Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Audacious (adj)

Here is a context clues worksheet on the adjective audacious. It means, variously, “intrepidly daring,” “adventurous,” “recklessly bold,” “rash,” “contemptuous of law, religion, or decorum,” “insolent,” and “marked by originality and verve.” Because this word tends to cluster its meaning around the commonality of “rash,” or “bold,” which all the words and phrases above mean to some extent, this worksheet is keyed to all of the definitions above.

And if it somehow falls short, I would be very interested in your thoughts as to why–so I can improve it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Formalism or Russian Formalism

“Formalism or Russian Formalism: Russian school of literary criticism that flourished 1914-28. Making use of the linguistic theories of Ferdinand de Saussure, Formalists were concerned with what technical devices make a literary text literary, apart from its psychological, sociological, biographical, and historical elements. Though influenced by the Symbolist movement, they sought to make their analyses more objective and scientific than those of the Symbolists. The movement was condemned by the Soviet authorities in 1929 for its lack of political perspective. Later, it became influential in the West, notably in New Criticism and structuralism.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 29 April 2022: A Reading and Comprehension Worksheet on Sound Waves

This week’s Text is a reading on sound waves along with its accompanying vocabulary-building and comprehension worksheet. Over the years, I’ve crossed paths with several students interested in careers as recording engineers or producers. I know that music is played on instruments that have evolved over centuries by persons with enviable talent; that, however, is the extent of my knowledge of music production. I hoped these documents would help students gain some understanding about the actual physics of sound. These materials have been of sufficiently high interest in my classroom that I have tagged them as such.

So this might be thin gruel where the subject is concerned. As with many of the documents I prepared over the years to engage alienated students, these were prepared in haste. So they are very likely, uh, less than perfect. Fortunately, they are both formatted in Microsoft Word, so exporting them to a word processor of your preference and tailoring them to your students’ needs will be relatively effortless.

May is Asian and Pacific Islander Heritage Month. I’ve already prepared a batch of posts for the month, so if you need material on topics related to American of Asian and Pacific Island descent, or Asia and the Pacific Islands themselves, trundle on by the site.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Doubter’s Companion: History

“History: A seamless web linking past, present and future.

Contemporary Western society attempts to limit history to the past, as if it were the refuse of civilization. Individuals who hold power tend to see history only as mythology which can be manipulated to distract the citizenry, but is not useful in itself.

Among the different humanist areas of, history has nevertheless survived best the pseudo-scientific reduction of non-scientific learning to theoretically objective standards. The other cornerstones of humanism—literature and philosophy—have been severely damaged by the drive to quantify and objectify everything in sight. Intellectual accounting is not a synonym for thinking. Driven by this vain search for objectivity, literature and philosophy have come to resemble the obscure and controlling scholasticism of the Middle Ages.

If the historical approach has been able to resist these trends, it may be because power structures require a comforting background of mythology and mythology requires a sweep of civilization. Thus, history is welcome as a superficial generalization viewed at a hazy distance.

Our technocracy is frightened by the idea that ideas and events could be part of a large flow and therefore less controllable than expertise would like to suggest. For them, history is a conservative force which blocks the way to change and to new answers. In reality, history only becomes an active force when individuals deform it into a weapon for public manipulation. By that process it ceases to be history.

The twentieth century has been dominated by a catastrophic explosion of ideologies of which communism and fascism have been the most spectacular. Neo-conservatism is a recent minor example. The fleeting success of these ideologies has been made possible in part by the denial of history—or rather, by freezing history into narrow bands of logic, the sole purpose of which is to justify a specific ideology.

This does not mean that history becomes a beacon of truth when it is separated from ideology. History is not about truth but about continuity, and not about a limited dialectic but about an unlimited movement. To the extent that ethics remain in the foreground, history cannot be grossly deformed. The ethics which Western civilization has attempted to push forward for two and a half millennia are scarcely a secret. If anything, they have remained painfully obvious as one set of power structures after another has sought to marginalize or manipulate them. It is in this context that ideology most typically seeks to fix our attention on a single, conclusive pattern which can be presented as inevitable and which therefore carries a deformation of ethics.

These destructive experiences illustrate the value of history as a guarantor of both stability and change. It is neither a conservative nor a revolutionary force. Instead, history is a constant memory and its value lies in our ability to make it a highly conscious part of our lives. In an age which presents abstract analysis—a method that denies continuity and memory—as the sole respectable method of exercising power, history is perhaps the sole intact linear means of thought.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Cultural Literacy: Vladimir Putin, National Self-Determination

Here a pair of Cultural Literacy worksheets that I hope are timely. The first is on Vladimir Putin. This is a full-page worksheet with a five-sentence reading and six comprehension questions. The second is on national self-determination; its a half-page worksheet with a two-sentence reading and two comprehension questions. Nota bene, please, that this second document at its end asks the reader to “See Fourteen Points.” If you want students to follow up on that point, you’ll find a credible reading under this hyperlink.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Spatial Relationships

“spatial relationships: The relative positions of objects in a space. Children learn about spatial relationships at an early age as they manipulate toys and other objects. Academically, spatial relationships are involved in the acquisition of reading skills and mathematics: a child must perceive the space between words in a sentence in order to understand the concept of a sentence. In math, understanding spatial relationships is essential for developing many types of math skills such as computation, graphing, and understanding a number line. For example, a child can recognize that the toy is on top of or above the bed; in looking at a picture, a child can recognize that the moon is above the ground, This understanding is often obvious in children’s drawings.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Cultural Literacy: An Ounce of Prevention

Here is a Cultural Literacy worksheet on the proverb “an ounce of prevention is worth a pound of cure.” This pithy apercu comes to us from the pen of Ben Franklin. He was a master of these kinds of phrases–many of which we still use in both colloquial and formal English.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Metaphor

“Metaphor: (Greek “carrying from one place to another”) A figure of speech in which one thing is described in terms of another. The basic figure in poetry. A comparison is usually implicit; whereas in simile (q.v.) it is explicit. There are several metaphors in these lines from the beginning of R.S. Thomas’s Song at the Year’s Turning:

‘Shelley dreamed it. Now the dream decays.

The props crumble. The familiar ways

Are stale with tears trodden underfoot.

The heart’s flower withers at the root.

Bury it, then, in history’s sterile dust.

The slow years shall tame your tawny lust.’

See ORGANIC METAPHOR; TELESCOPED METAPHOR; TENOR AND VEHICLE.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Banish (vt)

Here is a context clues worksheeet on the verb banish. It is used only transitively so don’t forget your direct object: you must banish something–an unfaithful lover, cigarettes and the like. It means, variously, “to require by authority to leave a country,” “to drive out or remove from a home or place of usual resort or continuance,” and “to clear away, dispel.” This is a word that pops up across the humanities curriculum, and particularly in social studies. In my experience students don’t know it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Miscellany of Rotten Reviews of William Gaddis

“Rotten Reviews: The Recognitions

‘The Recognitions is an evil book, a scurrilous book, a profane book, and an exasperating book…what this squalling overwritten book needs above all is to have its mouth washed out with lye soap. It reeks of decay and filth and perversion and half-digested learning.’

Chicago Sun Times

Rotten Reviews: JR

‘To produce an unreadable text, to sustain this foxy purpose over 726 pages, demands rare powers. Mr. William Gaddis has them.’

George Steiner, The New Yorker

‘(Gaddis) dumps everything into these pages except what they most desperately need—the ironic and flexible detachment of a discriminating mind.’

Pearl K. Bell, The New Leader”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.