Tag Archives: literary oddities

Annus Mirabilis

“A long poem (1997) by John Dryden (1631-1700). The annus mirabilis (wonderful year) was 1666, the year of the Fire of London and of continuing war with the Dutch. Queen Elizabeth II alluded to the phrase in a speech at the Guildhall, London, when she referred to 1992 and ‘annus horribilis’ (a coinage that had been suggested to her by a ‘sympathetic correspondent’); this was the year when fire caused extensive damage to the royal residence at Windsor Castle, Princess Anne was divorced, and the Duke of York separated from the Duchess of York, topless photos of whom appeared in the tabloids.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

G.M. Young on the Oxford University Press

“Being published by the Oxford University Press is rather like being married to a duchess: the honor is almost greater than the pleasure.”

G.M. Young (Quoted in Rupert Hart-Davis, Letter to George Lyttleton, 29 Apr. 1956)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Rejections: The Visits of Elizabeth by Elinor Glyn

[This deals with the novel by Elinor Glyn.]

“All the men, married and single, make love to her in various ways, and she comments naively on their behavior, squeezing here arms, holding her hands, kissing her, etc…. At the end one has the uncomfortable feeling of having been a spectator of the operation of rubbing the bloom off a girl by a lot of worldly and more or less vulgar people.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Devil’s Dictionary: Bribe

“Bribe, n. That which enables a member of the California Legislature to live on his pay without any dishonest economies.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Rotten Reviews: Lie Down in Darkness by William Styron

“What is evident in this first novel is an eagerness and a sincerity which ought to have been served by an able and understanding editor. Mr. Styron however had no Maxwell Perkins to guide him, with the result that he has written here a serious work of fiction which should not have exceeded 300 pages in length, and which need not have been done in so turgid and often confused a manner…Mr. Styron leaves his readers curiously unsympathetic.”

August Derleth, Chicago Tribune

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Dante’s 11

Dante was a keen follower of Pythagoras, the sixth-century BC Greek philosopher and mathematician who sought to explain the world, both spiritual and material, by numbers. Pythagoras believed that the mathematical principles that underlay the universe, gave it harmony, literally a music of the spheres. Dante, in his great work, Divine Comedy, sought to create the divine song.

The key number for Dante was 11—the union of 5 and 5—and its multiples. The Inferno, Purgatorio, and Paradiso, have thirty-three cantos each, and the poem is written in hendecasyllabic rhyme (eleven syllables long). Dante twice provides dimensions of Hell, stating that that circumference of the ninth bolgia (ditch) in the Eighth Circle is 22 miles (miglia ventidue), and the tenth bolgia is 11 miles. There is nothing accidental about this mention of 11 and its multiple 22; twenty-two forms part of the well-known fraction 22/7 which expresses the Pythagorean value of pi.

Three and nine also figure prominently in Dante’s numerology. The three books of the Divine Comedy delineate the nine circles of Hell, the nine rings of Mount Purgatory and the nine celestial bodies of Paradise.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Algonquin Wits: Ring Lardner Offers a Sticky Metaphor

“He gave her a look that you could have poured on a waffle.”

Ring Lardner

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Rejections: Edgar Rice Burroughs

[N.B. that both novels remain in print.]

I. The Outlaw of Torn

“I am not sure there is any particular value in the happy ending. It seems to be more legitimate to have both De Vac and the outlaw die in the end, leaving the lady dissolved in tears, possibly on her way to become a nun.”

II. Under the Moons of Mars

“It is not at all probable, we think, that we can make use of a Virginia soldier miraculously transported to Mars….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Noel Coward on Hit Songs

“Extraordinary how potent cheap music is.”

Noel Coward

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Devil’s Dictionary: Pillage

“Pillage, v. To carry on business candidly.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.