“What kind of accident cripples Ethan Frome in Edith Wharton’s novel Ethan Frome (1911)? He and his beloved, Mattie Silver, drive a sled into a tree in a botched suicide attempt.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, united states history, women's history
Today begins Women’s History Month 2020. Let’s kick it off with this Everyday Edit worksheet on Elizabeth Cady Stanton. If you like this material, you can find a yearlong supply of it for free at the Education World website.
And, of course, you will find error in this document–that is the reason, after all, it exists.
Where was The Sign in Sidney Brustein’s Window? In the 1964 play of the same name by Lorraine Hansberry, it was located in Greenwich Village, New York City.
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Since they are clearly popular, here is another lesson plan from the pages of Crime and Puzzlement, this on on the case “Tread Lightly.”
I open this lesson on this Cultural Literacy worksheet on Josephine Baker–an exemplary American, by the way. The illustration and questions drive the lesson. Finally, here is the answer key to solve the case.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
I Know Why the Caged Bird Sings: A volume of memoirs (1970) by the African-American writer, singer, and actress Maya Angelou (1928-2014). Angelou borrowed her title—a metaphor for the African-American experience—from the US writer Paul Lawrence Dunbar (1872-1906):
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
Paul Lawrence Dunbar: ‘Sympathy,’ in The Complete Poems (1895)
Dunbar may have been inspired by an earlier line:
When caged birds sing, when indeed they cry.
John Webster: The White Devil (1612), V.iv
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“Matronym, Matronymic (noun): A name derived from that of one’s mother or a maternal ancestor, usually by addition of a suffix or prefix. Adjective: matronymic, matronymical; adverb: matronymically. Also METRONYMIC”
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
“The Heart Is a Lonely Hunter: A novel (1940) by Carson McCullers (1917-1967) of the ‘Southern grotesque’ school. It features a deaf-mute, to whom the other main characters wrongly attribute the faculty of inner serenity that they lack. The title is from the poem ‘The Lonely Hunter’ (1896) by Fiona Macleod (pen-name of William Sharp; 1855-1905):
My heart is a lonely hunter that hunts on a lonely hill.
A rather pale film version (1968) was directed by Robert Ellis Miller.
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“Addams, Jane: (1860-1935) Addams was an American sociologist of central importance to the work of the Chicago School in the late nineteenth and early twentieth centuries. A powerful influence on many other women in sociology, such as Charlotte Perkins Gilman and Emily Greene Balch, in 1889 she set up a social settlement in Chicago, Hull House, which was partly inspired by London’s Toynbee Hall, but more woman-influenced, more egalitarian, and less religious. She argued that one of the main problems for women was trying to manage the conflicting demands of family and society, and believed social settlements were one way to resolve the problem. Hull House was an important sociological center for the University of Chicago, and also attracted other leading social theorists, Marxists, anarchists, and socialists of the time. A spokeswoman for women and working-class immigrants in particular, Addams was a cultural feminist who believed female values were inherently superior to those of men, and argued that a more productive and more peaceful society could be built by drawing on, and integrating, such values. Her commitment to pacifism made her a social pariah during the First World War, although in 1931 she was awarded the Nobel Peace Prize.”
Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.
“Sense and Sensibility: A novel by Jane Austen (1775-1817), published in 1811. As in Pride and Prejudice, the title refers to two of the main characters: the sensible, quiet and dignified Elinor Dashwood, and her highly emotional and demonstrative sister, Marianne. ‘Sensibility’ is an 18th-century usage for ‘feeling’ or ‘sentiment.’
Miss Austen being, as you say, ‘without sentiment,’ without poetry, maybe is sensible (more real than true) but she cannot be great. Charlotte Bronte: letter to George Henry Lewes, 18 January 1848.
The film version (1995), directed by Ang Lee and with a screenplay by Emma Thompson (who also plays Elinor), was a surprise commercial hit.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Starting another morning, here is a Cultural Literacy worksheet on the Victorian Period in British history.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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