Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Gerald Brenan on Intellectuals

“Intellectuals are people who believe that ideas are of more importance than values. That is to say, their own ideas and other people’s values.”

Gerald Brenan

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Sound/Letter/Word Retrieval

“sound/letter/word retrieval: The process of reading requires a student to quickly retrieve sounds, letters, and words. Research has shown that a delay in naming pictures, symbols, letters, and words is an accurate predictor of reading problems. Problems in retrieving are probably due to memory retrieval problems that make it difficult to access phonological and verbal information.

Sound, letter, and word retrieval interventions are available, such as computer software programs that slow the pace of language to allow individuals to retrain the pace of language processing.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Russell Banks on Linton Kwesi Johnson

He is, of course, a top-notch poet, and his bittersweet poems can indeed make us weak, make us feel incomplete. In 2002 he became the second living and first black poet to have his selected poems published in England in the Penguin Classics series. He is Jamaican by birth, and though he has resided for most of his adult life in England, where he took a university degree in sociology, he writes in Jamaican Creole. Not a dialect, not strictly a ‘patois,’ either, and not a mere post-colonial version of Standard English, Jamaican Creole is a language created out of hard necessity by African slaves from 17th century British English and West African, mostly Ashanti, language groups, with a lexical admixture from the Caribe and Arawak natives of the island. It is a powerfully expressive, flexible, and, not surprisingly, musical vernacular, sustained and elaborated upon for over four hundred years by the descendants of those slaves, including those who, like LKJ, have migrated out of Jamaica in the second great diaspora for England, Canada, and the United States. Fortunately, its grammar and orthography like that of pre-18th century British English, have never been rigidly formalized or fixed by an academy of notables or any authoritative dictionary. It is, therefore, a living, organically evolving language intimately connected to the lived experience of its speakers.”

Excerpted from: Banks, Russell, “Introduction,” in Johnson, Linton Kwesi. Mi Revalueshenary Fren. Port Townshend, Washington: Copper Canyon Press, 2006.

Tom Lehrer on “The Truth”

“No one is more dangerous than someone who thinks he has ‘The Truth.’ To be an atheist is almost as arrogant as to be a fundamentalist.”

Tom Lehrer

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Subtractive Bilingualism

“subtractive bilingualism: A description of a bilingual program in which students become proficient in a second language, which replaces their first language in the curriculum. Contrast additive bilingualism.

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Mark Twain on the Classics

“A classic is something everyone wants to have read and nobody wants to read.”

Mark Twain

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Book of Answers: The Glass Menagerie

On what work did Tennessee Williams base The Glass Menagerie (1944)? The Broadway play was drawn from a screenplay called The Gentleman Caller, which Williams wrote while he was under contract as a screenwriter for MGM in the early 1940s.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Specific Learning Disability

“specific learning disability: A legal term that plays a central role legislation governing learning disabilities. As described in Public Law 94-142 (amended by PL 101-76), ‘specific learning disability’ means a disorder on one or more of the basic psychological processes involved in understanding or in using spoken or written language. This may manifest itself in an imperfect ability to listen, think, speak, read, spell, or do mathematical calculations.

The term includes such conditions as perceptual handicaps, brain injury, minimal brain dysfunction, dyslexia, and developmental aphasia. The term does not include children whose conditions are primarily caused by visual hearing, or motor problems; mental retardation; emotional disturbance; or due to environmental, cultural, or economic disadvantage.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Nietzsche on Convictions

“Convictions are more dangerous enemies of truth than lies.”

Friedrich Wilhelm Nietzsche

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

“Manner of,” “Style of”

“’Manner of,’ ‘Style of’: In describing a work of art, ‘in the manner/style of’ refers to stylistic similarity to the artist named, but not necessarily direct influence. Compare ‘follower of,’ ‘circle of,’ ‘school,’ ‘workshop.'”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.