Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

The Doubter’s Companion: Absolute

“Absolute: Nothing is absolute, with the debatable exception of this statement and death, which may explain why political and economic theories are presented so seriously.

Absolutism is a deadly serious business. If even a hair’s breadth of space is left around the edges of a theory, doubt may be able to squeeze through. The citizen may then begin to smile and wonder whether the intellectual justifications of power are really nonsense. Few within the expert elites see themselves as ideologues and yet they quite happily act as carriers of truth in whatever their field.

Whether it reveals the dictatorship of the proletariat or the virtues of privatization, truth is ideology. Not their truths, our elites say. They are simply delivering the inevitable conclusions of facts rationally organized. Absolutism is the weakness of others. Our elites have the good fortune simply to be right.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Fable

“Fable: A short tale, usually epigrammatic, with animals, men, gods, and even inanimate objects as characters. The action of a fable illustrates a moral which is usually (but not always) explicitly stated at the end. This moral often attains the force of a proverb. The fable form appears early in man’s cultural development, being a common part of the oral folk literature of primitive tribes. It appeared in Egyptian papyri of c1500 BC, and in Greece a recognizable fable was included in the works of Hesiod in the 8th century BC. By far the most famous fables are those attributed to Aesop, a Greek slave who lived about 600 BC. In India the fable also appeared early, the great Indian collection, the Panchatantra, having been composed in the 3rd century. Modern fables have been dominated by the genius and style of La Fontaine, the great French fabulist of the 17th century, who wrote fables in polished and witty poetry that have been widely translated and imitated.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Au Contraire

“Au Contraire To the contrary, quite the opposite.

‘Nor can it be said that they produce canvases of any greater than those to be found along Washington Square, or in the cold-water flats of New York’s lower east side. There is, au contraire, more than a little truth to the contention that the east side has a certain edge over Montparnasse, and this in spite of the justly renowned Paris light.’ James Baldwin Notes of a Native Son”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Teaching for Understanding

“teaching for understanding: A pedagogical method that focuses on teaching students to understand new concepts rather than memorize discrete facts. Although this term has been used to refer specifically to deep, meaningful learning, it’s really the goal of all instruction: all teachers want their students to understand, not just recall and recite, whatever was taught.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

The 23 Enigma

“In Tangier in 1960 the Beat writer William Burroughs met a sea captain called Captain Clark, who boasted to him that he had never had an accident in twenty-three years; later that day Clark’s boat sank, killing him and everyone on board. Burroughs was reflecting on this, that same evening, when he heard a radio report about a plane crash in Florida: the pilot was another Captain Clark and the plane was Flight 23. From then on Burroughs began noting down incidents of the number 23, and wrote a short story, 23 Skidoo.

Burroughs’ friends Robert Anton Wilson and Robert Shea adopted the ’23 Enigma’ as a guiding principle in their conspiratorial Illuminatis! Trilogy. Twenty-threes come thick and fast: babies get 23 chromosomes from each parent; 23 in the I-Ching means ‘breaking apart’; 23 is the psalm of choice at funerals; and so on. All nice examples of selective perception or, as Wilson put it, ‘When you start looking for something you tend to find it.’ The composer Alban Berg was also obsessed with the number, which appears repeatedly in his opera Lulu and in his violin concertos.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Illuminism

Illuminism: A pseudoscientific movement of mystics and visionaries in the 18th century which influenced literature in the 19th century. At first inspired by Christian doctrines, illuminists sought to live according to the Gospel and to regenerate their souls by direct contact with the divine. They also, however, believed in spiritism, magnetism, alchemy, and magic and professed to invoke the invisible and the arcane. Among the more famous illuminists were Swedenborg, who conversed with the dead; Lavater a believer in black magic , who thought to contact God by magnetism; Claude de Saint Martin (“the unknown philosopher”), who sought to hasten the coming of Christ by meditation and prayer; Mesmer (see MESMERISM); the Comte de Saint-Germain, who pretended to be several hundred years old and to possess the elixir of eternal life; Franz Joseph Gall, who founded the pseudoscience of phrenology, the study of the relationship of skull shape to character traits; and the famous “Count” Alessandro di Cagliostro, a charlatan who performed feats of magic and alchemy, founded a secret Masonic sect, and narrowly escaped death at the hands of the Inquisition. A reaction against 18-century rational philosophies, illuminism under many names (e.g. millenarianism, syncretism, neopaganism, pythagorism, theosophy, etc.) influenced some writers of the romantic period. It revived a sense of religious exaltation and created, or recreated, a need for the infinite merged with a sense of the inner life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Arthur Tappan

Arthur Tappan: (1786-1865) U.S. merchant and philanthropist. Born in Northampton, Massachusetts, he operated various mercantile businesses, including a silk-importing firm in New York (1826-1837) with his brother Lewis Tappan (1788-1873); they also founded the first commercial credit-rating service (1841). He used his wealth to support missionary societies and the abolitionist crusade, helping found the American Anti-Slavery Society and serving as its first president (1833-40). After breaking with William Lloyd Garrison, he created the American and Foreign Anti-Slavery Society (1840). The brothers later supported the Underground Railroad.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Algonquin Wits: Robert Benchley on Office Sharing

Benchley and Dorothy Parker shared a tiny $30-a-month office for a time in the Metropolitan Opera House studios. As Benchley described it, ‘One cubic foot of space less and it would have constituted adultery.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Assonance

“Assonance (noun): Resemblance of sound in words, or closeness or correspondence of syllables with similar sounds and particularly vowel sounds; vowel recurrence. Adj. assonant, assonantal, assonantic; n. assonant; v. assonate.

‘Dinted, dimpled, wimpled—his mind wandered down echoing corridors of assonance and alliteration even further and further from the point. He was enamored with the beauty of words.’ Aldous Huxley, Chrome Yellow”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Mannerism

“Mannerism: Style of art and architecture that emerged in the period from ca. 1520 to ca. 1590, characterized by a reaction to harmony of the High Renaissance, an ideal of virtuosity for its own sake, and a concomitant preoccupation with the ambiguous and discordant. Exemplified in the works of El Greco, Pontormo, Parmigianino, and (late) Michelangelo.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.