“Analogy (noun) A theoretical comparison or point-by-point correspondence between particulars of two different things, rather than a categorical likeness; resemblance in certain parallels; logical inference that if two things are alike in some respects, they will be alike in others. Adj. analogical, analogous; adv. analogously; n. analogousness; v. analogize.”
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
“Who created Babar the Elephant? Jean de Brunhoff, in stories beginning with The Story of Babar (1933). De Brunhoff’s son Laurent continued the series.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, readings/research
“John Buchan’s 1915 action novel has been filmed at regular intervals, following Alfred Hitchcock’s classic version with Robert Donat as buccaneering hero James Hannay. Buchan was famously inspired to write the novel by his daughter counting the stairs of the nursing home in Broadstairs, where he was convalescing. He turned the phrase into a key mystery of the novel, and Hannay’s eventual discovery of its meaning (it is the number of steps down a cliff path to a waiting yacht) helps keep Britain’s military secrets intact from the Germans.
Hitchcock significantly changed Buchan’s plot for his 1935 movie, writing a climactic music hall scene in which ‘Mr. Memory’ is asked ‘What are the 39 Steps?’ and is about to reveal the answer (‘The 39 Steps is an organization of spies collecting information on behalf of the foreign office of…’) when he is shot dead. An equally evocative twist was introduced in the 1978 film starring Robert Powell, where the thirty-nine steps turn out to be the number of stairs in the clock tower of Big Ben.”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
Rotten Reviews: Invisible Man
“It has its faults which cannot simply be shrugged off—occasional overwriting, stretches of fuzzy thinking, and a tendency to waver, confusingly, between realism and surrealism.”
Atlantic Monthly
Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, literary oddities
“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.”
Willa Cather, O Pioneers! Pt. 2 ch. 4 (1913)
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference
“Ruben Dario: (pen name of Felix Ruben Garcia Sarmiento, 1867-1916) Nicaraguan poet and essayist, famed as the high priest of modernismo. One of his favorite sayings was ‘Art is not a set of rules but a harmony of whims.’ Because he wrote verse as a child, he became known in Central America as ‘the boy poet.’ In 1886 he went to Chile, where he published his first major work, Azul (1888), a collection of verse and prose sketches that bore the imprint of the French Parnassians and revealed the fondness for lush, exotic imagery that was to characterize his work. In 1890 he returned to Central America and the first of his two unhappy marriages. After a short visit to Spain in 1892, he moved to Buenos Aires. The appearance of Prosas Profanas (1896; tr 1922), in which the influence of the French symbolists is fused with that of the Parnassians, marked the highpoint of the modernist movement. In 1898 Dario went again to Spain, now as a correspondent for La nacion, a Buenos Aires newspaper. He was acclaimed by intellectuals of Spain’s Generacion del 98, who, like Dario, were profoundly affected by the outcome of the Spanish-American War. Cantos de vida y esperanza, generally regarded as his best work, appeared in 1905. It shows the technical excellence and lyric beauty of his earlier poetry, but there is a greater freedom and a new feeling for the native themes, which he had previously rejected. Dario’s concern for ‘our America’ is also evident in ‘A Roosevelt,’ a poetic diatribe against the U.S., motivated by the seizure of Panama in 1903, and in Canto a la Argentina (1910). Dario’s later work reveals a growing disillusionment and despair, Although he was named Nicaraguan minister to Spain in 1908, his last years were marred by financial difficulties and poor health, due in part to his heavy drinking. In 1915, after an unsuccessful lecture tour of the U.S., he was stricken with pneumonia in New York and died soon after his return to Nicaragua. Dario’s influence on Spanish poetry can be measured by the statement of Pedro Henriquez Urena that ‘of any poem written in Spanish, it can be told with certainty whether it was written before him or after him.’ The Selected Poems of Ruben Dario appeared in English translation in 1965.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“From what country did Jorge Luis Borges hail? Argentina”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history
“Dulce Maria Loynaz: (1903-1997) Cuban poet and prose writer. Born in Havana to a father who was a general in the struggle for Cuban independence, she showed her poetic gifts early, publishing her first poems in La Nacion at age seventeen. She studied civil law, and practice until 1961. In her major books, Versos, 1920-1938 (1938), Juegos de agua: Versos del agua y del amor (1947), Poemas sin nombre (1953), Carta de amor a Tut-ank-Amen (1953), and Ultimos dias de una casa (1958), the poet is intensely concerned with the beauty and evocative capacity of language which she uses to express nostalgia for places, scenery, and people, and to sing of the beauty of Cuba. Her devotion to language manifested itself in a process of distillation, though which she moved away from the formal elements of poetry, such as rhyme and verse forms, toward a poetic prose. In fact, her novel Jardin (1951) is characterized by the kind of lyrical expression on which her poetry is built. These qualities also pervade her travel book, Un Verano en Tenerife (1958). She received the Cervantes Prize in 1993.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history, poetry, readings/research
“From what country does Mario Vargas Llosa hail? Peru.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history
“Outside of this cell we may have our oppressors, yes, but not one inside. Here one oppresses the other. The only thing that seems to disturb me…because I’m exhausted, or conditioned, or perverted…is that someone wants to be nice to me, without asking anything back for it.”
Manuel Puig, Kiss of the Spider Woman ch. 11 (1976)
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
 | A Measurement Conver… on An Elegantly Simple Cooking Co… |
| A Measurement Conver… on The Weekly Text, October 25, 2… |
 | markstextterminal on Cree |
 | panzer046a139293db on Cree |
| markstextterminal on Cree |
Mark's Text Terminal 
You must be logged in to post a comment.