Tag Archives: literary oddities

Mark Twain on the Sacred and the Profane

“Under certain circumstances, profanity provides a relief denied even to prayer.”

Mark Twain

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

7 Chemicals of Alchemist’s Arcana

“Sulphuric Acid * Iron Oxide * Sodium Carbonate * Sodium Nitrate * Liquor Hepatis * Red Pulvis Solaris * Black Pulvis Solaris

The alchemist’s vocabulary does not always translate directly into a modern formula. They were keen on Natron, which was a generic word that included both the salts of sodium carbonate and sodium nitrate. Vitriol, however, is what we know as sulphuric acid and Aqua Fortis was nitric acid. Black pulvis solaris was formed from ground black antimony (stibnite–a sulphide of antimony) mixed with ground sulphur. Red pulvis solaris was a mixture of mercury (which could be extracted by heating cinnabar) and sulphur.

The alchemists also made a strong connection between the seven prime metals and the planets. The sun was linked to gold, the moon to silver, Mars to iron, Mercury to quicksilver, Saturn to lead, Jupiter to tin, and Venus to copper.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Thomas Reed Powell on the Legal Mind

“If you think you can think about a thing inextricably attached to something else without thinking of the thing which it is attached to, then you have a legal mind.”

Thomas Reed Powell

Quoted in Thurman W. ArnoldThe Symbols of Government

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Reviews: In Cold Blood

[In this squib, Stanley Kaufmann alludes to Truman Capote’s famously snarky remark about Jack Kerouac’s prose, to wit, “That’s not writing, that’s typing”.]

“One can say of this book–with sufficient truth to make it worth saying: ‘This isn’t writing. It’s research.'”

Stanley KaufmannThe New Republic

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Opposites

“Articulate the word ‘Sun’ and you soon find yourself thinking of the Moon. Man and Woman, Love and Hate, Right and Wrong, Farmer and Shepherd, Left and Right, Queen and King, North and South, Positive and Negative, Heaven and Hell, East and West, Life and Death, Victory and Defeat, Earth and Sky, Sunrise and Sunset. So, two is an inauspicious number in its cracking of unity.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Anecdote

“A brief account of or a story about an individual or an incident. The anecdotal digression is a common feature of narrative in prose and verse. In the history of English literature and of literary characters the anecdote has a specific importance. In his Dictionary Samuel Johnson defined the term as “something yet unpublished; secret history”. During the 18th century and interest in “secret histories increased steadily, and no doubt there is some connection between this and the growing popularity of –ana, table-talk and biography (qq.v) at that time. During the second half of the 18th century there was almost a craze for “secret” histories. In the last thirty years of it over a hundred books of anecdotage were published in England. Isaac Disraeli, father of Benjamin, became one of the best known and most assiduous gleaners of anecdotes. In 1791 he published three volumes titled Curiosities of Literature, consisting of Anecdotes, Characters, Sketches, and Observations, Literary, Historical, and Critical. These he followed with other collections: Calamities of Authors (1812-1813) in two volumes, and Quarrels of Authors (1814) in three volumes. In 1812 John Nichols published the first of nine volumes in a series titled Literary Anecdotes of the 18th Century. Such works remained popular during the Victorian period. Nor is the appetite for collections of anecdotes assuaged. In 1975 there was The Oxford Book of Literary Anecdotes.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

H.L. Mencken, Presciently, on the Current State of Patriotism

“When you hear a man speak of his love for his country, it is a sign that he expects to be paid for it.”

H.L. Mencken

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Reviews: Nova Express by William S. Burroughs

“…The book is unnecessary.”

Granville HicksSaturday Review

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Devil’s Dictionary: Hell

“Hell, n. The residence of the late Noah Webster, dictionary-maker.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Bestiaries

bestiaries: Allegorical poems or books giving descriptions of various animals or stories concerning them, with Christian application or moral appended to each. Although the characteristics and habits assigned to each animal were largely legendary, bestiaries were often treated during the Middle Ages as treatises on natural history, as well as moral instruction, and were highly popular.

The beast-fable, popular from Aesop to the medieval Roman de Renart, was usually satirical and pragmatic in its moral; a 4th-century work in Greek was probably the first to turn animal descriptions into specifically Christian allegory, and its translations into Latin Physiologi were the basis of most English and Continental bestiaries. The best known are the Latin Physiologus (11th century) by the abbot Theobaldus, the Bestiary by the Anglo-Norman poet Phillippe de Thaun, and an anonymous Middle English Bestiary (c1250).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.