Tag Archives: music

The Weekly Text, 26 September 2025: A Lesson Plan on William Blake’s Poem “The Chimney Sweeper”

This week’s Text is a lesson plan on William Blake’s poem, from his book Songs of Innocence and Experience, “The Chimney Sweeper.” I started with Blake in high school, after learning of Allen Ginsberg’s (I was seriously into The Beats in those years) affinity for Blake and hearing The Fugs sing “How Sweet I Roam’d” and “Ah! Sunflower,” and have read him ever since.

Blake’s lyrics lend themselves to music, so Greg Brown’s record of Songs and Innocence and Experience came as little surprise to me when he released it in 1986. In researching this post, I was also not surprised to learn that Benjamin Britten composed a song cycle of Blake’s texts, Songs and Proverbs of William Blake.

In this suite of poems, to my mind, “The Chimney Sweeper” has always stood out. It still nearly brings me to tears every time I encounter it.

This Cultural Literacy worksheet on William Blake (half-page, four-sentence reading, three comprehension questions) opens this lesson. Of course you’ll need a copy the poem itself; and finally, here is the analysis and comprehension worksheet I prepared for the lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 8 August 2025: Lesson Seven of a Unit on Writing Reviews

OK–after eight weeks of drafting these posts, this week’s Text is seventh and final lesson plan of a unit on writing reviews. Since this lesson concludes the unit and turns students loose to write their reviews, I have included four Cultural Literacy worksheets as do-now exercises with the idea that students will need at least four days to write and revise their compositions. So here are those documents on hyperbole, nuance, analogy, and paraphrase. Each of these worksheet is a half-page long with short readings and three or fewer comprehension questions.

At this point in the unit, students should have their thoughts on their review outlined, and, therefore, in a final state of organization. So this short organizer is the worksheet for this lesson, and simply asks students a few final clarifying questions on their planned paper. This is for their benefit, and one final clarifying exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 1 August 2025: Lesson Six of a Unit on Writing Reviews

Here, in this Weekly Text, is sixth lesson plan, the penultimate lesson of the a seven-lesson unit on writing reviews. This lesson opens with this Cultural Literacy worksheet on cliche, the utility of which in a lesson on writing reviews I’ll assume needs no explanation. There are two worksheets for this lesson: the first is a mentor text on outlining; the second is a structured outlining worksheet.

And that it’s for this week. Come back next week for the final lesson in this unit.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brian and Eddie Holland

“Brian and Eddie Holland (originally Edward): U.S. songwriters and producers. In 1962 the Detroit-born brothers Brian (b.1941) and Eddie (b.1939) formed a team with Lamont Dozier (b.1941) which subsequently created a series of hits for almost every artist on the Motown label, and helped define its characteristic sound through blending elements of gospel music and rhythm and blues with elaborate arrangements. Their songs include ‘Baby Love,’ ‘Stop! In the Name of Love’ (two of the seven number one hits they wrote for the Supremes), ‘Heat Wave,’ ‘Baby I Need Your Loving,’ and dozens of other hit for such artists as Marvin Gaye and the Temptations.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 21 February 2025, Black History Month Week III: A Reading and Comprehension Worksheet on 2Pac and Biggie

For the third week of Black History Month 2025 here is a reading on 2pac and Biggie along with its attendant vocabulary-building and comprehension worksheet.

At this point, this blog is heavily stocked with materials excerpted and adapted from David S. Kidder and Noah Oppenheim’s series of books under the title of The Intellectual Devotional. There are five in all of these books: the first one, simply called The Intellectual Devotional, then one volume each (under the title The Intellectual Devotional) on American History, Biographies, Health, and Modern Culture. All of this is a long way of explaining that some readings repeat, with only slight variations, in more than one volume of this series; there is, ergo, another version of this material on this blog that I published back in 2018.

It goes without saying that in some places, this will particularly high-interest material. Thus, I have tagged it as such.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Sarah Vaughn

“Sarah (Lois) Vaughan: (1924-1990) U.S. singer, one of the most virtuosic and expressive in jazz. Born in Newark, New Jersey, Vaughan won an amateur contest at Harlem’s Apollo Theater in 1942 and joined Earl Hines’s big band as vocalist and second pianist the following year. Joining Billy Eckstine in 1944, she gained exposure to the new music of bebop, and later recorded with Dizzy Gillespie and Charlie Parker. Alternating between popular song and jazz, she worked as a soloist for the rest of her career. A vast range and wide vibrato in the service of her harmonic sensitivity enabled Vaughan to employ a seemingly instrumental approach when singing, often improvising as a jazz soloist.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Warren Zevon on Personal and Public Integrity in Our Era

“I started as an altar boy working at the church
Learning all my holy moves doing some research
Which led me to a cash box labelled ‘Children’s Fund’
I’d leave the change and tuck the bills inside my cummerbund
I got a part-time job at my father’s carpet store
Laying tactless stripping and housewives by the score
I loaded up their furniture and took it to Spokane
Auctioned off every last Naugahyde divan
I’m very well acquainted with the seven deadly sins
I keep a busy schedule trying to fit them in
I’m proud to be a glutton and I don’t have time for sloth
I’m greedy and I’m angry and I don’t care who I cross
[CHORUS]
I’m, intruder in the dirt
I like to have a good time and I don’t care who gets hurt
I’m, take a look at me
I’ll live to be a hundred and go down in history
Of course I went to law school and got a law degree
And counseled all my clients to plead insanity
Then worked in hair replacement swindling the bald
Where very few are chosen, fewer still are called
Then on to Monte Carlo play chemin de fer
I threw away the fortune I made transplanting hair
I put my last few francs down on a prostitute
Who took me up to her room to perform the flag salute
Whereupon I stole her passport and her wig
And headed for the airport and the midnight flight, you dig?
Fourteen hours later I was down in Adelaide
Looking through the want ads sipping Foster’s in the shade
I opened up an agency somewhere down the line
To hire aboriginals to work the opal mines
But I attached their wages and took a whopping cut
And whisked away their workman’s comp and pauperized the lot
[CHORUS]
I bought a first class ticket on Malaysian Air
Landed in Sri Lanka none the worse for wear
I’m thinking of retiring from all my dirty deals
See you in the next life, wake me up for meals”
Source: LyricFind
Songwriters: Jorge A. Calderon / Warren Zevon
Mr. Bad Example lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc, Wixen Music Publishing

Places In American Cultural History: The San Remo Cafe, Greenwich Village, New York City

IMG_0652

Charles Ives on Awards

“Awards are merely the badges of mediocrity.”

Charles Ives

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: Julia Ward Howe

Here is a Cultural Literacy worksheet on Julia Ward Howe, who wrote the the “Battle Hymn of the Republic.” This is a half-page document with a reading of two sentences, the first of which is long and might needed to be edited to a more manageable length for English language learners and emergent readers, and three comprehension questions.

Ms. Ward was an abolitionist and social reformer–a significant figure in her time. So I mean no respect when I say that when I hear the the melody of “Battle Hymn of the Republic,” I hear Allan Sherman’s rendition of it, i.e. “Harry Lewis.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.