Tag Archives: philosophy/religion

Aristotle’s Eightfold Chain of Politics

“The world is a garden fenced by the state * The state is power supported by law * Law is the policy which guides the ruler * The ruler is order protected by the army * The army are supporters sustained by money * Money is sustenance produced by subjects * Subjects are servants protected by justice * Justice is ingrained and is the support of the world

Aristotle’s Circle of Politics was elaborated by Ibn Khaldun to create the eight self-sustaining links in the chain of medieval statecraft.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Formalism or Russian Formalism

“Formalism or Russian Formalism: Russian school of literary criticism that flourished 1914-28. Making use of the linguistic theories of Ferdinand de Saussure, Formalists were concerned with what technical devices make a literary text literary, apart from its psychological, sociological, biographical, and historical elements. Though influenced by the Symbolist movement, they sought to make their analyses more objective and scientific than those of the Symbolists. The movement was condemned by the Soviet authorities in 1929 for its lack of political perspective. Later, it became influential in the West, notably in New Criticism and structuralism.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Metaphor

“Metaphor: (Greek “carrying from one place to another”) A figure of speech in which one thing is described in terms of another. The basic figure in poetry. A comparison is usually implicit; whereas in simile (q.v.) it is explicit. There are several metaphors in these lines from the beginning of R.S. Thomas’s Song at the Year’s Turning:

‘Shelley dreamed it. Now the dream decays.

The props crumble. The familiar ways

Are stale with tears trodden underfoot.

The heart’s flower withers at the root.

Bury it, then, in history’s sterile dust.

The slow years shall tame your tawny lust.’

See ORGANIC METAPHOR; TELESCOPED METAPHOR; TENOR AND VEHICLE.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Willa Cather on Trees

“I like trees because they seem more resigned to the way they have to live than other things do. I feel as if this tree knows everything I ever think of when I site here. When I come back to it, I never have to remind it of anything; I begin where I left off.”

O Pioneers! Pt. 2 ch. 8 (1913)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Doubter’s Companion: A La Recherche du Temps Perdu

“A La Recherche du Temps Perdu: A work of genius written in bed. It opens with the narrator tucked between his sheets. It is rarely read for any length of time on a mattress.

It is also rarely read, but is often talked about and has had a major impact on many people who haven’t read it, if only because of the strain of waiting for Marcel Proust to be mentioned in conversation, which can happen as many as three times in a year. The educated person may the be required to make a comment on what they have only read about.

That literature could mean, as the French novelist Julian Gracq once complained, books more talked about than read indicates the extent to which language today may be used more to obscure and control than to communicate.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Time

Here is a reading on time as a philosophical concept, along with its accompanying vocabulary-building and comprehension worksheet. The reading invokes Kant, Leibniz, and Newton; as I recall, I wrote this about ten years ago for a student interested in philosophy. I don’t know that I or anyone else as looked at it since. Here it is for your use. Remember that like everything else on Mark’s Text Terminal, these are Microsoft Word documents, so you can tailor them to your students’ needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Grammar

Grammar: Rules of a language governing its phonology, morphology, syntax, and semantics; also, a written summary of such rules. The first Europeans to write grammar texts were the Greeks, notably the Alexandrians of the 1st century BC. The Romans applied the Greek grammatical system to Latin, The works of the Latin Grammarians Donatus (4th century BC) and Priscian (6th century) were widely used to teach grammar in Medieval Europe. By 1700, grammars of 61 vernacular languages had been printed. These were mainly used for teaching and were intended to reform or standardize language. In the 19th-20th centuries linguists began studying languages to trace their evolution father than to prescribe correct usage. Descriptive linguists (see Ferdinand de Saussure) studied spoken language by collecting and analyzing sample sentences. Transformational grammarians (see Noam Chomsky) examined the underlying structure of language (see generative grammar). The older approach to grammar as a body of rules needed to speak and write correctly is still the basis of primary and secondary teaching.

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Dada

“Dada: An international movement in fine arts, drama, and literature that took shape in Zurich in 1916, with other major centers in New York (1915-1920), Germany (1918-1923), and Paris (1919-1922). Symbolizing their antirational stance, founding artists ‘chose’ the word ‘Dada’ (Fr., hobby horse) by sticking a penknife into a dictionary at random. The movement reflected the cynicism engendered by World War I in improvised, sarcastic expressions of intuition and irrationality. Dada artists—among them Marcel Duchamp, Jean Arp, Francis Picabia, Kurt Schwitters, and Max Ernst—appropriated papiers colles for their witty collages and ready-mades for their sculpture. A forerunner of Surrealism. See Anti-Art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

H.L. Mencken on Truth and Lies

“The most common of all follies is to believe passionately in the palpably not true. It is the chief occupation of mankind.”

H.L. Mencken

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Magic Mountain

The Magic Mountain: (German title: Der Zauberberg). A novel (1924; English translation 1927) by Thomas Mann (1875-1955). The densely symbolic story is centered on a young man, Hans Castorp, who goes to visit his cousin at Haus Berghof, a high-altitude sanatorium for people with tuberculosis at Davos in the Swiss Alps. Castorp is fascinated by the place, and ends up staying there for years, searching for self-knowledge while prevaricating between the demands of reason and action on the one hand, and mysticism and decadence on the other. The novel is ultimately a symbolic study of the uneasy situation in Europe before the outbreak of the First World War, and explores the isolation of the world of art and philosophy (the mountain) from the crisis of contemporary existence below.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.