Tag Archives: art/architecture/design

Gothic Revival

“Gothic Revival: A picturesque style of architectural and decoration of the 19th century which incorporated adaptations of medieval gothic elements. In architecture, asymmetrical design, verticality, steeply pitched, gabled roofs, and much ornate tracery-derived ornament are seen.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Prehistoric Art

“Prehistoric Art: The art of painting on the walls of caves lasted from the beginning of the Old Stone Age to the end of the New Stone Age, around 3000 B.C. The Paleolithic cave paintings at Altamira (Spain) and those at Lascaux (France) have been dated between 40,000 and 10,000 B.C.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

American Scene Painting

“American Scene Painting: A term that has extended and supplanted the term regionalism. It had come to include several movements from the mid-19th to the mid-20th centuries in which painters chose limited areas or aspects of distinctly American landscapes or life as their subjects and rendered them in a direct, usually literal style. Includes the landscapes of Thomas Cole and Albert Bierstadt and the regionalist painters of the Middle West.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Germanic Art

“Germanic Art: Art of the migrating Germanic tribes from the 4th to the 9th centuries. Characterized by the near absence of the human figure and preference for animal forms (zoomorphic ornament) and lacertine. Metalwork and jewelry were specialties. Also called barbaric art. See VISIGOTHIC ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Regency Style

“Regency Style: The English counterpart to the Directoire and Empire styles of French architecture and decorative art. Seen in the late years of the 18th century to about 1830, Greek, Roman, Rococo, oriental, Gothic, and Egyptian elements and motifs were used in a style that profoundly affected British and American tastes.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Impression

“Impression: Any print made from a block, plate, or stone. Also, the physical contact of paper and printing surface which in turn affects the quality of the image. Thus terms like ‘good impression’ and ‘weak impression’ describe that effect of the contact.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Glasgow School

“Glasgow School: A group of painters who gathered in Glasgow, ca 1850-1918, who rejected academic conventionality and painted in a spirited style of naturalism. The best known of them include David Young Cameron and E.A. Walton.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Salvador Dali

Here is a reading on Salvador Dali along with its accompanying vocabulary-building and comprehension worksheet.

It is a good general introduction to the artist’s life, containing both personal and professional biographical material. Of particular interest to students, perhaps (I saw Un Chien Andalou as a high school junior and found it both horrifying and compelling; in any case, it is a cultural product that is de rigueur if one is to count oneself among the a certain strand of the cognoscenti), are Dali’s collaborations with Luis Bunuel.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Lyrical Abstraction

“Lyrical Abstraction: Although this term remains vague and is used differently by various writers, it generally refers to the so-called third generation of abstract expressionism, which developed in the early 1970s and was characterized by more sensuous and subjective abstract interpretations than those of the second generation of abstractionism with their geometric tendencies: POP ART, HARD-EDGE PAINTING, and MINIMAL ART, for example.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Fraktur

“Fraktur: Gothic or black-face type. Also, Pennsylvania German calligraphy, especially illuminated birth, baptismal, and marriage certificates executed in script derived from German fraktur script.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.