Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Two Learning Supports on Abbreviations and Symbols

While I don’t mean to say that the method doesn’t have universal application–it does, and I think it’s probably the best way to build literacy, particularly in procedural knowledge of English prose–I think Hochman and Wexler’s The Writing Revolution curriculum might have particularly effective application in the school in which I presently serve.

So, I have returned to working up some new curriculum for social studies base on it. This morning I made two learning supports, the first one on abbreviations and the second one on symbols. Both documents are in Microsoft Word (as is just everything here at Mark’s Text Terminal), so you can alter them to your students’ needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Joseph Louis Lagrange on Antoine Lavoisier

“[Remark the day after the guillotining of the great chemist Antoine Lavoisier on 8 May 1794]: ‘Il ne leur a fallu qu’un moment pour faire tomber cette tete, et cent annees, peut-etre, ne suffiront pas pour en reproduire une semblable.’

It took them only an instant to cut off that head, but it is unlikely that a hundred years will suffice to reproduce a similar one.”

Joseph Louis Lagrange

Quoted int J.B. Delambre, “Eloge de Lagrange,” Memoires de l’Institut (1812)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Hitch-Hiker’s Guide to the Galaxy

“A cult radio serial by Douglas Adams (1952-2001), broadcast in 1978 and 1979. The story begins with the imminent destruction of Earth to make way for a hyperspace express route, and the escape of Earthling Arthur Dent and his exterrestrial friend Ford Prefect by hitching a ride on a Vogon spacecraft. The programme combined the comic with the surreal and introduced a host of eccentric characters. In 1981 the serial was adapted for television. The fictional book mentioned in the title gives handy tips to space travellers, and is frequently quoted; its verdict on the Earth is ‘mostly harmless.’ It transpires that the Earth was originally constructed to solve the question of Life, the Universe, and Everything, to which the answer turns out to be 42.

Adams went on to adapt and extend the idea in book form, characteristically producing a “trilogy in five parts’: A Hitch-Hiker’s Guide to the Galaxy (1979), The Restaurant at the End of the Universe (1980), Life, the Universe and Everything (1982), So Long, and Thanks for All the Fish (1984), and Mostly Harmless (1992).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

How Confusing Is the Mapping in English?

“The principle may not come naturally, but surely we could make the particulars easier. If you were creating an alphabet for English from scratch, you would probably create 44 letters and match each speech sound with one letter. We’d call that one-to-one matching. Written English, alas, was not created from scratch. Our language is a mongrel: Germanic origins, heavily influenced by the Norman invasion and later by the adoption of Greek and Latinate words. That’s a problem because when we borrowed words, we frequently retained the spelling conventions of the original language. The result is that English uses a many-to-many matching. One letter (or letter combination) can signify many sounds, as the letter ‘e’ does: red, flower, bee.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Thomas Kuhn on “Normal Science”

“‘Normal science’ means research firmly based upon one or more past scientific achievements, achievements that some particular scientific community acknowledges for a time as supplying the foundation for its further practice.”

Thomas Kuhn

The Structure of Scientific Revolutions ch.2 (1962)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ignacio Manuel Altamirano

Ignacio Manuel Altamirano: (1834-1893) Mexican novelist and poet. A full-blooded Indian, Altamirano was an adherent of Benito Juarez and fought against the French intervention in Mexico. In 1869, he founded Renacimiento, a review to encourage literary activity, almost moribund after fifteen years of turbulence. He became the mentor of the younger generation, to whom he advocated the importance of creating a literature rooted in national life. His poetry consists of a single volume of Rimas (1880), written before 1867 and notable for its description of the Mexican landscape. Altamirano’s preoccupation with purely Mexican themes and customs is also evident in the prose works for which he is best known: Clemencia (1869), a love story set against the background of the French intervention; La navidad en las montanas (1870), a novelette; and El Zarco (1901), a novel dealing with bandits in the state of Morelos.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Invented Spelling

invented spelling: A unique spelling of a word created by a child who has not yet learned the correct spelling. Proponents of invented spelling believe that it encourages students  to express their ideas in writing before they have learned to spell. Critics worry that it introduces poor habits early in the learning process. Invented spelling is also referred to as temporary spelling, on the assumption that at some point students will learn how to spell the words accurately.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Octavo

“A book usually measuring between 5 by 8 inches and 6 by 9 1/2 inches, which is composed of sheets folded into eight leaves.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Lexicon

“A lexicon is a collection, or stock, of words. This stock may be characteristic of an individual, a profession, a philosophy, or a ‘style’ (such as, say, a sermon), or it may be as unrestricted as an unabridged dictionary. A lexicon is usually to be distinguished from a glossary in being less focused and less restrictive. It could be argued, for instance, that this glossary need not, even ought not, contain the word lexicon in that, as is the case with many or the words discussed here, it is not a word with a special meaning within the analysis of rhetoric. I would respond that insofar as it is a word used to describe the range of vocabulary from which a given discipline or individual chooses, it is a word that can be useful to the rhetor. See ARGOT.”

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Coordination and Subordination

“I want to pause here to digress on the seemingly underwhelming concepts of coordination and subordination. I will ask you to stifle your yawn as I acknowledge that they are easy to dismiss–ancient, faintly risible, uttered once long ago by acolytes of sentence diagramming in the era of chalk dust. They smack of grammar for grammar’s sake, and almost nobody cares about that. Teachers instead seek mostly to simply make sure the sentences work and dispense with the parsing of parts. It is so much simpler to tell kids to go with ‘sounds right’ (an idea that inherently discriminates against those for whom the sounds of language are not happily ingrained by luck or privilege) or to make the odd episodic correction and not worry about the principle at work.

But coordination and subordination are in fact deeply powerful principles worth mastering. They describe the ways that ideas are connected, the nuances that yoke disparate thoughts together. It is the connections as much as the ideas that make meaning. To master conjunctions is to be able to express that two ideas are connected but that one is more important than the other, that one is dependent on the other, that one is contingent on the other, that the two ideas exist in contrast or conflict. Mastering that skill is immensely important not just to writing but to reading. Students who struggle with complex text can usually understand the words and clauses of a sentence; it is the piecing together of the interrelationships among them that most often poses the problem. They understand the first half of a sentence but miss the cue that questions its veracity in the second half. And so without mastery of the syntax of the relationships–which is what coordination and subordination are–the sentence devolves–for weak readers–into meaninglessness.”

Doug Lemov

Excerpted from: Hochman, Judith C., and Natalie Wexler. The Writing Revolution: A Guide to Advancing Thinking through Writing in All Subjects and Grades. San Francisco: Jossey-Bass, 2017.