Tag Archives: literary oddities

Rotten Reviews: Francis Bacon

“His faults were–we write it with pain–coldness of heart, and meanness of spirit. He seems to have been incapable of feeling strong affection, of facing great dangers, of making great sacrifices. His desires were set on things below, titles, patronage, the mace, the seals, the coronet, large houses, fair gardens, rich manors, many services of pate…”

T.B. Macaulay, Essays 1842

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

A Rotten Review and Rejection: Remembrance of Things Past by Marcel Proust

“The sense of effort lies heavy over the whole work. That the book has greatness and passages of beauty redeeming its ugliness none will deny. But the mind demands of literature something that it can approve as well as something that it can enjoy; and in ‘Cities of the Plain,’ so full of dignitaries, so devoid of dignity, this instinct finds little to satisfy its craving.”

Saturday Review of Literature reviewing volume five of Remembrance of Things Past

“My dear fellow, I may perhaps be dead from the neck up, but rack my brains as I may I can’t see why a chap should need thirty pages to describe how he turns over in bed before going to sleep.”

Marc Humblot, French editor, rejection letter to Proust, 1912

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Youth and Heart of Darkness by Joseph Conrad

“It would be useless to pretend that they can be very widely read.”

Manchester Guardian

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Winesburg, Ohio

“We sympathize with Mr. Anderson and with what he is trying to do. He tries to find honest mid-American gods. Yet either he never does quite find them or he can never precisely set forth what he has found. It seems probable that he caricatures even Winesburg, Ohio.”

The Nation

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Maggie, A Girl of the Streets

“…we should classify Mr. Crane as a rather promising writer of the animalistic school. His types are mainly human beings of the order which makes us regret the power of literature to portray them. Not merely are they low, but there is little that it is interesting in them.”

The Nation

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Bleak House by Charles Dickens

“More than any of its predecessors chargeable with not simply faults, but absolute want of construction…meagre and melodramatic.”

George Brimley, The Spectator

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

A Classic from Dorothy Parker

“This is not a novel to be tossed aside lightly. It should be thrown with great force.”

Dorothy Parker

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Rotten Reviews: Anna Karenina

“Sentimental rubbish…. Show me one page that contains an idea.”

The Odessa Courier

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: The Deerslayer

“In one place in Deerslayer, and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks the record.”

Mark Twain How to Tell A Story and Other Essays 1897

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: The Bridge by Hart Crane

“A form of hysteria…One thing he has demonstrated, the impossibility of getting anywhere with the Whitmanian inspiration. No writer of comparable ability has struggled with it before and it seems highly unlikely that any writer of comparable genius will struggle with it again.”

Yvor Winters, Poetry

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.