan to spend three days at your house in New Hampshire next week.’ Not overly pleased at the prospect of hosting such a demanding guest, Ford uttered a meek ‘That will be swell.’

‘I’ll be the judge of that,’ Woollcott warned.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Cultural Literacy: Bone to Pick

Here is a Cultural Literacy worksheet on the idiom “bone to pick.” This is a half-page worksheet with three questions.

It’s a solid explication of the expression, and calls upon students to cite an instance when they had a bone to pick with someone. However, this is yet another document in Microsoft Word, so you may do with it as you wish or need.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Finance

“Finance, n. The art or science of managing revenues and resources for the best advantage or the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America’s most precious discoveries and possessions.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Enron

Here is a reading on Enron along with its accompanying vocabulary-building and comprehension worksheet.

Why does anybody need this? Maybe they don’t. But if you want your students to learn about fraud and corporate corruption, then maybe they need it. At the very least, Enron’s story is a cautionary tale about a lot of things, including corporate executives who are legends in their own minds; there seem to me to be a lot of those around these days.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Orton-Gillingham Approach

“Orton-Gillingham approach: A multisensory approach to reading, writing, and spelling born of a theory of reading disabilities devised by Samuel Orton, Anna Gillingham, and Bessie Stillman in the 1930s. Their approach was based on the idea that the brain stores information in both hemispheres; when the connection between the two hemispheres is not fully developed, individuals may read words in reverse.

People with dyslexia have the potential to be accomplished readers and adequate spellers. The ability to achieve this potential depends on two variables: the instructional approach and the amount of practice. The Orton-Gillingham approach to reading and spelling ensure success by developing multisensory techniques for memory and retrieval. This practical teaching technique emphasizes the reading-decoding process.

The teacher introduces the elements of the language systematically, and students are taught letter-sound relationships using all senses: seeing the letter (visual), saying the letter (auditory), and writing the letter (kinesthetic). In this respect, Orton-Gillingham differs from traditional phonics instruction. Once letters are mastered, letters are grouped into blends, and short, structured passages are used for reading and dictation, Infinitely flexible, it is a philosophy rather than a system. The student learns the elements of language-consonants, digraphs, blends, and diphthongs in an orderly fashion.

As students learn new material, the continue to review old material until it becomes automatic. The teacher addresses vocabulary, sentence structure, composition, and reading comprehension in a similar, structured, sequential, and cumulative manner.

At best, the teacher tries to understand how an individual learns and to devise appropriate teaching strategies. In every lesson, the student experiences success and gains confidence as well as skill. Learning becomes a happy experience, The Orton-Gillingham approach is appropriate for teaching individuals, small groups, and classrooms. It is appropriate for teaching in the primary, elementary, and intermediate grades, and at the secondary and college level, as well as for adults.

An Orton-Gillingham approach, while not the only program available, is probably the best-known for helping children with dyslexia learn to read. The fundamental principles on which it is based, including developing phonemic awareness, and suing a multisensory approach, are consider essential components in reading instruction today.

The Orton-Gillingham approach has proven successful with students who have struggled in learning to read and spell through traditional classroom methods, despite normal intelligence, hearing, and vision. It is the program most recommended by experts in the field of dyslexia.

Modern research has continued to confirm Dr. Orton’s theories about the physiological differences experienced by people with dyslexia. Early remediation is most effective; however, these methods have been successfully adapted for use with older students and adults. The result is the development of lifelong language skills and the wonderful feeling of success in the world of written language.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on Using That and Which

Here is a learning support on using that and which in declarative sentences from Paul Brians’ book, Common Errors in English Usage, which he has helpfully and generously published on the Washington State University website.

I confess that I don’t find this short passage particularly helpful in using these two words, bound up as they are with restrictive and nonrestrictive clauses in sentences (a lesson on which is forthcoming on this blog). That said, this document, like several others of its type, contains only a couple of short paragraphs. So, as a Microsoft Word document with a lot of open space, it is yours to do with as you wish or need.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Germanic Art

“Germanic Art: Art of the migrating Germanic tribes from the 4th to the 9th centuries. Characterized by the near absence of the human figure and preference for animal forms (zoomorphic ornament) and lacertine. Metalwork and jewelry were specialties. Also called barbaric art. See VISIGOTHIC ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.