Monthly Archives: June 2023

A Pair of Learning Supports on Using Slashes and Backslashes

Recently, I edited a the fourth iteration of a privately published book that I have worked with on and off for about twenty-five years. In this most recent edition, I thought the author relied too heavily on slashes where he should have been using coordinating conjunctions. So, I prepared these two learning supports on using slashes and backslashes. These texts are drawn from June Casagrande’s The Best Punctuation Book, Period, (Berkeley: Ten Speed Press, 2014) and, from Susan Thurman’s book The Only Grammar Book You’ll Ever Need (Avon, MA: Adams Media, 2003).

Incidentally, the slash is also known as a virgule and solidus. But for our vernacular? Slash (in spite of its complicated polysemy) and backslash are the right words to describe these punctuation marks.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Seth’s 73 Accomplices

“Although we do not know their names, the god Seth enlisted seventy-three accomplices when he tricked his brother-god Osiris. He enticed Osiris into coming to a feast, then, as an after-dinner game, the seventy-three joyfully took their turn in trying to fit into a cedar box. They all failed, for it had been manufactured to fit exactly the frame of Osiris, who—once he had entered—was held fast in a vice that allowed his brother to slam down the lid, seal the box and throw him into the Nile. There, he sailed out into the wide sea and was eventually washed ashore on the coast of Lebanon at Beirut.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Weekly Text, Friday 9 June 2023: History of Hip-Hop Lesson 14, The Message: Hip-Hop as Political and Social Manifesto

Don’t worry, after this, only two lessons remain to post in the History of Hip-Hop Unit. This week’s Text is lesson plan fourteen of the unit, on Grandmaster Flash and the Furious Five’s seminal Hip-Hop recording, “The Message.” This lesson begins, after your class change, with this Cultural Literacy worksheet on the concept of a manifesto. The central work of this lesson is a reading, and a listening, for which I use this Official Video of the song on YouTube, and the lyrics to the song, to guide students toward completing these comprehension and analytical questions on these verses.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Source Memory

“source memory: The memory of where a person obtained information. For example, a child might know that Harrisburg is the capital of Pennsylvania, but not recall where he or she obtained that information. Many students with learning disabilities have deficient source memory.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Cultural Literacy: Brainwashing

Given the state of our news media, this Cultural Literacy worksheet on brainwashing strikes me as timely. This is a half-page worksheet with a reading of three sentences and four comprehension questions. Nota bene, please, that the second two sentences are long compounds with lists separated by serial commas. In other words, this reading may require editing and adaptation for emergent readers and learners of English as a new language.

Where might you use something like this? All over the place, I would think: it would be useful as a do-now exercise for just about any study of twentieth-century political, religious, and social movements. It would also accompany nicely, I am confident, a viewing of The Manchurian Candidate–a perfect film, in my estimation. However, I speak here about the 1962 production, not the execrable, regrettable, 2004 remake from Jonathan Demme, who ought to have known better.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

John Dewey on Grading

Our mechanical, industrial civilization is concerned with averages, with percents…. We welcome a procedure which under the title of science sinks the individual in a numerical class; judges him with reference to capacity to fit into a limited number of vocations ranked according to present business standards; assigns him to a predestined niche and thereby does whatever education can do to perpetuate the present order.”

John Dewey

Excerpted from: Feldman, Joe. Grading for Equity: What It Is, Why It Matters, and How It Can Transform Schools and Classrooms. Thousand Oaks, CA: Corwin, 2019.

Common English Verbs Followed by an Infinitive: Care

Here is a worksheet on the verb care followed by an infinitive. I  don’t care to write weak curricular materials.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Menhir

“Menhir: Huge block of natural or crudely worked stone; megalith. See monolith, dolmen.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, Friday 2 June 2023: History of Hip-Hop Lesson 13, Breaking into the Charts: Hip-Hop as Party Music

This week’s Text offers the thirteenth lesson plan of the History of Hip-Hop Unit. This lesson opens, after a class change, with this Cultural Literacy worksheet on the Nation of Islam. The principal work of this lesson are the lyrics to “Rapper’s Delight” by the Sugarhill Gang and “The Breaks” by Kurtis Blow, and the comprehension and analytical questions about those lyrics. You can find both of these songs on YouTube–and in the case of “The Breaks” a live performance by Kurtis Blow on Soul Train. I’ve shown parts of both–and nota bene, please, that “Rapper’s Delight,” depending on which version you land on, can be a long song.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.