Tag Archives: literary oddities

Cultural Literacy: Spoonerism

Here is a Cultural Literacy worksheet on the linguistic concept of spoonerism. This is half-page worksheet with a three-sentence reading and three comprehension questions. I can’t remember now why I prepared this; I suspect it will have relatively low utility in most classrooms, but who knows? I cannot in good faith argue that high school students, my own purview, need to understand what a spoonerism is, let alone know or care about William Archibald Spooner.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

George Steiner on the Book

“The age of the book is almost gone.”

George Steiner

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Georges Clemenceau on the Passion of the Functionary

“There is no passion like that of a functionary for his function.”

Georges Clemenceau

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Devil’s Dictionary: Intoxication

“Intoxication, n. A spiritual condition that goeth before the next morning.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.

William Hazlitt on Hypocrites

“We are not hypocrites in our sleep.”

William Hazlitt

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Reviews: A John O’Hara Omnibus

Sermons and Soda-Water

“The novellas represent no change in Mr. O’Hara’s method. He normally puts everything into a novel, including the kitchen sink complete with stopped drain, plumber, and plumber’s mate, and does this not once, but four or five times per book. The novella form has merely limited the author in a statistical way; one kitchen sink is all he can fit into his predetermined space…

Atlantic Monthly

 The Big Laugh

When O’Hara is good he is very, very good; when he is bad he is writing for Hollywood…an exercise in tedium.”

New York Herald Tribune

The Horse Knows the Way

“One might suggest…that the inhabitants of hell be condemned to an eternity reading stories behind the headlines in American tabloids….John O’Hara’s new collection of short stories brings the whole realm uncomfortably close. It is a punishment to read….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

The Doubter’s Companion: Propaganda

“Propaganda: The means by which the thousands of organizations in a corporatist society communicate with each other and with the general public.

From its origins in the Vatican Congregation for the Propagation of the Faith (Congregati de propaganda fide), a body devoted to spreading the Christian doctrine in foreign lands, the idea of substituting propagation for explanation was seized upon by the heroic national leaders of the late eighteenth, nineteenth, and early twentieth centuries. Propaganda married romanticism with facts, which seemed to replace any need for understanding. With the invention of marketing tools such as the press release, advertisements, sound bites, PR firms and press officers, this rather exclusive way of influencing people was quickly available to anyone with a budget.

Where once a government minister had a press officer, now every section in a ministry has one. Private corporations have whole communications departments. The American army alone has a corps of some 5,000 press officers.

The purpose of these several hundred thousand communications experts is to prevent communication or any generalized grasp of reality. Their job is to propagate the faith.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

The Doubter’s Companion: Autobiography

“Autobiography

  1. A by-product of fiction which combines the dramatic methods of the romance novel with those of the adolescent adventure story.
  2. A product of Heroic mythology usually written by a false hero.
  3. A celebration of the author’s moral weakness.
  4. Exhibitionism by someone too old to take his clothes off in public.
  5. An obscuring of the author’s actions behind his emotions and subjective state.
  6. A plea by the author to be accepted as he is; that is, an excuse for his actions; that is, an attack on ethics.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Rotten Reviews: The Perfectionists

“…the men are all fatuous and self-centered creatures. This is then a woman’s novel in a narrow and constricting way.”

Saturday Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Montesquieu on Authors

“A fool who, not content with having bored those who lived with him, insists on tormenting the generations to come.”

Baron de Montesquieu

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.