Tag Archives: poetry

James Laughlin

“James Laughlin: (1914-1997) American publisher, editor, and poet. The son of a wealthy Pittsburgh steelmaker, Laughlin was best known as the founder and guiding force behind New Directions Press. After an extended stay in Italy, where he studied with Ezra Pound, he founded New Directions Press at the age of twenty-two. He published then-unknown writers, commissioned the translation of a vast array of foreign books, and reprinted older books that Laughlin felt deserved attention. His excellent judgement is attested to by a survey of the New Directions catalogue, which included early books by Tennessee Williams, Lawrence Ferlinghetti, Borges, and Nabokov. Laughlin is also a respected poet. In Another Country: Poems 1935-1975 (1978) showcases his spare style and precise, vibrant imagery, reflecting the precedent of the modernist writers he once published.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Affective Fallacy

“Affective Fallacy The fallacy of judging the worth of a literary work by its emotional effect on the reader.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Literary Art

“Literary Art: Art with its subject matter drawn from a text; illustration. Literary art is generally thought to be aesthetically superior to narrative art. Many romantic painters, e.g., Eugene Delacroix and William Blake, worked in the literary tradition”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: For Want of a Nail the Kingdom Was Lost

Here is a Cultural Literacy Worksheet on the proverb For Want of a Nail the Kingdom Was Lost. It’s a half-page document with a short reading and three questions.

Because this is a classic proverb that originates in a Middle High German form as early as the 13th century, and has been a constant across the centuries. In its entirety, which is only seven lines, it’s a nice little chain of cause and effect. I think there is a lesson in all this about the consequences of omission and neglect.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bury My Heart at Wounded Knee

“Bury My Heart at Wounded Knee: A historical study (1971) by Dee Brown (1908-2002) of the conquest of the American West and the destruction of the Native American tribes. The title comes from the last verse of a poem ‘American Names’ (1927), by Stephen Vincent Benet (1898-1943):

‘I shall not rest quiet in Montparnasse.

I shall not lie easy in Winchelsea.

You may bury my body in Sussex grass.

You may bury my tongue at Champmedy.

I shall not be there. I shall rise and pass.

Bury my heart at Wounded Knee.’

Wounded Knee, in South Dakota, was the site of a massacre of Teton-Sioux by US forces on 29 December 1890, in which at least 150 Native Americans and 25 US soldiers were killed. It marked the final suppression of Native American resistance. In the Wounded Knee protest of 1973, two years after the publication of Brown’s book, some 200 armed members of the American Indian Movement occupied the symbolic site. The occupation ended after a 70-day siege, but helped to focus international attention on the US government’s treatment of Native Americans.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: Notes from a Bottle Found on the Beach at Carmel

 Rotten Reviews: Notes from a Bottle Found on the Beach at Carmel

 “…almost pure gingerbread. It has bite, a certain flavor, but it turns into a gluey mess when chewed.”

 San Francisco Examiner

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Rotten Reviews: What the Light Was Like

Rotten Reviews: What the Light Was Like

“…it would be better for Amy Clampitt if, at least for a while, she tucked her notes from Poetry 101 away in a trunk.”

Poetry 

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Book of Answers: Walt Whitman and Ralph Waldo Emerson

“Upon the publication of Leaves of Grass, who wrote to Walt Whitman, ‘I greet you at the beginning of a great career.’ Ralph Waldo Emerson in 1850. The complete salutation is: ‘I greet you at the beginning of a great career, which yet must have had a long foreground somewhere for such a start.’ Whitman was thirty-six at the time of the book’s publication.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

“The Road Not Taken”

Here is a reading on Robert Frost’s poem “The Road Not Taken” accompanied by its vocabulary-building and comprehension worksheet. This is a rare two-page reading in the series of materials I have prepared using texts from The Intellectual Devotional series; it includes a full typescript of the text of the poem as well as a surprisingly thorough exegesis of the poem itself.

I only wrote this recently, but I did so because in the years that I worked in New York City, especially in the South Bronx, a number of paraeducators with whom I worked were students at Hostos Community College on 149th Street and the Grand Concourse, one of the Bronx’s great intersections. “The Road Not Taken” was at the time and may still be a staple of one or more of the American literature courses at the school. As this reading points out, this is a difficult poem to interpret; Frost himself said so (his remark is one of the “additional questions” on the reading and worksheet), calling the poem “tricky.” Even The Paris Review weighed in on the subject of “The Road Not Taken,” calling it “The Most Misread Poem in America.”

So, for students everywhere wrestling with these verses, this post may be useful to you.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Edgar Allan Poe

Here is a reading on Edgar Allan Poe along with its accompanying vocabulary-building and comprehension worksheet. I believe he is taught at the secondary level. This is a good introduction to Poe’s biography and his bibliography.

Have you read Poe, beyond hearing James Earl Jones read “The Raven” on The Simpsons first “Treehouse of Horror” episode? I confess my own reading of Poe doesn’t extend very far beyond that. He is a very influential figure in the history of American letters. His first editions are some of the most sought after in the antiquarian book trade; his very first book, Tamerlane, which doesn’t even bear his name (the author is given as “A Bostonian) is a high spot in book collecting–it is known as the “black tulip” of American literature. The last copy that came up at auction sold for $662,000. His influence abroad may be even more pronounced, especially in France.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.