Tag Archives: fiction/literature

Mannerism (n)

“Mannerism (noun): An author’s marked or habitual peculiarity of style; characteristically individual locution or stylistic idiosyncrasy; artificiality. Adjective: mannered; manneristic.

‘Much of what struck foreign observers as bizarre in American description was the new linguistic confusion of present and future, fact and hope. This became a mannerism, or even a mode of American speech. Statements which foreigners took for lies or braggadocio, American speakers intended to be vaguely clairvoyant.’”

Daniel Boorstin, The Americans

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Giovanni Boccaccio: The Decameron

“A collection of 100 tales by the Italian writer Giovanni Boccaccio (1313-75), completed in c.1353. Many of the tales were old at this time, and many later writers–including Chaucer and Shakespeare–borrowed stories from the collection. In the framework story, seven ladies and three gentlemen escape from Florence when the Black Death arrives in 1348, and spend their time each telling one tale per day for ten days (Decameron comes from the Greek deka, ‘ten’, and hemera, ‘day’). (There is comparable framework story in The Canterbury Tales.) A film version (1971) by Pier Paolo Pasolini (1922-75) concentrates on some of the earthier tales. A similar collection to Boccaccio’s entitled The Heptameron (1558) was ascribed to Margaret of Angouleme (1492-1549), queen of Navarre. The tales are said to have been related in seven days (Greek hepta, ‘seven’).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: Sinclair Lewis and Main Street

It is full of fact colored by rather laborious and over clever satire. But it has no sustained action, whether as realism or as satire. It is a bulky collection of scenes, types, caricatures, humorous episodes, and facetious turns of phrase; a mine of comedy from which the ore has not been lifted.”

The Weekly Review

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Ernest Hemingway

Here, first thing on a rainy Monday morning, is a short reading on Ernest Hemingway and its accompanying comprehension worksheet. It is a good general introduction to the author if you happen to be teaching one of his books.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Rejections: Isabel of Bavaria

[The squib refers to the novel by Alexandre Dumas.]

“Stick to drama, my dear fellow. You know you are a dramatic through and through.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

On the Road

“A novel (1957) by Jack Kerouac (1922-69), based on several wild trips across the United States with Neal Cassady (1926-68). In it he used the term Beat Generation ‘to describe guys who run around the country in cars looking for odd jobs, girlfriends, and kicks.’ The book became the prose manifesto of the culture in evokes. Crossing media, it also helped to define the genre of the ‘road movie,’ in which the characters take to the road as an escape from something, and/or as a means of self-discovery. Male bonding between ‘buddies’ was a common element in such classics as Easy Rider (1969), at least until such feminist versions of the genre as Thelma and Louise (1991).

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Tour de Force

A feat of strength, skill, or craftsmanship; a notably well-executed work or production, sometimes one that is an exercise in technique or showmanship at the expense of other qualities. Plural: tours de force.

‘John Steinbeck and Saul Bellow became my special heroes a little later, as I decided I wanted to be a writer; and each, I notice now, chose to write a slapstick tour de force about a slaughter of the innocents in which the innocents were frogs.’”

Edward Hoagland, The New York Times

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Rotten Reviews: Lady Chatterly’s Lover by D.H. Lawrence

D.H. Lawrence has a diseased mind. He is obsessed by sex…we have no doubt that he will be ostracized by all except the most degenerate coteries in the literary world.”

John Bull

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Under the Volcano

Mr. Lowry is passionately in earnest about what he has to say concerning human hope and defeat, but for all his earnestness he has succeeded only in writing a rather good imitation of an important novel.”

The New Yorker

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Day of the Locust by Nathanael West

“A dark novel (1939) by the US writer Nathanael West (1903-1940). The work explores the seamy underside of Hollywood (where West himself had worked as a scriptwriter), and shows how it eats away at people’s better selves. At the end Homer, a harmless but unexciting accountant, knocks down a boy who attacks him, and is in turn overwhelmed by a group of people (like a swarm of locusts) who are waiting for the arrival of stars at a a premiere.

‘I will restore to you the years that the locust hath eaten, the cankerworm, and the caterpillar, and the palmerworm, my great army which I sent among you.’

Joel 2:25

John Schlesinger’s 1975 film of West’s book, with Donald Sutherland and Karen Black, was highly regarded.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.