Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Term of Art: Task Analysis

“task analysis: A teaching strategy in which a learning activity is broken down into small sequential tasks. It is an effective strategy used to teach students with a learning disability because it takes a large learning activity and breaks it down into smaller, more easily accomplished tasks. Task analysis is also used as an assessment tool to see precisely at what stage a skill breakdown is occurring. For example, if a student is given an assignment to define 10 vocabulary words, a task analysis might include the following steps:

  1. understand, record, and remember the assignment
  2. read/decode the vocabulary words
  3. use a dictionary/textbook
  4. paraphrase the definition
  5. write the definition

Breaking an assignment into the five steps can make a difficult and overwhelming project become more manageable.

Similarly, task analysis can be used for instruction where larger skills are broken down into subskills and each subskill taught until mastery.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Dwight D. Eisenhower

Here is a reading on Dwight D. Eisenhower along with its attendant vocabulary-building and comprehension worksheet

This is a good general introductory biography of Ike; it includes information about his military service and his political career, including his firm support for enforcing the Brown v. Board of Education decision. What it doesn’t mention, and which it may serve as a convenient jumping-off point for, is his famous farewell address, in which he coined the term “Military-Industrial Complex.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Alfred Adler on Neurosis

“Every neurotic is partly in the right.”

Alfred Adler

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Cultural Literacy: Free Will

Here is a Cultural Literacy worksheet on the concept of free will. This is a half-page worksheet with a two-sentence reading and three comprehension questions.

In other words, it barely introduces, and in no way does justice to, one of the big, big questions in philosophy and religion. But as an adjunct to a fictional allegory on protagonists with circumscribed lives? This might be a useful document. In any case, it is formatted (like most of the things you’ll find on this blog) in Microsoft Word, so it is open source and therefore yours to do with as you need or wish.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

3 Playwrights of Athens’ Golden Age

“Aeschylus * Sophocles * Euripides

The apogee of Classical Athens’ two-century-long golden age of literature was the generation who thought and wrote between 461 and 431 BC. Theatre-going Greeks of this time witnessed the high-minded and complex tragedies of Aeschylus, the graceful, measured characterization of Sophocles and the more emotional and passionately charged creations of Euripides.

It is fitting that they are remembered as a trio, for each year three tragic playwrights produced a trilogy of tragedies (and a farcical comedy) that was performed over three consecutive days to honor Dionysus. These festivals were held around the time of the spring equinox. No more than three actors were permitted on the stage at any one time, their faces and that of the chorus covered in masks. At the end of the festival, one of the playwrights was voted the winner and given the prize of a goat, for the word ‘tragedy’ derives from ‘goat song.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Word Root Exercise: Corp/o, Corpor, Corpus

Here is a worksheet on the Latin roots corp/o,corpor,and corpus. They mean, collectively, body. While that is literal in the sense of the human body, as in corpse or corporeal, it is also figurative, as in corporation.

This is a very productive root in English as well as across the Romance languages. Students would benefit from knowing it, I submit. But what do you think?

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write It Right: Casualties for Losses in Battle

“Casualties for Losses in Battle. The essence of casualty is accident, absence of design. Death and wounds in battle are produced otherwise, are expectable and expected, and, by the enemy, intentional.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Garnish (vt)

It’s Merriam-Webster’s Word of the Day today, so here is a context clues worksheet on the verb garnish. It’s used only transitively, so don’t forget your direct object: you must garnish something.

The context in this worksheet seeks to elicit from students the culinary definition of garnish, to wit, “to add decorative or savory touches to (food or drink).” To that end, it might be complementary to this trove of documents I posted a couple of years ago for building a lexicon in the culinary arts.

In any event, garnish has a complicated etymology that includes the idea of garnishing wages (though, interestingly, a definition for that act–depriving someone of earnings to settle outstanding debts–is not part of the set of definitions for garnish as a verb), and “decorating,” “furnishing,” and “embellishing.” Another definition is “to equip with accessories.”  Whatever–that’s enough garnish on this blog post.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Fugitive Pigment

“Fugitive Pigment: Pigment that either fades with prolonged exposure to light, is susceptible to atmospheric pollution, or tends to darken when mixed with other substances.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Glasnost

Here is a reading on Glasnost along with its accompanying vocabulary-building and comprehension worksheet. As I was a Russian and Soviet Studies student at both the undergraduate and graduate level, I can tell you that this one-page reading, from the Intellectual Devotional series, does justice to the topic.

Incidentally, the Russian word root glas means “voice.” So, while one popular definition of glasnost is “openness,” it also means, as this definition from Merriam-Webster’s connotes, the freedom to use one’s voice to discuss previously circumscribed or forbidden topics.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.