Tag Archives: literary oddities

Rotten Reviews: Appointment in Samarra

“There is a thorough-going vulgarity in this book, characteristic of its class, which is a symptom of a lack of knowledge of the novelist’s real art…I mean an insufferable vulgarity, which has crept into so many of our supposedly advanced novels that someone not squeamish, not unread in earlier literatures, must protest against what is cheapening American fiction…what has happened to these young Americans? Do they think that living in a county the most vigorous, the most complex, the most problematical, the most interesting bar none in the world, we are going to be content with sour pap like this? And the tragedy is that they are clever; if they could see, they could write.”

H.S. Canby, Saturday Review of Literature

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Tom Stoppard on Honesty

“It’s better to be quotable than to be honest.”

Tom Stoppard

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Devil’s Dictionary: Autocrat

“Autocrat, n. A dictatorial gentleman with no other restraint upon him than the hand of the assassin. The founder of that great political institution, the dynamite bomb-shell system.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

The Algonquin Wits: Robert Benchley on the Secret of Writing

“You have no idea how many problems an author has to face during those feverish days when he is building a novel, and you have no idea how he solves them. Neither has he.”

Robert Benchley

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: Mourning Becomes Electra by Eugene O’Neill

[This Rotten Review refers to a performance of Eugene O’Neill’s play in London in 1961.]

Mourning Becomes Electra is hollow.”

Bernard Levin, Daily Express

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Peggy Wood to Aleck Woollcott

Peggy Wood, actress and Round Table frequenter, joined the group one day when [Alexander] Woollcott was discussion the feasibility of reviving Macbeth as a Broadway play. Acknowledging the arrival of Miss Wood, Aleck said, ‘We’re discussing the cast. I don’t think you’d make a very good Lady Macbeth, do you Peggy?’

‘No, Aleck,’ she answered. ‘But you would.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: The Violent Bear It Away by Flannery O’Conner

“As a specialist in Southern horror stories, Miss O’Conner’s attitude has been wry, her preferences perverse, her audience special.”

Kirkus Reviews

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Beatrice Kaufman Answers Literary Questions

“George Oppenheimer, while an editor at Viking Press, was once assigned to collect material for a question-book called Ask Me Another. As a promotional gimmick the editors were advised to first test the questions on various celebrities. Covering the ‘famous authors’ section, Oppenheimer asked Beatrice Kaufman: ‘Who wrote The Virginian?’

Owen Wister,’ Beatrice answered.

Oppenheimer’s next question read: ‘Who wrote The Virginians?’

Reacting against the gimmicky pattern of the questions, Beatrice answered, ‘Owens Wisters.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: Wise Blood by Flannery O’Conner

“A gloomy tale. The author tries to lighten it with humor, but unfortunately her idea of humor is almost exclusively variations on the pratfall…Neither satire not humor is achieved.”

Saturday Review of Literature

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Tallulah Bankhead Reviews a Film

“After sitting through the preview of a strikingly bad movie made by an independent producer, Tallulah observed, ‘What I don’t see is what that producer has got to be independent about.'”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.