Tag Archives: fiction/literature

Book of Answers: The Dunciad

“At whom was Alexander Pope’s poem The Dunciad (1728) aimed? Published in several versions from 1728 and 1743, the mock-epic poem satirized bad writing and attacked critics of Pope’s poetry. In the final version, the king of the dunces is Colley Cibber, England’s poet-laureate from 1730 to 1757. Other targets of Pope’s venom were dramatists Nahum Tate and Lewis Theobald.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Book of Answers: John Dos Passos

“What are the books in John Dos PassosU.S.A. trilogy? They are: The 42nd Parallel (1930), 1919 (1932), and The Big Money (1936). The three were first published together in 1937).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Rotten Rejections: Black Oxen by Gertrude Atherton

“I have no hesitation. In advising you to decline Mrs. Atherton’s novel…principally for the reason that it is an apology for adultery…besides this radical immorality, the novel contains many passages of pseudo-philosophy which would give offense to religious persons.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

7 Supreme Works of Shakespeare

Henry IV * Hamlet * Measure for Measure * Othello * King Lear * Macbeth * Antony and Cleopatra

‘Just as there are seven wonders of the world and seven deadly sins, so there are (in my opinion) seven supreme peaks achieved by Shakespeare,’ wrote Giuseppi de Lampedusa, author of The Leopard. He also added that, ‘If I was told all the works of Shakespeare had to perish except one that I could select, I would first try to kill the monster who made the suggestion; if I failed, I would then try and kill myself: and if I could not manage even this, well then I would choose Measure for Measure,’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Aesop’s Fables: “The Bats and The Weasel”

OK, here is a lesson plan on the Aesop’s fable “The Bats and The Weasel” along with the fable itself with comprehension questions. I prepared this material in haste, so there is plenty of room to expand it. As always, these are Microsoft Word documents, so you can alter them for your needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The American Mercury

“The American Mercury: An iconoclastic magazine founded in 1924 and edited by H.L. Mencken and George Jean Nathan. Among its contributors were Lewis Mumford, Sinclair Lewis, Carl Sandburg, and Vachel Lindsay. After Mencken’s retirement in 1933, it was published as a pocket-sized miscellany of conservative tendencies by Lawrence E. Spivak. It eventually became a rightist organ of limited circulation owned by millionaire J. Russell Maguire.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

George Eliot on the Fundamental Humanity of Teaching

“Blessed is the influence of one true, loving human soul on another.”

George Eliot (1819-1880)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Metaphor

“Metaphor (noun): The figure of speech denoting implied comparison: an imaginative of analogous term used in place of a given word or concept, or an expressive and comparable figurative term; word or image that is suggestively equivalent and ornamental but not synonymous; application of comparable, figurative word or words. Adj, metaphoric; metaphorical; adv. metaphorically.

‘The Speaker of the House is not a goddamned metaphor; I have never been a metaphor and, God willing, I never will be.’ –Thomas P. (“Tip”) O’Neill, quoted in The New Republic”

 Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Aesop’s Fables: “The Mischievous Dog”

Here is a lesson plan on Aesop’s Fable “The Mischievous Dog.” Here also is a worksheet with the fable itself and some comprehension questions. These lessons, which I had just begun to develop when I left my final job in public education, have a lot of room for amplification, and therefore improvement.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Fabliaux

“Fabliaux: 12th-14th centuries) Short humorous tales, often ribald or scurrilous. Highly popular in the Middle Ages, they are situation comedies burlesquing the weaknesses of human nature; women, priests, and gullible fools are often the butts of the buffoonery, which sometimes becomes savagely bitter. The material derives from the oral folk tradition of bawdy anecdotes, practical jokes, and clever tricks of revenge, but the term fabliau was first specifically applied to a medieval French literary form, a narrative of three hundred to four hundred lines in octo-syllabic couplets. About 150 of these are still extant. Similar prose tales became popular all over Europe, as in Boccaccio’s Decameron. Apparently only a few narratives in the style of the fabliau were written in England; the most notable are the ones Chaucer included in his Canterbury Tales, such as the Miller’s, the Reeve’s, the Friar’s, the Summoner’s, and the Shipman’s tales.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.