Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Nella Larsen

“Nella Larsen: (1891-1964) American novelist and short-story writer. Larsen’s reputation as one of the luminaries of the Harlem Renaissance rests upon her two published novels, Quicksand (1928) and Passing (1929). Both are studies of middle-class mulatto women and the politics of the color line. Here work is noted for its economy of expression and psychological depth. Although Larsen was the first African-American woman to win a Guggenheim fellowship (1930), her literary career declined shortly afterward due to professional and personal difficulties. Larsen died in obscurity after working as a nurse for more than twenty years in New York City.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Afrocentrism

“Afrocentrism: Ideology that promotes the study of history from an African point of view, viewing Africans as agents of history and not merely as subjects of investigation. One of its controversial tenets is that ancient Greek culture, especially philosophy, owes its accomplishments to Egypt, and idea brought to widespread attention by Martin Bernal’s Black Athena (1989). The debate on Afrocentrism has sparked charges and countercharges of racism, in part due to extremist pronouncements on both sides. A number of urban schools in the United States now offer an Afrocentric curriculum.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Martin Luther King Jr. on Riots

“A riot is at bottom the language of the unheard.”

Dr. Martin Luther King Jr., Where Do We Go From Here ch. 4 (1967)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Leroy Robert “Satchel” Paige on a Balanced Social Life

“Go very lightly on the vices, such as carrying on in society. The social ramble ain’t restful.”

“How to Keep Young,” Colliers, 13 June 1953

Leroy Robert “Satchel” Paige

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Art Ensemble of Chicago

“Art Ensemble of Chicago: U.S. jazz ensemble, innovators in free jazz. The group evolved from the Association for the Advancement of Creative Musicians (AACM), an experimental collective. Saxophonists Roscoe Mitchell and Joseph Jarman, trumpeter Lester Bowie, bassist Malachi Favors, and drummer Don Moye formed the group in 1969, combining freely changing tempos, dynamics, and textures with an often comic theatricality of presentation. Their diversity of inspiration is expressed by their motto, ‘Great Black Music—Ancient to Modern.’”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Althea Gibson

“Althea Gibson: (1927-2003) U.S. tennis player. Born in Silver, South Carolina, she moved to New York City when she was three, later returning south to attend Florida A&M University. She was the first black tennis player to win the French (1956) and Wimbledon and U.S. singles championships (1957-58). She also won the U.S. mixed doubles, Australian women’s doubles (both 1957), and U.S. professional women’s title (1960), for a total of 11 Grand Slam events. Ranked number 1 in the U.S. for 1957 and 1958, she was voted Female Athlete of the Year by the Associated Press both years, the first black athlete to receive that honor.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Stephen Biko on the Oppressor’s Weapons

“The most potent weapon in the hands of the oppressor is the mind of the oppressed.”

Stephen Biko

“White Racism and Black Consciousness” (paper presented at a workshop sponsored by Abe Bailey Institute of Interracial Studies), Cape Town, South Africa, Jan. 1971

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

African Religions

“African religions: Indigenous religions of the African continent. The introduced religions of Islam (in northern Africa) and Christianity (in southern Africa) are now the continent’s major religions, but traditional religions still play an important role, especially in the interior of sub-Saharan Africa. The numerous traditional African religions have in common the notion of a creator god, who made the world and then withdrew, remaining remote from the concerns of human life. Prayers and sacrificial offerings are usually directed toward secondary divinities, who are intermediaries between the human and sacred realms. Ancestors also serve as intermediaries. Ritual functionaries include priests, elders, rainmakers, diviners, and prophets. Rituals are aimed at maintaining a harmonious relationship with cosmic powers, and many have associated myths to explain their significance. Animism is a common feature of African religions, and misfortune is often attributed to witchcraft and sorcery.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

H. Rap Brown on Violence

“Violence is as American as cherry pie.”

H. Rap Brown

Press conference at Student Nonviolent Coordinating Committed headquarters, Washington, D.C., 27 July 1967

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Sterling Allen Brown

“Sterling Allen Brown: (1901-1989) American poet, folklorist, editor, and critic. Brown was one of the first writers to identify folklore as a vital component of the black aesthetic and an important form of artistic expression. His first collection of poems, Southern Road (1932), was a critical success, fusing elements of ballads, spirituals, work songs, and the blues into narrative poems generally written in a Southern dialect. Two of Brown’s works written in 1937, Negro Poetry and Drama and The Negro in American Fiction, are major books of criticism on African-American studies. In 1941, Brown, along with colleagues Arthur P. Davis and Ulysses S. Lee, edited the The Negro Caravan, which was considered by many “the anthology of African-American literature.” With the publication of The Collected Poems of Sterling A. Brown (1980), Brown won the 1982 Lenore Marshall Poetry Prize and received widespread and deserved recognition.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.