Tag Archives: black history

Alice Childress

“Alice Childress: (1917-1994) American novelist, playwright, and actress. Born in Charleston, South Carolina, Childress was well aware of racism and used her writing as an attempt to change social conditions. Childress joined the American Negro Theater as a young woman and became a prolific playwright. In the 1950s, she wrote Trouble in Mind, one of the first plays with black themes to be produced, and was a peer of such notable black writers as Richard Wright and Lorraine Hansberry. Other notable plays by Childress include Florence, Gold Through the Trees, and Wedding Band (collected, 1971), which was produced at the New York Shakespeare Festival and later broadcast on television. Childress’s novels include When the Rattlesnake Sounds (1975), Rainbow Jordan (1882), and Those Other People (1989). She is best known for the young adult novel A Hero Ain’t Nothin’ But a Sandwich (1973), a blistering account of black urban life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Native Son

Here is a Cultural Literacy worksheet on Richard Wright’s novel Native Son. This is a half-page document with a one-sentence reading and one comprehension question. A tiny document, of limited utility, I suppose–unless you are teaching the novel and need something to use as a do-now to settle the class after a change of periods. If that.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Frantz Fanon on National Liberation

“National liberation, national renaissance, the restoration of nationhood to the people, commonwealth: whatever may be the headings used or the new formulas introduced, decolonization is always a violent phenomenon.”

Frantz Fanon, The Wretched of the Earth “Concerning Violence” (1961) (translation by Constance Farrington)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Cultural Literacy: Ivory Coast

Here is a Cultural Literacy worksheet on Ivory coast, or as it is more properly known, as part of the Francophone world, Cote d’Ivoire. This is a full-page document with a reading of five sentences and nine comprehension questions. It’s mostly an introduction to the geography of the area of West Africa in which Cote d’Ivoire is situated.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Ousmane Sembene

Ousmane Sembene: (1923-2007) Senegalese writer and film director. He fought with the Free French in World War II. After the war, he worked as a docker and taught himself French. His writings, often on historical-political themes, include The Black Docker (1965), God’s Bits of Wood (1960), and Niiwam and Taaw (1987). Around 1960 he became interested in film; since studying in Moscow, he has made films reflecting a strong social commitment, including Black Girl (1966), the first feature produced in sub-Saharan Africa. With Mandabi (1968), he began to film in the Wolof language; his later films have included Xala (1974), Ceddo (1977), Camp de Thiaroye (1987), and Guelwaar (1994).

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 17 February 2023, Black History Month 2023 Week III: A Reading and Comprehension Worksheet on the Niagara Movement

This week’s Text, in observation of Black History Month 2023, is a reading on the Niagara Movement with its attendant vocabulary-building and comprehension worksheet. Did you know that the Niagara Movement, organized by W.E.B. Du Bois and William Monroe Trotter, was the precursor to the National Association for the Advancement of Colored People–i.e. the NAACP?

I hadn’t, until I read the document presented here.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

James Van Der Zee

“James (August Joseph) Van Der Zee: (1886-1983) U.S. photographer. Born in Lenox, Massachusetts, he moved in 1906 with his family to Harlem in New York City. In 1915 he moved to Newark, New Jersey, to take a job in a portrait studio. He soon returned to Harlem to set up his own studio, and the portraits he took from 1918 to 1945 chronicled the Harlem Renaissance; among his many renowned subjects were Countee Cullen, Bill Robinson, and Marcus Garvey. After World War II his fortunes declined along with Harlem’s, until the Metropolitan Museum of Art exhibited his photographs in 1969.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Sojourner Truth

Moving right along this morning, here is a Cultural Literacy worksheet on Sojourner Truth. This is a half-page document with a two-sentence reading and two comprehension questions. A spare but potentially useful introduction to Isabella Baumfree.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bernard Coard on the Cultural Bias

“The Cultural Bias: This normally takes the form of linguistic difference between West Indian English and ‘standard classroom’ English. The West Indian child’s choice of words, usage, and meaning of words, pronunciation, and intonation, sometimes present tremendous difficulties in communication with the teacher, and vice versa. This factor, while recognized in a lip service way by many of the teachers and other authorities involved, is often ignored when assessing and generally relating to the child. Thus, teachers often presume to describe West Indian children as being ‘dull’, when in fact no educated assessment of the child’s intelligence can be made under these circumstances. In addition, many behaviour patterns and ways of relating to the teacher which are part of West Indian culture are misunderstood by the teacher, who usually has no understanding of or inclination to learn about the West Indian culture. The ILEA report (page 10) points out that only three of the nineteen schools suggested as a helpful method the training of teachers about the culture of the immigrant’s country. While certain initial attempts are being made to educate teachers in this direction, the scope and direction of the programme—and the people running it—make one very sceptical about its usefulness.

On common difficulty, for instance, arises from the fact that the child is not expected to talk and ‘talk back’ as much in the West Indian classroom as he is here, in the English classroom. English teachers tend to interpret this apparent shyness and relative unresponsiveness as indicating silent hostility or low intelligence. Many teachers have said to me that only after years of experience have they discovered that when the West Indian child does not understand what they are saying, he replies ‘Yes’, because he thinks this is expected of him in his relationship with the teacher. Moreover, many children fear that they may arouse the teacher’s anger or be thought stupid if they as her to repeat what she has said.”

Excerpted from: Coard, Bernard. How the West Indian Child Is Made Educationally Sub-Normal in the British School System: 50th Anniversary Expanded Fifth Edition. Kingston, Jamaica: McDermott Publishing, 2021.

Cultural Literacy: Reconstruction

Have you ever read C. Vann Woodward’s monograph The Strange Career of Jim Crow? Martin Luther King, Jr. characterized it as “the historical Bible of the civil rights movement.” Woodward marks the end of Reconstruction as the beginning of Jim Crow, a thesis that I believe remains for many if not most professional historians the final word on the subject.

This Cultural Literacy worksheet on Reconstruction, a two-page document with a reading of nine sentences (including a doozie of a compound in right in the middle of the paragraph) and 12 comprehension questions, covers a lot of ground. Still, if you really want students to understand how local peckerwoods in the South seized power and used it to oppress Americans of African descent for the next eighty years, you’ll need to go to Woodward’s book, or one like it by one of his epigones.

In any event, this document, like just about everything you’ll find on this website, is formatted in Microsoft Word. In other words, you can alter this document to suit your students’ needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.