Yearly Archives: 2020

5 Components of the Soul in Ancient Egypt

“Ren * Ka * Ib * Ba * Sheut

The simplest concept is Ren, which is literally your name: it lives for as long as you are remembered, or can be read about on inscriptions, or included in prayers for the ancestors and their achievements. Ka is also easy enough to translate into modern idiom, for it is that vital essence that makes the difference between the living and the dead, between life and dead meat, between a warm body and cold clay.

Ib is literally the heart, formed from a single drop of clotted blood extracted from your mother’s heart at the hour of your conception or birth. By heart, the Egyptians meant not just the organ for pumping blood around your body, but the seat of your soul, the good directing force in your life, searching after truth, peace, and harmony.

Ba is that which makes each of us unique and different, that which makes us strive and achieve, the motivator but also the hungry elemental force that needs food and sex. In some form, your ba is destined to survive after death, often depicted or imagined as a human-headed bird, which with good fortune will go forth by day to enjoy the light, but might also end up existing only in the dark, like the bat or the ruin-haunting owl. Sheut is your shadow, and by extension the other you, as well as being used to describe a statue, a model, or a painting of a human.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Numerology (n)

While I recall that I felt an urgent need for it when I wrote it, I can’t now remember why I needed this context clues worksheet on the noun numerology. Generally, when I feel urgency to write something, it means a student expressed interest in a subject. I imagine that was the case when this document arrived in my files. Anyway, numerology is basically a form of mysticism, and you will find numerous examples of numerology (as above) drawn from Barnaby Rogerson’s Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

 If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Atmosphere

“Atmosphere: The mood and feeling, the intangible quality which appeals to extra-sensory as well as sensory perception, evoked by a work of art. For instance, the opening scene in Hamlet where the watch is tense and apprehensive, even “jumpy.” By contrast, the beginning of Ben Jonson’s The Alchemist indicates clearly that the play is going to be comic to the point of knockabout. An excellent example in the novel is Hardy’s depiction of Egdon Heath in The Return of the Native.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Common Errors in English Usage: Reticent (adj), Hesitant (adj)

Alright, here is an English usage worksheet on the adjectives reticent and hesitant and differentiating their use based on their subtle shades of meaning. These are a couple of words students should know and be able to use properly in expository prose, it seems to me.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Synthetic Cubism

“Synthetic Cubism: Often referred to as the ‘second phase of cubism,’ it lasted from 1912 to 1914. In contrast to Analytic Cubism, Synthetic Cubism allowed for a reemergence of tactile qualities and decorative elements. Color and handling became important once again, as did the inclusion of stenciled lettering and collage elements.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Meritocracy

It’s a concept that has received some long overdue scrutiny of late (you need only search “recent attacks on meritocracy” to find 933,000 results, at least on Google), so now is the perfect moment to post this Cultural Literacy worksheet on meritocracy. I think anyone who has spent any amount of time in a workplace knows that merit is basically inert when one seeks to advance one’s own career. It’s the sycophants and politicians that advance in our society, not those who seek to prove their worth through the merits of their efforts and labor. Indeed, a whole genre of comedy arose around this, starting, at least on my radar screen, with the American version of the situation comedy The Office.

Parenthetically, this document’s reading is more text than one usually finds in the short Cultural Literacy exercises on this website. Moreover, the reading mentions the Scholastic Aptitude Test, about which I will soon be posting a lesson plan. As you will see when you download and unpack it, this worksheet on meritocracy allows plenty of room to expand it–which, because it is a Microsoft Word, you can do easily.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Subject

“Subject: The noun or pronoun that indicates what a sentence is about, and which the principal verb of a sentence elaborates. The new Steven Spielberg movie is a box office hit.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Novel (n/adj)

It’s now fall in Vermont, and simply beautiful. Here, first thing on a Monday morning, is a pair of context clues worksheets on novel as both a noun and an adjective. These offer a nice, I hope cogent, to teach a point of usage while introducing students to a word in very common usage in educated and even casual discourse in English.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Scarface

Scarface: A gangster film (1932) directed by Howard Hawks, with a screenplay by Ben Hecht and others. The 1983 remake was directed by Brian de Palma and had a screenplay by Oliver Stone. The name of the eponymous anti-hero is Tony Camonte (played by Paul Muni) in the 1932 version; in the 1983 version he is called Tony Montana (played by Al Pacino). The character is based on the real-life gangster Al Capone (1899-1947), who acquired the name Scarface from the scar on his left cheek caused by a razor slash in a Brooklyn gang fight in his younger days.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Drag Racing

Last but not least today, here is a reading on drag racing and its accompanying vocabulary-building and comprehension worksheet. I wrote this when I was working with a group of students in a rural high school who were interested in all manner of fast cars. It was high-interest material for those students, which leads me to suspect it will be of high-interest elsewhere as well. If that turns out to be the case in your classroom, could you leave a comment?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.