Tag Archives: art/architecture/design

Grand Style

“Grand Style: (grand manner) The representation of the human figure in elevated themes or noble settings. Tern used to describe the artistic ideal of the High Renaissance that was promoted in the academies.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Loggia

“Loggia: A porch open on one or more sides.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Etruscan Art

“Etruscan Art: The tomb painting, sculpture, pottery, and bronze ware produced by the people of Etruria in northern Italy (who were originally from Asia Minor) from the 7th to the 3rd centuries B.C. Strongly influenced by Greek art, Etruscan culture was eventually absorbed by the Romans.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Gothic Revival

“Gothic Revival: A picturesque style of architectural and decoration of the 19th century which incorporated adaptations of medieval gothic elements. In architecture, asymmetrical design, verticality, steeply pitched, gabled roofs, and much ornate tracery-derived ornament are seen.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Prehistoric Art

“Prehistoric Art: The art of painting on the walls of caves lasted from the beginning of the Old Stone Age to the end of the New Stone Age, around 3000 B.C. The Paleolithic cave paintings at Altamira (Spain) and those at Lascaux (France) have been dated between 40,000 and 10,000 B.C.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

American Scene Painting

“American Scene Painting: A term that has extended and supplanted the term regionalism. It had come to include several movements from the mid-19th to the mid-20th centuries in which painters chose limited areas or aspects of distinctly American landscapes or life as their subjects and rendered them in a direct, usually literal style. Includes the landscapes of Thomas Cole and Albert Bierstadt and the regionalist painters of the Middle West.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Germanic Art

“Germanic Art: Art of the migrating Germanic tribes from the 4th to the 9th centuries. Characterized by the near absence of the human figure and preference for animal forms (zoomorphic ornament) and lacertine. Metalwork and jewelry were specialties. Also called barbaric art. See VISIGOTHIC ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Regency Style

“Regency Style: The English counterpart to the Directoire and Empire styles of French architecture and decorative art. Seen in the late years of the 18th century to about 1830, Greek, Roman, Rococo, oriental, Gothic, and Egyptian elements and motifs were used in a style that profoundly affected British and American tastes.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Impression

“Impression: Any print made from a block, plate, or stone. Also, the physical contact of paper and printing surface which in turn affects the quality of the image. Thus terms like ‘good impression’ and ‘weak impression’ describe that effect of the contact.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Glasgow School

“Glasgow School: A group of painters who gathered in Glasgow, ca 1850-1918, who rejected academic conventionality and painted in a spirited style of naturalism. The best known of them include David Young Cameron and E.A. Walton.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.