“Autocrat, n. A dictatorial gentleman with no other restraint upon him than the hand of the assassin. The founder of that great political institution, the dynamite bomb-shell system.”
Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged humor, literary oddities
Over time, I’ve posted several items like this learning support of basic literary terms. This one is something I assembled for a specific class that was dealing with the terms outlined. Like everything else here at Mark’s Text Terminal, it’s a Microsoft Word document, so you can manipulate the text for your classroom needs.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“(pl., media) The physical material or materials of which a work of art is made: oil paing, clay, ink, pastel, wood, concrete, etc. Also used synonymously with vehicle to mean the diluent in which pigment is suspended.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“A novel (1922) by James Joyce (1882-1941), regarded by many as the 20th century’s most important work of fiction in the English language. The novel is famous for its innovative use of language and its experimental use of stream-of-consciousness techniques. T.S. Eliot commented: ‘James Joyce has no style but is the vacuum into which all styles rush.’ The book was published by a small press in Paris in 1922, after three US judges banned further publication of chapters in the United States, and it was immediately acclaimed as a work of genius.
The narrative centres on a single day, 16 June 1904, the day on which Joyce had his first formal date with Nora Barnacle (1884-1951), a barmaid with whom he shared the rest of his life. The book tells of the day in the life of its Jewish-Irish hero, Leopold Bloom, his wife Molly, and Stephen Dedalus, the protagonist of the author’s A Portrait of the Artist as as a Young Man (1916). The structure of the book is intended to parallel that of Homer’s Odyssey, with Odysseus’s decade of wandering compared to Bloom’s single day of roaming in Dublin. Bloom thus represents Odysseus (whom the Romans called Ulysses), Molly answers approximately to Odysseus’s wife Penelope and Dedalus corresponds to his son, Telemachus. Joyce described his Homeric parallel–which he worked out in considerable detail–as a bridge across which he could march his 18 episodes, after which the bridge could be ‘blown skyhigh.’ 16 June is now often known (and celebrated), especially in Ireland, as ‘Bloomsday.’
Ulysses was eventually cleared for publication in the United States, the judge concluding: ‘Whilst in many places the effect of Ulysses on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac.’
It was published in the United States in 1934, and in Britain in 1936.
In 2001 The Bookseller magazine reported that a bookshop assistant had been asked for a copy of James Joyce Is Useless.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged fiction/literature, readings/research
“Sanguine * Choleric * Melancholic * Phlegmatic
The Four Humours or Temperaments were a foundation of European medieval medical philosophy. The ideal was for a balance of the four, which were conceived to be based on the properties of blood (Sanguis), yellow bile (Khole), black bile (Melas), and Phlegm in the body.
A predominance of Sanguine was believed to create an easy-going, sociable, pleasure-seeking type. A choleric character was fiery, strident, and ambitious. Melancholic was watery and emotional and created thoughtful, introverted and intellectual types. Phlegmatic was slow and earthy but also governed the most relaxed, content and quiet of types.”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged health, science literacy
“You have no idea how many problems an author has to face during those feverish days when he is building a novel, and you have no idea how he solves them. Neither has he.”
Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.
Posted in English Language Arts, New York City, Quotes, Reference
Tagged fiction/literature, humor, literary oddities
[This Rotten Review refers to a performance of Eugene O’Neill’s play in London in 1961.]
“Mourning Becomes Electra is hollow.”
Bernard Levin, Daily Express
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged drama/theater, humor, literary oddities
“When action grows unprofitable, gather information; when information grows unprofitable, sleep.”
The Left Hand of Darkness ch. 3 (1969)
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged fiction/literature, humor, women's history
“(1927-2013) British novelist and short-story writer. Born in Germany of Polish and German-Jewish parents, Jhabvala lived in England for twelve years before marrying an Indian architect and moving to New Delhi, where she remained until she moved to New York in 1976. Her subject is India, which she views as both an insider and an outsider, and with increasing distress at the poverty and misery surrounding her own comfortable life. She is concerned with social mores and psychological power struggles and psychological power struggles, and employs wit, nuance, and evocative descriptive detail. Her first novels, To Whom She Will (1955; U.S. Amrita, 1956), The Nature of Passion (1956), and Esmond in India (1957), deal with Indian arranged marriages and an East-West alliance. She has written a number of screenplays. Her later novels, such as Heat and Dust (1975), later made into a successful movie, show the influence of cinematic techniques. She has also published several volumes of short stories. In Search of Love and Beauty (1983) is a novel about German emigres in 1930s New York. Poet and Dancer (1993) is a novel.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“Peggy Wood, actress and Round Table frequenter, joined the group one day when [Alexander] Woollcott was discussion the feasibility of reviving Macbeth as a Broadway play. Acknowledging the arrival of Miss Wood, Aleck said, ‘We’re discussing the cast. I don’t think you’d make a very good Lady Macbeth, do you Peggy?’
‘No, Aleck,’ she answered. ‘But you would.’”
Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.
Posted in English Language Arts, New York City, Quotes, Reference
Tagged drama/theater, humor, literary oddities, women's history
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