“The principle mark of genius is not perfection, but originality, the opening of new frontiers; once this is done, the conquered territory becomes common property.”
Excerpted from: Grothe, Dr. Marty. Metaphors Be with You. New York: Harper, 2016.
“The principle mark of genius is not perfection, but originality, the opening of new frontiers; once this is done, the conquered territory becomes common property.”
Excerpted from: Grothe, Dr. Marty. Metaphors Be with You. New York: Harper, 2016.
Profession of faith * Alms giving * Daily prayers * Fast of Ramadan * Pilgrimage to Mecca
“As a young man traveling across the Islamic world and exhibiting an interest in their spiritual traditions, I was often given instances of how mankind was surrounded with the proofs of Islam, how the five fingers and the five senses could be used as a handy reminder of the five pillars of Islam, the five daily prayers and also remind one of the five prohibitions (pork, wine, gambling, adultery, and divination). But the most charming evocation of five I ever came across was a scruffy old Moroccan shepard, who plucked at flowers and even cracked open a cucumber to show how the world was ordered by five, which he explained was upheld by a verse of the Koran. I nodded politely at the time but years later came across Arberry’s translation of the Sura al-anam: ‘Look upon their fruits when they fructify and ripen? Surely in all this there are signs for people who believe.'”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
Posted in Quotes, Reference, Social Sciences
Tagged asian-pacific history, numeracy, philosophy/religion, readings/research
“Only the dead have seen the end of war.”
“Soliloquies in England and Later Soliloquies ‘Tipperary’ (1922). Frequently attributed to Plato, as on the wall of the Imperial War Museum in London, in General Douglas MacArthur’s farewell address in West Point in 1962, and in the film Black Hawk Down, but it does not appear in Plato’s works.”
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“When I give food to the poor, they call me a saint. When I ask why the poor have no food, they call me a Communist.”
Helder Camara, Quoted in The Guardian, 21 Jan. 1985
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in Quotes, Reference, Social Sciences
Tagged hispanic history, philosophy/religion
“Democracy is an abuse of statistics.”
Jorge Luis Borges
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged fiction/literature, hispanic history, humor, philosophy/religion
“(1864-1936) Spanish philosopher, poet, novelist, playwright, and essayist. The leading member of the Generacion del 98, Unamuno is a major figure in the history of modern thought. The conflict of reason and faith, religion and science, and the problem of life and death anguished him and led him to conclusions which anticipated Existentialism. A vision of the tragic nature of life, its absurdity, and man’s radical solitude is conveyed in his major philosophical works Del sentimiento tragico de la vida en los hombres y los pueblos (1913; tr The Tragic Sense of Life, 1958) and La agonia del cristianismo (1924; tr The Agony of Christianity, 1960). He also explored the problem of 20th-century materialism.
After the failure of his first novel Paz en la Guerra (1897), Unamuno invented the “nivola,” the best example of which is Niebla (1914; tr Mist, A Tragicomic Novel, 1928). Tres novelas ejemplares (1920); tr Three Exemplary Novels, 1930) and San Manuel Bueno, martir (1931; tr St. Manuel Bueno, Martyr, 1954) are his most popular works of fiction. Unamuno experimented with the autonomous character. In Mist the protagonist proclaims his own reality to be equal with that of the author. His novels are primarily concerned not with action, but with the minds of the characters and with philosophy.
One of Spain’s major 20th century poets, Unamuno’s best-known works include El Cristo de Velazquez (1920; tr The Christ of Velazquez, 1951) and Cancionero (1953, a posthumous poetic diary).”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“(1868-1938) Uruguayan novelist. Independently wealthy, Reyles was able to devote his life to writing and other intellectual pursuits. His early novels are naturalistic and emphasize psychological analysis. Among these works are Beba (1894), about the evil effects of consanguinity on both men and animals; La raza de Cain (1900), a study in abnormal psychology; and El teruno (1916), a story of ranch life. His best-known work is probably El embrujo de Sevilla (1922; tr Castanets, 1929), a sensuous, lyrical novel, in which the Andalusian city itself is the dominant figure. He also wrote El gaucho florido (1932), another realistic portrayal of rural life.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“It is a great advantage for a system of philosophy to be substantially true.”
George Santayana
The Unknowable (1923)
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Life is doubt,
And faith without doubt is nothing but death.”
“Salmo II” (1907)
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference
Tagged hispanic history, philosophy/religion, poetry
“(1920-2009) Uruguayan writer. Benedetti exemplified an archetype in Latin American intellectual life: the public figure whose writing and political activism are inextricably linked. A staunch supporter of the Cuban Revolution and other left-wing causes, the dominant element in Benedetti’s work is often the individual in his or her social context. His works include the short-story collection Esta manana (1949) and Montevideanos (1959), the novels La trequa (1960; tr The Truce, 1989) and Gracias por el fuego (1965); several poetry collections including Inventorio: Poesia completa (1950-1980); the play Pedro y el capitan (1986); and numerous books of social and literary criticism, including El dexsilio y otras conjeturas (1985), a collection of his articles for the Madrid daily El Pais.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
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