Tag Archives: fiction/literature

The Lost Weekend

“The Lost Weekend: A film (1945) adapted by director Billy Wilder and Charles Brackett from a 1944 novel by Charles R. Jackson about a struggling writer who surrenders to alcoholism one weekend after he falls victim to writer’s block. Starring Ray Milland, the film caused a considerable stir: representatives of the liquor industry offered $5 million of the negative, so that it could be destroyed, fearing the effect it would have upon sales of alcohol, and members of the temperance movement also tried to have the films stopped, suspecting that it might actually encourage people to drink. The novel and film popularized the phrase ‘lost weekend’ for any period spend in dissolute living or drunkenness.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: Olt

“Really the most interesting part is the jacket information that Gangemi was born in Scarsdale, took an engineering degree at R.P.I….”

William Pritchard, Hudson Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Vernacular

“Vernacular: (Latin vernaculus “domestic, native, indigenous’) Domestic or native language. Now applied to the language used in one’s native country. It may also be used to distinguish between a ‘literary’ language and a dialect; for instance, William Barnes’s ‘vernacular poems,’ and outstanding example of dialect (q.v.) poetry.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Formalism or Russian Formalism

“Formalism or Russian Formalism: Russian school of literary criticism that flourished 1914-28. Making use of the linguistic theories of Ferdinand de Saussure, Formalists were concerned with what technical devices make a literary text literary, apart from its psychological, sociological, biographical, and historical elements. Though influenced by the Symbolist movement, they sought to make their analyses more objective and scientific than those of the Symbolists. The movement was condemned by the Soviet authorities in 1929 for its lack of political perspective. Later, it became influential in the West, notably in New Criticism and structuralism.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

A Miscellany of Rotten Reviews of William Gaddis

“Rotten Reviews: The Recognitions

‘The Recognitions is an evil book, a scurrilous book, a profane book, and an exasperating book…what this squalling overwritten book needs above all is to have its mouth washed out with lye soap. It reeks of decay and filth and perversion and half-digested learning.’

Chicago Sun Times

Rotten Reviews: JR

‘To produce an unreadable text, to sustain this foxy purpose over 726 pages, demands rare powers. Mr. William Gaddis has them.’

George Steiner, The New Yorker

‘(Gaddis) dumps everything into these pages except what they most desperately need—the ironic and flexible detachment of a discriminating mind.’

Pearl K. Bell, The New Leader”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Willa Cather on Trees

“I like trees because they seem more resigned to the way they have to live than other things do. I feel as if this tree knows everything I ever think of when I site here. When I come back to it, I never have to remind it of anything; I begin where I left off.”

O Pioneers! Pt. 2 ch. 8 (1913)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Metonymy

“Metonymy: (Greek ‘name change’) A figure of speech in which the name or an attribute or a thing is substituted for the thing itself. Common examples are The Stage’ for the theatrical profession; ‘The Crown’ for the monarchy; ‘The Bench’ for the judiciary; ‘Dante’ for his works. See also ANTONOMASIA; METALEPSIS; SYNECHDOCHE.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

The Doubter’s Companion: A La Recherche du Temps Perdu

“A La Recherche du Temps Perdu: A work of genius written in bed. It opens with the narrator tucked between his sheets. It is rarely read for any length of time on a mattress.

It is also rarely read, but is often talked about and has had a major impact on many people who haven’t read it, if only because of the strain of waiting for Marcel Proust to be mentioned in conversation, which can happen as many as three times in a year. The educated person may the be required to make a comment on what they have only read about.

That literature could mean, as the French novelist Julian Gracq once complained, books more talked about than read indicates the extent to which language today may be used more to obscure and control than to communicate.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Grammar

Grammar: Rules of a language governing its phonology, morphology, syntax, and semantics; also, a written summary of such rules. The first Europeans to write grammar texts were the Greeks, notably the Alexandrians of the 1st century BC. The Romans applied the Greek grammatical system to Latin, The works of the Latin Grammarians Donatus (4th century BC) and Priscian (6th century) were widely used to teach grammar in Medieval Europe. By 1700, grammars of 61 vernacular languages had been printed. These were mainly used for teaching and were intended to reform or standardize language. In the 19th-20th centuries linguists began studying languages to trace their evolution father than to prescribe correct usage. Descriptive linguists (see Ferdinand de Saussure) studied spoken language by collecting and analyzing sample sentences. Transformational grammarians (see Noam Chomsky) examined the underlying structure of language (see generative grammar). The older approach to grammar as a body of rules needed to speak and write correctly is still the basis of primary and secondary teaching.

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Book of Answers: Leo Tolstoy

“In what war did Leo Tolstoy (1828-1910) serve? He served in the Crimean War (1853-1856), though he is best known for his treatment of the Napoleonic Wars in War and Peace (1863-69).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.