Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Term of Art: Affective Fallacy

“affective fallacy: A critical term denoting the confusion between what a literary work is and what it does. That is, a work should be judged solely on its literary components, not by its emotional (or affective) impact on the reader. It was first identified as a critical ‘error’ by Monroe Beardsley and W.K. Wimsatt in The Verbal Icon (1954). It is related to intentional fallacy, in which a work is judged according to what the author presumably intended to say or in relation to the author’s biography.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Historical Terms: Baskaap

[Here’s an ugly term and concept to consider in the present-day United States; we have elected representatives, alas, articulating garbage like this.]

baskaap (Afrikaan, ‘masterhood’). The underlying white supremacist ethos crudely expressing the ideology of Apartheid.

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Book of Answers: Zora Neale Hurston

“What did Zora Neale Hurston do before becoming a novelist? Hurston was a folklorist who studied with anthropologist Franz Boas at Barnard College. In Mules and Men (1935) and Tell My Horse (1938), she compiled black traditions of the South and the Caribbean. Her novels include Their Eyes Were Watching God (1937).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Code Mixing

“code mixing: Sometimes distinguished, though not always in the same way, from code switching. E.g. where a speaker switches as frequent intervals from one language etc. to another, for no discoverable external reason.”

Excerpted from: Marshall, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

A Learning Support on Poetry Terms

This short learning support on poetry terms is the last of the English Language Arts learning supports I have to publish for the time being. I expect, as I continue to teach, I’ll develop more of them. Maybe you can use this cogent explanation of basic terms of art in poetry.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Homophone

“homophone (noun): Words having the same pronunciation but not the same origin, spelling or meaning, e.g., ‘peace’ and ‘piece.’ Adjective: homophonic, homophonous; adverb: homophonically; noun: homophony.

‘The coat of arms of the Shakespeare family, which shows its crest eagle shaking a spear, is a kind of pun weakened by etymology, but when Joyce calls Shakespeare—very justly—”Shapesphere” he has gone step further than homophony or homonymy. By changing two consonants he has interfered minimally with the shape of the name and enormously expanded its connotation.’ Anthony Burgess, Joysprick‘”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Arnold Toynbee on the Importance of Applying Knowledge

“History not used is nothing, for all intellectual life is action, like practical life, and if you don’t use the stuff,–well, it might as well be dead.”

Arnold J. Toynbee on NBC (1955)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Brewer’s Curious Titles: West Side Story

“A much-performed American musical by Leonard Bernstein (1918-90), with lyrics by Stephen Sondheim (b. 1930). It was first staged in 1957. The story is an updated version of Romeo and Juliet set in New York’s West Side dockland area, with the Montagues and the Capulets being replaced by rival teenage gangs, the Sharks and the Jets. The rivalry erupts into violence as a result of the love between Tony, one of the Jets, and Maria, the sister of the leader of the Sharks. The 1961 film version won an Oscar for best picture.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Daniel Willingham on Reading and Sound

“A lot of technical experiments indicate that sound and meaning are separate in the mind, but everyday examples will probably be enough to make this idea clear. We know meaning and sound are separate because you can know one without the other.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Metacognition

“metacognition: Knowledge and beliefs about one’s own cognitive processes, an important class of metacognition being metamemory, The term is also sometimes applied to regulation of cognitive functions, including planning, checking, or monitoring, as when one plans one’s cognitive strategy for memorizing something, checks one’s accuracy when performing mental arithmetic, or monitors one’s comprehension while reading, and these forms of metacognition are called metacognitive regulation in contradistinction to metacognitive knowledge. Writings on metacognition can be traced back at least as far as De Anima and the Parva Naturalia of the Greek philosopher Aristotle (384-322 BC), and the phenomenon was brought to prominence during the 1970s largely by the US psychologist John H. Flavell (born 1928), who focused attention on developmental aspects of metacognition. In an influential article in the journal Psychological Review in 1977, the US psychologists Richard E. Nisbett (born 1941) and Timothy D. Wilson (born 1951) summarized a range of evidence suggesting that people are often unaware of the factors influencing their own choices, evaluations, and behavior, and that the verbal reports that they give when questioned are often quite erroneous and misleading.”

[From Greek meta beside or beyond + English cognition]

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.