Tag Archives: professional development

Term of Art: Action Reflection Process

“action reflection process: A structured discussion held during regular teacher meetings in which participants focus on a limited topic. Leaders of the discussion may begin with a provocative statement or video, which is called an action reflection tool. The action reflection process was created by the Education Development Center of Newton, Massachusetts.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Action Research

“action research: The systematic investigation by teachers of some aspect of their work to help them improve their effectiveness. Action research requires that the participants identify a question or problem and then collect and analyze relevant data. It differs from conventional research in that the participants study an aspect of their own work in the classroom and intend to use the results themselves. For example, a teacher might decide to give students different assignments according to their assessed learning styles. If the teacher maintained records comparing student work before and after the change, he or she would be doing action research. If several educators worked together on such a project, this would be considered collaborative action research. Because of the personal interest of those who carry out action research, the results do not necessarily have credibility and are seldom generalized to other classrooms and schools.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Daniel Willingham on Reading and Conscious Awareness

“Being able to hear the sounds associated with letters doesn’t seem like it ought to me all that hard. Isn’t it obvious that a child can do that if she can hear the difference between big and dig in everyday speech? But that’s not quite the same task because in order to learn to read and write, the child must be aware of what differentiates big and dig, so she can think Aha, there’s the letter “d,” and I know what sound that makes! Many mental processes lie outside of awareness, and some seem destined to remain so. For example, you obviously know how to shift your weight to stay upright on a bicycle, but that knowledge is accessible only to the parts of the brain that control movement. You can’t examine that knowledge or describe it. Other types of knowledge are unconscious, but can become conscious. For example, most people speak grammatically—even if they violate some rules taught in school, they speak in accordance with others in their linguistic community. People are unaware of these rules, but can consciously learn them. Hearing individual speech sounds is analogous. Any speaker can hear that big and dig differ and although people aren’t born with the ability to describe the difference, most can learn to do so.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Youth Culture

“Youth Culture: Strictly speaking a subculture, the subject of an influential debate between (mainly) functionalist writers and their critics. Youth cultures are explained either by factors in the experience of adolescence, or by the manipulation of young people’s spending and leisure, through advertising and other mass media. The functional separation of home, school, and work supposedly makes teenagers increasingly distinct from adults, more self-aware, and subject to peer group rather than parental and other adult influences. But the relative affluence of teenagers in the decades after the Second World War, especially if they were in work, also encouraged the growth of a large and profitable market for goods and services specifically directed at young consumers. This has promoted the growth of a distinctive youth fashions and styles in clothes, music, and leisure, many of the originating in the United States.

For some writers, the cultural clash across generations has displaced social class as the primary form of conflict in modern industrialism. Yet class itself figures importantly in shaping the content of different youth cultures. Research in the United States distinguished the so-called college cultures of (mainly) middle-class youth from the rough or corner cultures of their working-class counterparts. The former were thought to manage the gap between conformist attitudes to achievement and otherness of adolescent school life—of which the school itself is the center. Corner cultures, in contrast, were viewed as a response to working-class academic failure; centered around the neighborhood gang rather than the school; and as reflecting the search for alternative, even deviant status, identity, or rewards. In Britain, however, youth culture was almost exclusively identified with male working-class youth and the moral panic about its style and aggressiveness. Neo-Marxist studies saw this as symbolic protest against, for example, the dissolution of the traditional working-class neighborhood community, and mass control over what were once predominantly working-class forms of leisure (such as soccer). Much of this literature is reviewed in Mike Brake, The Sociology of Youth Cultures and Subcultures (1980).

Developments in both sociology and society itself, notably during the 1980s, greatly modified the terms of the debate. Feminist writers pointed to the invisibility of girls in the mainstream literature on youth and have researched gender variations in youth culture. The experiences of youth among ethnic minorities have received more attention. But, above all, the period since the mid-1970s has seen the demise of the notion of the independent teenage consumer and rebel. The focus of research has switched instead to the youth labor-market, and the dependence of young people on the household, as a result of growing unemployment and the vulnerability of youth to flexible employment. See also Coleman, James S.”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Haptic Sense

“haptic sense: A person’s sense of touch. Haptic recognition tests involve blindfolded subjects feeling geometric shapes, then choosing the picture corresponding to the shape from a limited set. Many people with language-based disabilities have a difficult time with these tasks.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Nomenclature

“Nomenclature (noun): A system of names for designating the things or member elements of a particular science, field, or discipline; categorical labeling; terminology; list or set of names. Adjective: nomenclative, nomenclatorial, nomenclatural; adverb: nomenclatorially, nomenclaturally.

‘Nailles claimed not to be a superstitious man but he did believe in the mysterious power of nomenclature. He believed, for example, that people named John and Mary never divorced.’ John Cheever, Bullet Park

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Accomodations

“accommodations: Changes in the design or administration of tests in response to the special needs of students with disabilities or students who are learning English. The term generally refers to changes that do not substantially alter what the test measures. The goal is to give all students equal opportunity to demonstrate their knowledge. Typical accommodations include allowing a student to take more time on a test, to take a test with no time limits, to receive large-print test booklets, to have part or at least all of a test read aloud, to use a computer to answer test questions, to have access to a scribe to write down a student’s answers, to use Braille forms of the assessment, or to have access during the test to an English language dictionary.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Daniel Willingham’s First Demonstration of Memory as a Professional Development Exercise

Elsewhere on this blog, I published Professor Daniel Willingham’s “First Demonstration of Memory” as a lesson for classroom use with students (in fact, if you click on that second hyperlink, it will transfer you directly to that post). I originally wrote that lesson because it has important implications for classroom practice, and I wanted to discuss those implications with students at the beginning of the school year. In fact, I give the lesson on the first day of school, before talking about classroom conduct, as a way of establishing priorities–learning–and classroom methodology–i.e. students directly involved in the pedagogy in which they will engage through the school year.

Along the way, in order to satisfy my professional development requirements, I also developed this lesson, which in some respects is a cognitive science parlor trick, for use as a professional development exercise for teachers.

To present this lesson, you will need this PDF of the article that engendered it; you might also consider reproducing the article to hand out after you conclude the lesson. Here is the lesson plan that outlines and rationalizes it use. I use this learning support with both versions of this lesson. Finally, here is the context clues worksheet on the adjective condign that concludes the exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Theology

“theology: The systematic study of religious beliefs and systems of thinking about God (or gods), often from within a given tradition, such as Judaism or Catholicism. Theology is not far removed from philosophy and the sociology of religion when considerations of meaning and empirical manifestations of religion are primary.”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Ability Grouping

“ability grouping: The practice of assigning students to classes on the basis of their past achievement or presumed ability to learn. In schools that use ability grouping, low-performing students will be in one class, hig-performing students in another, and average-performing students in yet another. This grouping by ability is called homogenous grouping, whereas the practice of mixing students of different abilities in the same class is called heterogenous grouping. Some schools group students by ability in certain subjects, like mathematics, but not in others, like social studies or English. Researchers disagree about whether ability grouping is beneficial. Advocates say that a certain amount of grouping is not only inevitable but also better for students, Many teachers find it daunting to teach classes with a wide range of ability because they must worry about boring students at the high end or ability while moving too rapidly for students at the other extreme. Critics of ability grouping contend that those placed in lower tracks encounter low expectations and are not sufficiently challenged. They also say that in most subject areas, students with lower or higher skills have much to learn from one another.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.