Tag Archives: professional development

Concepts in Economics: Free Enterprise System

“Free enterprise system: A term with political overtones used to describe an economy in which the initiative for production and consumption decisions lies with individuals and companies, and there is limited government regulation. See also MARKET ECONOMY.

Excerpted from: Black, John, Nigar Hashimzade, and Gareth Myles. A Dictionary of Economics. New York: Oxford University Press, 2017.

Refugee Intellectuals

“Refugee Intellectuals: (1930-1940) During the 1930s, a galaxy of European intellectuals–authors, artists, scholars, scientists–fled European totalitarianism and found refuge, permanent or temporary, in the United States. Their contributions to the nation’s cultural life–and later to its war effort–were incalculable. The hundreds of refugee intellectuals included:

  • George Balanchine, Russian dancer and choreographer, to U.S. 1933
  • Hans Bethe, German physicist, to U.S. 1935.
  • Bertolt Brecht, German playwright and poet, in U.S. 1941-49
  • Marcel Breuer, Hungarian architect, to U.S. 1937
  • Rudolf Carnap, German philosopher, to U.S. 1936
  • Albert Einstein, German physicist, to U.S. 1933
  • Erik Erikson, German psychoanalyst, to U.S. 1933
  • Max Ernst, German painter, in U.S. 1939-49
  • Enrico Fermi, Italian physicist, to U.S. 1938
  • Erich Fromm, German psychoanalyst, to U.S. 1934
  • Walter Gropius, German architect, to U.S. 1937
  • George Grosz, German painter, to U.S. 1933
  • Paul Hindemith, German composer, in U.S. 1940-52
  • Hans Hofmann, German painter, to U.S. 1930
  • Karen Horney, German psychoanalyst, to U.S. 1932
  • Wolfgang Kohler, German psychologist, to U.S. 1934
  • Fritz Lang, German film director, to U.S. 1934
  • Thomas Mann, German author, in U.S. 1938-53
  • Herbert Marcuse, German political philosopher, to U.S. 1934
  • Ludwig Mies van der Rohe, German architect, to U.S. 1937
  • Lazlo Moholy-Nagy, Hungarian painter, to U.S. 1937
  • Hans Morgenthau, German political scientist, to U.S. 1937
  • Erwin Panovsky, German art historian, to U.S.
  • Erwin Piscator, German theatrical director, in U.S. 1939-1951
  • Arnold Schoenberg, Austrian composer, to U.S. 1931
  • Joseph Schumpeter, Austrian economist, to U.S. 1932
  • Isaac Bashevis Singer, Polish-Yiddish novelist, to U.S. 1935
  • Igor Stravinsky, Russian composer, to U.S. 1937
  • George Szell, Hungarian conductor, to U.S. 1937
  • Leo Szilard, Hungarian physicist, to U.S. 1938
  • Edward Teller, Hungarian physicist, to U.S. 1935
  • Paul Tillich, German theologian, to U.S. 1933
  • Arturo Toscanini, Italian conductor, to U.S. 1930
  • John Von Neumann, Hungarian mathematician, to U.S. 1930
  • Bruno Walter, German conductor, to U.S. 1938
  • Kurt Weill, German composer, to U.S. 1935
  • Max Wertheimer, German psychologist, to U.S. 1933
  • Eugene Wigner, Hungarian physicist, to U.S. 1930

Excerpted from: Rosenbaum, Robert A. The Penguin Encyclopedia of American History. New York: Penguin, 2003.

Common Errors in English Usage: Meantime/Meanwhile

Here is a worksheet on the use of meantime and meanwhile. As Paul Brians, the author of Common Errors in English Usage (to which he generously allows access at no charge at his Washington State University web page), from which this worksheet is adapted, observes, most people use these words interchangeably. Merriam-Webster appears to think so, identifying them as synonyms to each other in the electronic version of its Collegiate Encyclopedia (11th Edition). At the same time, Merriam-Webster designates both words, when separated by dashes (i.e. mean-time and mean-while) as nouns.

Yet, as Professor Brians also points out, some usage experts designated specific uses for each of these adverbs and nouns. It is that designation that drives this worksheet, which is a full page and features a reading of two longish sentences and five modified cloze exercises. This might be a useful exercise for opening a discussion about, well, English usage; that in turn might lead to a review of a usage manual to familiarize students with the, well, usefulness, of such a book.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Disclaimer

“Disclaimer (noun): A specific denial or disavowal, especially an explicit public statement of nonresponsibility or nonaffiliation; protective explanation; waiver. Adjective: disclamatory; verb: disclaim.

‘She turns on “Heated Topics,” a feminist talk show so controversial that it begins with viewer-discretion warning and ends with a disclaimer.’ Mary Cantwell, The New York Times”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Concepts in Sociology: Ageism

“ageism: A term first employed by Dr. R.N. Butler, director of the American Institute for Aging in 1968. It refers to the negative stereotype of elderly individuals, which prejudicially describes them as senile, rigid in their attitudes and psychologically and socially dependent. Ageism has become important as a political issue with the greying of populations in Western societies. ‘New ageism’ refers to intergenerational conflicts where the elderly are condemned for being ‘takers’ and not ‘givers.’”

Excerpted from: Abercrombie, Nicholas, Stephen Hill, and Bryan S. Turner. Dictionary of Sociology. New York: Penguin, 2006.

Term of Art: Reciprocal Reading/Teaching

“reciprocal reading/teaching: A situation in which teachers and students take turns in reading or discussing a written passage. Reciprocal reading is useful because teachers model good reading such as pausing at punctuation, using intonation, and tracking with a finger. Reciprocal teaching also can involve shared discussion where the teacher can model good comprehension and questioning strategies to promote critical thinking.

In reciprocal teaching and learning, teachers and students share in the process of a learning activity and teachers can also monitor and assess students while they try out new reading/thinking strategies.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Realism

“Realism: Fidelity to natural appearances without slavish attention to minute details (see Naturalism). As a movement, it goes back to Courbet and Manet in the 1850s and culminates in Impressionism.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Socioeconomic Status

“socioeconomic status: A term used to describe the home backgrounds of individuals or groups, taking into account such elements as family income and education attainment.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Diminutive

“Diminutive (noun): A word or word element indicating (often by addition of a suffix) small size or familiarly lovable, pitiable, or dismissible qualities, sometimes condescendingly. Adverb: diminutively.

‘My grandmother, too, used to put other people’s ailments into the diminutive; strokelets were what her friends had. Aldo said he was bored to tearsies by my grandmother’s diminutives.’ Renata Adler, Speedboat

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Word Origins: Diamond

“diamond: [ME] The name of the gem derives from a medieval Latin alteration of Latin adamans ADAMANT. Adamant was a legendary rock or mineral of many supposed properties. One of these was hardness, which was a reason why people sometimes identified it with diamond. A diamond is forever was used as an advertising slogan for De Beers Consolidated Mines from the late 1940s onwards, and in 1956 Ian Fleming used Diamonds are Forever as the title of his latest James Bond thriller, but the idea was first expressed by the American writer Anita Loos, in Gentlemen Prefer Blondes (1925). ‘Diamonds are a Girl’s Best Friend‘ was a song written by Leo Robin and Jule Styne for the 1949 stage musical of Gentlemen Prefer Blondes.”

Excerpted from: Creswell, Julia. Oxford Dictionary of Word Origins. New York: Oxford University Press, 2010.