Tag Archives: united states history

Smithsonian Institution

Here is a reading on the Smithsonian Institution along with its attendant vocabulary-building and comprehension worksheet. I can’t think of much to say about this: it’s a reading from the Intellectual Devotional series (of which you’ll find a great many on this website) with a basic vocabulary-building and comprehension worksheet (which, like the reading itself, is in Microsoft Word, so you may revise and adapt it for your particular pedagogical circumstances and priorities) I prepared to accompany it.

And that is about it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cant

“Cant (noun): Language that is hypocritical or wearisomely hollow and predictable, such as stereotypical political jargon, repetitious promotional claims, or pious religious clichés, transparent, rote idiom or stock phrases; whining, singsong speech, such as that used by importuning beggars; argot of a group or lower social class. Adj. canting; v. cant.

‘But the official language of the United States is now cant. As I said at the beginning, the condition of the real language is critical.’ Jean Stafford, Saturday Review”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Algonquin Wits: Dorothy Parker, Famously, on Katherine Hepburn

Mrs. Parker once said of a Katherine Hepburn performance: ‘She ran the gamut of emotions from A to B.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Wade Hampton

[In general, I eschew the inclusion of biographies like the one below for a variety of reasons, but primarily because of Mark’s Text Terminal’s commitment to raising underrepresented and unheard voices–and white supremacists, especially as of this writing, are neither underrepresented or unheard in American society. I post this because I lived for nine years in a coop apartment building in the North Bronx named for Wade Hampton–i.e. the Wade Hampton Apartments. The building went up in 1930, and I think its safe to assume that the choice of place name for this apartment house stemmed from its owners’ desire to signal unequivocally to American citizens of African descent that they were unwelcome there. At the time the building opened for tenancy, the Great Migration from the South (and for more on that, I cannot extol highly enough Isabel Wilkerson’s magisterial history of the period The Warmth of Other Suns) was gathering steam, provoking a housing crisis in the cities, including New York, to which Black people migrated to escape the racist exploitation and brutality of the Jim Crow South–something Wade Hampton himself (and the developers of Wade Hampton apartments, arguably) undeniably worked to perpetuate. My one regret about all of this is that I didn’t insist, while serving on the coop board, that the name of the corporation and the real property it fronted change to something less odious. If anyone from Wade Hampton happens to see this post, consider a change, won’t you please?]

“Wade Hampton: (1818-1902) U.S. military leader. Born in Charleston, South Carolina, he managed his family’s plantations and served in the state legislature (1852-61). In the Civil War he organized and led ‘Hampton’s Legion‘ of South Carolina troops, fighting at Bull Run and Gettysburg and serving as second in command under J.E.B. Stuart. After Stuart died, he was promoted to major general and led the cavalry (1864). After the war he sought reconciliation but opposed the policies of Reconstruction, and as governor of South Carolina (1876-79) he led the fight to restore white supremacy. He served in the U.S. Senate 1879-91.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Archie Bunker

He came up in conversation with a couple of friends after an evening at Jazzmobile in Harlem the other night, so here is a reading on Archie Bunker along with its accompanying vocabulary-building and comprehension worksheet. I remember All in the Family when it was in broadcast–I was 11 when it started its run; I was not, alas, old enough to understand, let alone appreciate, the bitter irony of the superb writing and acting. I hadn’t realized the show ran until 1979. I stopped watching television in 1975. preferring to run the streets of Madison, Wisconsin with my friends in search of the sort of kicks that Archie Bunker would have frowned upon.

Now is a good time to congratulate All in the Family’s legendary producer, Norman Lear, on his centenary birthday. He turned 100 on July 27 of this year.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Paul Fussell on Chess and Social Class

“Chess is seldom found above the upper-middle class; it’s too hard.”

Paul Fussell

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Algonquin Wits: Alexander Woollcott’s Riposte in a Moment of Immodesty

“Ever conscious of his weight problem, Woollcott installed a steam cabinet at his ‘Wit’s End’ home on the East River. The cabinet had a large window in front, through which an outsider could see anyone sitting inside. One afternoon Peggy Pulitzer, while a guest at Woollcott’s, wandered by the cabinet and beheld Aleck’s stark-naked form. Later she advised him, ‘You should cover that window with an organdy curtain.’ Woollcott corrected the lady’s phrasing, however” ‘Curtain de organ.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

John Kenneth Galbraith on Meetings

“Meetings are indispensable when you don’t want to do anything.”

John Kenneth Galbraith

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Weekly Text, 5 August 2022: A Lesson Plan for the Final Assessment of the Conjunctions Unit

Ok, here is the final lesson plan of the conjunctions unit, which is a sentence-writing review as a unit-concluding assessment. I open this lesson with this worksheet on the homophones peak and peek; if the unit goes into a second day (it very likely will, and perhaps even a third), here is an Everyday Edit the desegregation of Central High School in Little Rock, Arkansas, which Melba Patillo Beals experienced first hand as one of the Little Rock Nine, and about which she has written eloquently.

This sentence-writing practice assessment worksheet is the final assessment for this unit.

And with this post, the entire cycle of units I wrote to teach the parts of speech is now available on Mark’s Text Terminal. I don’t know how many lessons in total it is, but if it is not 100, it’s close. I hope you find some or all of this material useful. After seven years of piecemeal posting of these materials, they’re all here.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Douglas Sirk

“Douglas Sirk originally Hans Detlef Sierck: (1900-1987) German-U.S. film director. He was artistic director of several theaters in Bremen (1923-29) and Leipzig (1929-36) and made several films before fleeing Germany in 1937. He arrived in Hollywood in 1939 and received minor directing assignments until he joined Universal Pictures in 1950. There he directed comedy, western, and war movies but was best known for such popular melodramas as Magnificent Obsession (1954), There’s Always Tomorrow (1956), Written on the Wind (1956), and The Tarnished Angels (1957). After directing his greatest success, Imitation of Life (1959), he retired to Germany.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.