Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Term of Art: Attribution

“attribution: The ways in which an individual understands the sources of success, difficulty, or failure. Often, people with learning disabilities attribute their successes and failures to factors they do not control, such as luck, the nature of the task, or their own inadequacies. By contrast, successful learners tend to attribute failure or success to their own level of effort and perseverance, and see themselves as having control over the outcomes of their work.

Attribution theory provides an approach to understand the difficulties with motivation experience by some people with learning problems, and also suggests that direct guidance in changing attribution styles may be helpful to those with learning disorders.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Triumphal Arch

“Triumphal Arch: Originating in Rome by the 2nd century B.C., these freestanding monumental gateways were erected to commemorate victorious generals. Sometimes serving as city gates, these arches were often merely decorative and richly adorned with sculptural elements. The two main types include one with a single archway and another flanked with smaller arches to the sides. The triumphal arch form was popularized anew during the Italian Renaissance.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Heart Is a Lonely Hunter

The Heart Is a Lonely Hunter: A novel (1940) by Carson McCullers (1917-1967) of the ‘Southern grotesque’ school. It features a deaf-mute, to whom the other main characters wrongly attribute the faculty of inner serenity that they lack. The title is from the poem ‘The Lonely Hunter’ (1896) by Fiona Macleod (pen-name of William Sharp; 1855-1905):

My heart is a lonely hunter that hunts on a lonely hill.

 A rather pale film version (1968) was directed by Robert Ellis Miller.

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

George Bernard Shaw on Bourgeois Morality

“Bourgeois morality is largely a system of making cheap virtues a cloak of expensive vices.”

George Bernard Shaw

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Oddball Place Names

This list of oddball place names never failed to bring laughter to my classroom when I taught an advisory at a middle school in the North Bronx.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Indirect Object

indirect object: An object whose semantic role is characteristically that of a recipient, e.g. to your sister in He blew a kiss to your sister; also, in most accounts, your sister in He blew your sister a kiss. Distinguished as an element in a ditransitive construction from a direct object.

The relation between sentences such as these has been described in terms of dative movement. It is in part because that relation is possible that to your sister can be distinguished, as an object, from directional phrases such as to the seaside as in He sent his family to the seaside.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Jean Louis Rodolphe Agassiz on Evolution

 “The eye of the trilobite tells us that the sun shone on the beach where he lived; for there is nothing in nature without a purpose, and when so complicated an organ was made to receive the light, there must have been light to enter it.”

Jean Louis Rodolphe Agassiz

Geological Sketches (1866)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Ad Hominem

“Ad Hominem To the man: appealing to the sentiments or prejudices of the hearer of listener rather than to his or her reason or intelligence; disparaging a person’s character rather than his or her sentiments; personal rather than substantive or ideological.

‘The boss knows all about the so-called fallacy of the argumentum ad hominem. ‘It may be a fallacy,’ he said, ‘ but it is shore-God useful. If you use the right kind of argumentum, you can always scare the hominem into a laundry bill he didn’t expect.’ Robert Penn Warren, All the King’s Men.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Historical Term: Imperialism

Imperialism: (deriv. Lat. imperium, power). Acquisition and administration of an empire, often as a part of general commercial and industrial expansion. From the 15th century onwards, Spain, Portugal, Holland, France, and Britain began building overseas empires. Modern imperialism, however, probably dates from the 1880s and the scramble for colonies in under-developed Africa. Marxism-Leninism ascribes the survival of capitalism and World War I to this late surge of European imperialism. Italy, Germany and Japan failed to acquire empires in the 19th century due to their late national unification or industrialization; they attempted to do so in the 20th century by war. The USSR had been described as an imperialist power because it had absorbed the formerly independent countries of Estonia, Latvia, and Lithuania and had sought to dominated neighboring states, not only Warsaw Pact countries but also Afghanistan and China. US involvement in Southeast Asia and Latin America had also resulted in the USA also being termed an imperialist power.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

The 7 Liberal Arts

“Grammar * Rhetoric * Logic * Arithmetic * Geometry * Music * Astronomy/Cosmology

The Seven Liberal Arts divide between the trivium of logic, rhetoric, and grammar and the quadrivium of arithmetic, music, geometry and cosmology. The Trivium were the arts considered necessary for the creation of an active citizen of the ancient world, well educated enough to be able to analyze what was being said, check it for rationality and to be able to speak and answer in his turn. With the addition of the quadrivium by the scholastics of the early medieval age, the whole basic course structure and purpose of a university education was established—which was to create an aware citizen. The system endured, more or less unchanged, right through to nineteenth-century Europe.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.