Yearly Archives: 2020

Cultural Literacy: Mixed Economy

I’m not sure if high-school economics classes get to the point of discussing them (when I worked and at an economics and finance themed high school, the topic never came up, which may mean something), but if one somewhere does, than here is a Cultural Literacy worksheet on the concept of a mixed economy.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Formalism

“Formalism:  A central tenet of modernist art criticism that emphasized the importance of line, color, and space (significant form). Representational content was considered irrelevant in the eyes of formalist critics. Since formalism provided ‘objective’ methods for looking at all art whether Western or not, ancient or contemporary, it was thought of as egalitarian. But the advent of Pop Art necessitated a different analysis that went beyond the work itself and examined influences from popular culture. Postmodern approaches to art-making and criticism investigate both form and content, as well as the context of art and its role in society.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, June 26, 2020: A Lesson Plan on the Latin Word Roots Magn, Magna, and Magni

This week’s Text is a lesson plan on the Latin word roots magn, magna, and magni. They mean great and large and are very productive in English. Social studies teachers know they need not look much further than Charlemagne to see this root in action.

I open this lesson with this context clues worksheet on the adjective voluminous. Voluminous, as you most likely understand, means (among other things) “having or marked by great volume or bulk.” I chose this word for this lesson to offer both a hint about what the three roots here under study mean, but also to supply a near synonym. Finally, here is the scaffolded worksheet at the center of this lesson’s work.

Happy Friday! Wash your hands, wear a mask, stay safe.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Manchurian Candidate

The Manchurian Candidate: A memorable film (1962) directed by John Frankenheimer, based on Richard Condon’s novel of the same name (1959). It tells the story of a Korean War ‘hero’ (played by Laurence Harvey) who returns to the USA as a brainwashed zombie triggered to kill a liberal politician, his ‘control’ being his ambitious mother (played by Angela Lansbury). She goes on to order him to kill the presidential nominee, so that her husband, the vice-presidential candidate, can take over. Manchuria is a region of communist China to the north of North Korea. The expression ‘Manchurian candidate’ has subsequently been used to denote a person who has been brainwashed by some organization or foreign power and programmed to carry out its orders automatically.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Catcher in the Rye

Alright, moving right along on this fine Vermont morning, here is a reading on The Catcher in the Rye along with its vocabulary-building and comprehension worksheet. This is really more in the way of an introduction to the novel–and maybe a way of motivating reluctant or alienated learners to take a chance on the book.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Theism

“Theism: A term which refers to the belief in the existence of a divine being, especially in the existence of a single God, who is thought to be personal and who is the Creator of the universe. Theism involves the idea of divine revelation, and consequently is contrasted with deism, the rational belief in divinity independent of faith in a revealed truth.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Common Errors in English Usage: More and Most

Here’s an English usage worksheet on using more and most properly in the various grammatical constructions where they are needed.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Adjective

“Adjective: A word that modifies, quantifies, or otherwise qualifies a noun or pronoun: Drizzly November; midnight dreary; only requirement.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Omnipotent (adj)

It was Merriam-Webster’s word of the day yesterday (today’s is yokel, which I thought I’d pass on, since it has always struck me as an epithet, which we don’t need to teach our students), so here is a context clues worksheet on the adjective omnipotent.

Not to put too fine a point on this, but now strikes me as a pretty good time for people of all ages to know and understand this word, and to be skeptical of leaders who aspire to omnipotence.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Subjunctive

“Subjunctive: Indicating expression of something not actual or real but rather a desire, demand, plan, doubt, requirement, conception, etc., e.g., ‘Were I your sister….’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.