Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Term of Art: Text-to-Text Connection

“text-to-text connection: The act of comparing one reading passage with another.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Common Errors in English Usage: Fatal (adj), Fateful (adj)

Here is a usage worksheet on distinguishing between the adjectives fatal and fateful. This document contains a short passage of text explaining the definitions and usage rules of these two adjectives, followed by ten teacher-authored modified cloze exercises.

As usual, this document is based on text adapted from Paul Brians’ excellent book Common Errors in English Usage. As I’ve mentioned repeatedly in posts featuring these documents, Professor Brians, emeritus of Washington State University, has posted the book on that institution’s website, should you want a look at it.

As for the words themselves, well, they mean, essentially, deadly and destined. Enough said.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Winston Churchill’s Nobel Prizewinning Book

“When and for what work did Winston Churchill win the Nobel Prize in Literature? In 1953 for The Second World War.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Cultural Literacy: Edwardian Period

Here is a Cultural Literacy worksheet on the Edwardian Period in England, so named for King Edward VII, the eldest son of Queen Victoria.

This is a half-page worksheet with a reading of two clauses, the second of which is a longish compound sentence. There are three comprehension questions. This worksheet may have greater or lesser utility, depending on how much you need or want students to know about this period in British history. This document if, of course, formatted in Microsoft Word, so you may manipulate it to your and your students’ needs.

Who knows, you might have someone in your class interested in the Teddy Boys, and this reading provides an entree into their fashion sense.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Allusion

“Allusion A seemingly incidental but often significant reference, as to a writer, event, or figure from literature or mythology; passing or implicit mention. Adj. allusive; adv. Allusively; n. allusiveness; v. allude.

‘I said that to tease Widmerpool, feeling pretty certain he had never read a line of Gogol, though he would rarely if ever admit to failure in recognizing an allusion, literary or otherwise.’ –Anthony Powell, The Soldier’s Art”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Perform (vi/vt), Performance (n)

Here is a context clues worksheet on the verb perform and another on the noun performance. The verb is used both intransitively and transitively and means, respectively (and similarly), “to do in a formal manner or according to prescribed ritual” and “to give a performance.” The verb has other meanings, but these are the two–the worksheet shows both transitive and intransitive use–meanings which the context clues seek to elicit from students.

Performance means, as its worksheet attempts by context to define, both “a public presentation or exhibition” and “the manner in which a mechanism performs.” Performance is actually a relatively complicated polysemous word, but I’ve attempted in these context clues to hew to a the two definitions above.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Heywood Brown on the Marx Brothers

Broun, who was totally captivated by the Marx Brothers, went to see their shows—each one—as many times as possible (he saw Cocoanuts twenty-one times). Concerning this particular passion, he remarked: ‘Very likely my epitaph will read, “Here lies Heywood Broun (who?), killed by getting in the way of some scene shifters at a Marx Brothers show.”’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Weekly Text, 6 August 2021: A Lesson Plan on the Crime and Puzzlement Case “Gambol”

This week’s Text is a lesson plan on the Crime and Puzzlement case “Gambol.” To open this lesson I use this Cultural Literacy worksheet on the Latinism carpe diem (“seize the day”). This is a half-page worksheet with a two-sentence reading and three questions.

To conduct your investigation into this crime, you’ll need this PDF of the illustration and questions that serve as the evidence of it. To bring the miscreant in this case to the bar of justice, you’ll need this typescript of the answer key.

Incidentally the first time I ever heard another person use the word gambol, it was the legendary Dummerston, Vermont farmer Dwight Miller, while tending one March afternoon to lambs recently born on his farm. Gambol, as a verb (used intransitively only) and a noun, mean, respectively, “to skip about in play” and “a skipping or leaping about in play.” If you’ve ever seen the way lambs move around when they’re excited, this word describes it. I wonder if a context clues worksheet on this word would serve better as a do-now exercise for this lesson.

Addendum, August 8, 2021: Here is a context clues worksheet on the verb gambol (as above) if you think it would make a better do-now for this lesson.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write It Right: Capacity for Ability

“Capacity for Ability. ‘A great capacity for work.’ Capacity is receptive; ability, potential. A sponge has capacity for water; the hand, the ability to squeeze it out.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Moot (adj)

It’s Merriam-Webster’s Word of the Day today, so here is a context clues worksheet on the adjective moot. It means, as an adjective, “open to question,” “debatable,” “subjected to discussion,” “disputed,” “deprived of practical significance,” and “made abstract or purely academic.”

This worksheet attempts to elicit from students, from the context, the latter two meanings. Moot, for me at least, was a very tough word to place in context that students are likely to possess the prior knowledge to understand, and therefore to infer the meaning. You’ll find, I think, that the context hews closely to the final definition above, but will probably move students to say “something that isn’t going to happen.”

If ever you felt like commenting on something on Mark’s Text Terminal, I would be interested to hear what you think of this. I would be especially interested to hear if you’ve written stronger context for this word. Nota bene, incidentally, that moot is also used as a verb to mean “to bring up for discussion,” “broach,” and “debate,” (with an archaic definition of “to discuss from a legal standpoint”); moot is also a noun meaning, of all things, “a deliberative assembly primarily for the administration of justice; especially one held by the freemen of an Anglo-Saxon community” (with an obsolete meaning of “argument” and “discussion”).

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.