Tag Archives: professional development

Alice Walker

“Alice (Malsenior) Walker: (b.1944) U.S. writer. Born in Eatonton, Georgia, Walker moved to Mississippi after attending Spelman and Sarah Lawrence colleges and became involved with the civil-rights movement. Her works are noted for their insightful treatment of African-American culture. Her third and most popular novel, The Color Purple (1982; Pulitzer Prize; film, 1985), depicts a black woman’s struggle for racial and sexual equality. Her later novels include The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992). She has also written essays, some collected in In Search of Our Mothers’ Gardens (1983); several books of poetry; short stories; and children’s books.

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

[Addendum: The Color Purple was filmed a second time, in 2023; this second film adaptation was based on the Broadway musical of The Color Purple.]

The Weekly Text, 20 February 2026, Black History Month Week III: A Reading on Arturo Schomburg

Sometime not long after I returned to New York in 2021, I attended a lecture a the New York Public Library (the main on 5th Avenue and 42nd Street, with the lions Patience and Fortitude at the front) on Arturo Schomburg. When I lived in Harlem, I walked by his namesake, the Schomburg Center for Research in Black Culture, every morning on my way to work. I also regularly stopped in to view exhibits there as well.

Therefore, Arturo Schomburg has been something of a presence in my intellectual life since 2004.

There are two biographies of Arturo Schomburg: Diasporic Blackness: The Life and Times of Arturo Schomburg,  by Vanessa Valdes or Arturo Schomburg: Black Bibliophile and Collector by Elinor Des Verney Sinette. I read the latter

One thing that I did pick up on at the lecture and in Ms Sinette’s book, however, was the existence of this article from the man himself. This is a PDF of an article “Arthur” (one thing I learned about Schomburg is that very little is known about him, including which given version of his given name he was using at any time) Schomburg wrote on Black History, “The Negro Digs Up His History.” Nota bene, please, that I have only posted the reading; next year at this time (I already have the basic structure assembled) you’ll find a fully realized lesson plan to accompany this article.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

C(yril) L(ionel) (R)obert James

“C(yril) L(ionel) R(obert) James: (1901-1989) Trinidadian writer and political activist. As a young man he moved to Britain, where his first work, The Life of Captain Cipriani, was published in 1929. His study of Toussaint-Louverture, The Black Jacobins (1938) was a seminal work. During his first stay in the U.S. (1938-53), he became friends with Paul Robeson. Eventually deported to Britain because of his Marxism and labor activism, James wrote on cricket for the Guardian. His Beyond the Boundary (1963) mixes autobiography with commentary on politics and sports. He returned the to the U.S. in 1970 but eventually settled permanently in Britain.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Bernard Coard on the Intellectual and Emotional Oppression of the West Indian Child in the British School System

“The Black child acquires two fundamental attitudes or beliefs as a result of his experiencing the British school system: a low self-image, and consequently low expectations in life. These are obtained through streaming, banding, bussing, ESN [Educationally Sub-Normal] schools, racist news media, and a white middle-class curriculum; by totally ignoring the Black child’s language, history, culture, identity. Through the choice of teaching materials, the society emphasizes who and what it thinks is important—and by implication, by omission, who and what it thinks is unimportant, infinitesimal, irrelevant. Through the belittling, ignoring, or denying of a person’s identity, one can destroy perhaps the most important aspect of a person’s personality—his sense of identity, of who he is. Without this, he will get nowhere.”

Excerpted from: Coard, Bernard. How the West Indian Child Is Made Educationally Sub-Normal in the British School System: 50th Anniversary Expanded Fifth Edition. Kingston, Jamaica: McDermott Publishing, 2021.

Carter G. Woodson on the Oppressor’s Methodology

“If you teach the Negro that he has accomplished as much good as any other race he will aspire to equality and justice without regard to race. Such an effort would upset the program of the oppressor in Africa and America. Play up before the Negro, then, his crimes and shortcomings. Let him learn and admire the Hebrew, the Greek, the Latin and the Teuton. Lead the Negro to detest the man of African blood—to hate himself. The oppressor may then conquer, exploit, oppress and even annihilate the Negro by segregation without fear or trembling. With the truth hidden there will be little expression of thought to the contrary.

The American Negro has taken over an abundance of information which others have made accessible to the oppressed, but he has not yet learned to think and plan for himself as others do for themselves. Well might this race be referred to as the most docile and tractable people on earth. This merely means that when the oppressors once start the large majority of the race in the direction of serving the purposes of their traducers, the task becomes so easy in the years following that they have little trouble with the masses thus controlled. It is a most satisfactory system, and it has become so popular that European nations of foresight are sending some of their brightest minds to the United States to observe the Negro in ‘inaction’ in order to learn how to deal likewise with Negroes in their colonies. What the Negro in America has become satisfied with will be accepted as the measure or what should be allotted him elsewhere. Certain Europeans consider the ‘solution to the race problem in the United States’ one of our great achievements.”

Excerpted/Adapted from: Woodson, Carter G. The Mis-education of the Negro. Eastford, CT: Martino Fine Books, 2018.

The Weekly Text, 6 February 2026, Black History Month Week I: 27 Pages of Annotations (Covering All 17 Chapters) on Chimamanda Ngozi Adichie’s Novel “Purple Hibiscus”

OK–Black History Month 2026 has arrived. As I say every year, at Mark’s Text Terminal every month is Black History Month because Black History is American History. At the same time, far be it from me to second guess a person of Carter G. Woodson’s stature; Black History Month is his brainchild. This month I have a couple of new things to roll out, developed in the year since the last time the calendar spun around to February.

So let’s start out with these 27 pages of annotations I prepared to accompany all 17 chapters of Chimamanda Ngozi Adichie’s first novel Purple Hibiscus. As you may know, Ms. Adichie is a member of a group of writers known as the “Children of Achebe” (about which I heard a great deal on a public radio program several years ago, and can now find no credible source for citation on the Internet). Artificial Intelligence (which I think dubious at best) yields a list of names that include Ms. Adichie, as well as Helon Habila, Chigozie Obioma, and Sefi Atta.

Achebe, of course, refers the the late, great, Chinua Achebe, whose novel Things Fall Apart is universally regarded as a masterpiece of post-colonial literature. Purple Hibiscus is also an exemplary post-colonial novel. And it’s difficult to get past the first sentence of this fine book without noticing Ms. Adichie’s homage to Chinua Achebe: “Things started to fall apart at home when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the etagere.”

Finally, in preparing this post, I intended to refer to material I’d prepared and published for Ms. Adichie’s short book (pamphlet, really, and literally the transcript of a TED talk), We Should All Be Feminists. To my surprise, I somehow never staged this material for inclusion in this blog. I have two versions of the unit, one complete and one incomplete. The complete unit was prepared for a small class of emergent readers and writers, so there is a lot of material. Needless to say, now that I have uncovered this lapse, I have this material in the warehouse and ready for publication.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Social Promotion

“social promotion: The policy of promoting students from one grade to the next with their age group even though they have not mastered the skills and knowledge that are considered appropriate for the next grade level. See also promotion. Contrast retention.

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Concepts in Economics: Central Planning

“Central planning: The operation of an economy through centralized decision-taking whereby the decisions are taken at the center and orders issued to enterprises concerning their production and investment plans. While in theory such a system should allow the use of all resources in an economy in the public interest, without wasteful duplication of effort, the amount of information required to achieve efficiency is too great, and the incentives to supply the center with viable information are too poor. As a result, centrally planned economies, such as those of the former Soviet Union and other Eastern European countries, were not able to perform as well as a decentralized system based on competition between independent decision makers, and had to abandon central planning in the late 1980s in favor of the market economy.”

Excerpted from: Black, John, Nigar Hashimzade, and Gareth Miles. Oxford Dictionary of Economics. New York: Oxford University Press, 2012.

Dialect

“Dialect (noun): A special or regional strain of a language, usually oral in its dissemination, that is distinctive in its idiom, pronunciation, or grammar and is one of several varieties of a common tongue; the language peculiar to a social class, foreign-born group, or the like; idiosyncratic or nonstandard speech. Adjective: dialectical; adverb: dialectically.

‘It was a hard school. One could not learn geography very well through the medium of strange dialects, from dark minds that mingled fact and fable and that measured distances by “sleeps” that varied according to the difficulty of the going.’ Jack London, ‘Lost Face'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Orson Welles

Orson (George) Welles: (1915-1985) U.S. film director, actor, and producer. Born in Kenosha, Wisconsin, he began directing on stage at 16 and made his Broadway debut in 1934. He directed an all-black cast in Macbeth for the Federal Theater Project. In 1937 he and John Houseman formed the Mercury Theater, creating a series of radio dramas and attempting to mount Marc Blitzstein’s The Cradle Will Rock in the face of determined opposition, and winning notoriety with their panic-producing broadcast of War of the Worlds (1938). Welles then moved to Hollywood, where he cowrote, directed, and acted in the classic Citizen Kane (1941), noted for its innovative narrative technique and atmospheric cinematography and considered the most influential movie in film history. His other films include The Magnificent Ambersons (1943), The Stranger (1946), The Lady from Shanghai (1948), Othello (1952), The Trial (1963), Touch of Evil (1958) and Chimes at Midnight (1966). His problems with Hollywood studios curtailed future productions, and he moved to Europe. He was also notable as an actor in Jane Eyre (1944), The Third Man (1949), and Compulsion (1959).

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.