Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

A Learning Support on Using Adverbs of Time

Here, on a rainy Saturday morning, is a learning support on using adverbs of time.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: A Henry James Omnibus

“It is becoming painfully evident that Mr. James has written himself out as far as the international novel is concerned, and probably as far as any kind of novel-writing is concerned.”

William Morton Payne, The Dial, 1884

“James’ denatured people are only the equivalent in fiction of those egg-faced, black-haired ladies who sit and sit in the Japanese colour-prints…. These people cleared for artistic treatment never make lusty love, never go to angry war, never shout at an election or perspire at poker.”

H.G. Wells, Boon, The Mind of the Race, The Wild Ants of the Devil, and the Last Trump 1915

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Blade Runner

[I transcribe these posts directly from the reference books in which I find the, errors and all. This entry contains two: Hampton Fancher (not Fincher) wrote the screenplay for Blade Runner; Do Androids Dream of Electric Sheep? is a novel, not a short story, by Philip K. Dick.)

“A bleak science fiction film (1982) directed by Ridley Scott, starring Harrison Ford and Rutger Hauer, and set in Los Angeles in the year 2019. Ford plays a detective who is hunting down rogue androids or ‘replicants.’ The special police squads to which Ford belongs are called Blade Runner Units, whose job it is to ‘retire’ (i.e. execute) replicants. This is explained in the opening scrolling text, but no further explanation of the title is proffered.

‘The Blade Runner’ was originally the title of a very different science fiction story by Alan E. Nourse, where smugglers called ‘blade runners’ supply an impoverished society with medical supplies. William S. Burroughs wrote ‘Bladerunner (A Movie)’ (19790 after reading Nourse’s book, though the name is the principal similarity between the stories. Hampton Fincher, the screenwriter for Ridley Scott’s movie, found Burroughs’ book and Scott liked it enough to adopt the title for the screenplay, buying the rights for the use of the name.

The story of the film is based on a short story by Philip K. Dick (1928-82) entitle Do Androids Dream of Electric Sheep? (1968), which won that year’s nebula award.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Steven Jay Gould on the End of the Second Millenium

 “People in the past, in religious civilizations, had a real profound terror of apocalyptic catastrophe. What frightens us in our secular age is the computer breakdown that’ll occur if computers interpret the 00 of the year 2000 and a return to 1900.”

Conversations About the End of Time introduction, ed. Catherine David et al (1999)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Reviews: A Doll’s House by Henrik Ibsen

“It [Henrik Ibsen’s play A Doll’s House] was as though someone dramatized the cooking of a Sunday dinner.”

Clement Scott, Sporting and Dramatic News, 1889

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Conceptual Scheme

The general system of concepts which shape or organize our thoughts and perceptions. The outstanding elements of our everyday conceptual scheme include spatial and temporal relations between events and enduring objects, causal relations, other persons, meaning-bearing utterances of others, and so on. To see the world as containing such things is to share this much of our conceptual scheme. A controversial argument of Davidson’s urges that we would be unable to interpret speech from a different conceptual scheme as even meaningful; we can therefore be certain a priori that there is no difference of conceptual scheme between any thinker and ourselves. Davidson daringly goes on to argue that since translation proceeds according to a principle of charity, and since it must be possible for an omniscient translator to make sense of us, we can be assured that most of the beliefs formed with the commonsense conceptual framework are true.”

Excerpted from: Blackburn, Simon. The Oxford Dictionary of Philosophy. New York: Oxford University Press, 2008.

A Learning Support on Roman Gods and Goddesses

Here is a learning support on the primary Roman deities. If you teach anything related to classical mythology, you might find this useful.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Stephen Leacock on Advertising

“Advertising may be described as the science of arresting human intelligence long enough to get money from it.”

Stephen Leacock

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Edmund White: A Boy’s Own Story

“The first novel (1982) in a trilogy of semi-autobiographical novels by the US novelist Edmund White (b. 1940). It charts a boy’s growing awareness of his homosexuality. The others are The Beautiful Room is Empty (1988) and Farewell Symphony (1997).

The title is an ironic echo of The Boy’s Own Paper (often referred to as ‘the BOP), a boy’s magazine published from 1879 to 1967, initially by the Religious Tract Society. The last issue of the BOP featured on its cover the 21-year-old Manchester United footballer George Best, described as a role model who ‘doesn’t smoke, drinks only occasionally, and restricts his card playing to sessions which ease the boredom of travelling.'”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: Max Eastman on Ernest Hemingway

“It is of course a commonplace that Hemingway lacks the serene confidence that he is a full-sized man.”

Max Eastman

New Republic, 1933

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.