“It [Henrik Ibsen’s play A Doll’s House] was as though someone dramatized the cooking of a Sunday dinner.”
Clement Scott, Sporting and Dramatic News, 1889
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
“The general system of concepts which shape or organize our thoughts and perceptions. The outstanding elements of our everyday conceptual scheme include spatial and temporal relations between events and enduring objects, causal relations, other persons, meaning-bearing utterances of others, and so on. To see the world as containing such things is to share this much of our conceptual scheme. A controversial argument of Davidson’s urges that we would be unable to interpret speech from a different conceptual scheme as even meaningful; we can therefore be certain a priori that there is no difference of conceptual scheme between any thinker and ourselves. Davidson daringly goes on to argue that since translation proceeds according to a principle of charity, and since it must be possible for an omniscient translator to make sense of us, we can be assured that most of the beliefs formed with the commonsense conceptual framework are true.”
Excerpted from: Blackburn, Simon. The Oxford Dictionary of Philosophy. New York: Oxford University Press, 2008.
“Advertising may be described as the science of arresting human intelligence long enough to get money from it.”
Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.
“The first novel (1982) in a trilogy of semi-autobiographical novels by the US novelist Edmund White (b. 1940). It charts a boy’s growing awareness of his homosexuality. The others are The Beautiful Room is Empty (1988) and Farewell Symphony (1997).
The title is an ironic echo of The Boy’s Own Paper (often referred to as ‘the BOP), a boy’s magazine published from 1879 to 1967, initially by the Religious Tract Society. The last issue of the BOP featured on its cover the 21-year-old Manchester United footballer George Best, described as a role model who ‘doesn’t smoke, drinks only occasionally, and restricts his card playing to sessions which ease the boredom of travelling.'”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“It is of course a commonplace that Hemingway lacks the serene confidence that he is a full-sized man.”
New Republic, 1933
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, literary oddities
“The figurative or symbolic use of the name of one thing for that of another with which it is associated, or of an attribute for the whole, e.g., ‘brass’ for military officers. Adjective: metonymic, metonymical; adverb: metonymically; noun: metonym.
‘A full set would also have included the brazen Perelman pun (‘My choler wilted’ for ‘My anger subsided’)…the Perelman micro-metonymy (‘Hanna listened to the veins throbbing in my temple’ for ‘I was speechless with anger at Hanna’) and the Perelman extrapolation of cliché into metaphor (‘The whole aviary in my head burst into song’ for ‘I was bird-brained’).’” Tom Wolfe, The New York Times
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
“Broadly speaking, the recasting of a work to fit another, such as the recasting of novels and plays as film or television scripts. For example, Stephen Hero, A Passage to India, The Prime of Miss Jean Brodie, and Les Liaisons dangereuses as stage plays; The Forsythe Saga, Daniel Deronda, War and Peace, Brideshead Revisited and The Jewel in the Crown as television dramas. Sometimes a cycle or sequence is adapted: for instance, the dramatization of some of the Canterbury Tales as a musical comedy (1967). Short stories and poems are often equally suitable.
As an extension there are works like the Peyton Place and Colditz of which episodes continued to be presented long after the original stories had been used up.”
Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.
Posted in English Language Arts, Quotes, Reference
Tagged drama/theater, film/television/photography, term of art
“A dystopian novel (1932) by Aldous Huxley (1894-1963). Its portrayal of an imagined future state in which men and women are processed into standardized batches by genetic engineering and lifelong conditioning was originally conceived as a challenge to the claims of H.G. Wells (1866-1946) for the desirability of eugenics. The title derives from Miranda’s exclamation in Shakespeare’s The Tempest (1611):
‘O brave new world,
That has such people in’t!’
V.i”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“’The Four Hundred’ is the nickname for the social elite of New York, an alliance of old landed families, financial speculators, manufacturers and entrepreneurs who had assimilated European social manners and snobbery in the late nineteenth century. The overlooked the divisions of the Civil War, delighted in transatlantic marriages with the nobility of Europe, and guarded themselves from ‘new money’ coming in from the West, especially those who put too much crushed ice in their wine. The concept of the Four Hundred was popularized by Ward McAllister, the Beau Brummel of Manhattan, who coined the expression from the number who could be comfortably entertained, and felt at ease, in Mrs. Astor’s ballroom.”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
Posted in Essays/Readings, Quotes, Reference, Social Sciences
Tagged numeracy, united states history
“A lugubrious and heavy-handed piece of propaganda.”
New York Herald Tribune
“… a somewhat amusing book; a bright man can do a good deal with two or three simple ideas.”
Granville Hicks, New Republic
“There are no surprises in it; and if he had no surprises to give us why would Mr. Huxley have bothered to turn this essay in indignation into a novel?”
New Statesman and Nation
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, literary oddities
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