Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Duke Ellington on Bebop

“Playing ‘bop’ is like Scrabble with all the vowels missing.”

 Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Quoted in Look. 10 August 1954

Charles Richard Drew

“Drew, Charles Richard: (1904-1950) U.S. physician and surgeon. Born in Washington, D.C., he received his PhD from Columbia University. While researching the properties and preservation of blood plasma, he developed efficient ways to process and store plasma in blood banks. He directed the U.S. and Britain’s World War II blood-plasma programs until 1942. An African-American, he resigned over the segregation of the blood of blacks and whites in blood banks. He died in an auto accident.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Paul Laurence Dunbar on the Mask

“We wear the masks that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile…

But let the world dream otherwise,
We wear the mask!”

Paul Laurence Dunbar

“We Wear the Mask” 1. I, 14 (1895)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

for colored girls who have considered suicide when the rainbow is not enough

“A play (1974) by the US writer Ntozake Shange (b. 1948) consisting of 20 ‘choreopoems’ about the experience of African-American women in modern Western society. One of the longest running shows in Broadway history, the play’s extraordinary title, with its unconventional spellings and rejection of accepted grammatical rules, was intended by the author to represent the independence of African-American culture from Western influence. The mutilation of words throughout the title and text are reportedly meant to remind the reader of the mutilation of African slaves through branding and other punishments.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Kofi Annan on the Legitimacy of the United Nations

“When states decide to use force to deal with broader threats to international peace and security, there is no substitute for the unique legitimacy provided by the United Nations.”

Kofi Annan

Opening speech to United Nations General Assembly, New York, N.Y., 12 September 2002

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Mariama Ba

“(1929-1981) Senegalese novelist and activist. Despite the brevity of her writing career, Mariama Ba’s published novels secured her an international reputation. Une Si longue letter (1979; tr So Long a Letter), her first novel, won the first Noma Award for Publishing in Africa at the 1980 Frankfurt Book Fair. Le Chant ecarlate (tr Scarlet Song, 1981), her second novel, was published posthumously and also gained international attention. Ba’s works examine such issues and polygamy, clitoridectomy, and woman’s ability to transcend the negative consequences of the irresponsible use of power in a traditional Muslim and patriarchal society. The novels affirm the ability of women to experience such potentially devastating  situations, and yet move beyond victimization to action and wholesome self-expression.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Ralph Ellison on Pluralism

“America is woven of many strands; I would recognize them and let it so remain…. Our fate is to become one, and yet many—this is not prophecy, but description.”

Ralph Ellison

Invisible Man epilogue (1952)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Reviews: McTeague by Frank Norris

“…grossness for the sake of grossness…the world will not be proud of it in that distant tomorrow which irrevocably sets the true value on books of today.”

The Literary World

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

A Learning Support on the Parts of Speech

Here is a supported glossary on the parts of speech that, if you teach them, could accompany any lesson on English usage or the parts of speech.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Antihero

“Antihero: A protagonist who lacks traditional heroic virtues and noble qualities and is sometimes inept, cowardly, stupid, or dishonest, yet sensitive. The type is best represented in modern fiction and drama, although it appears as early as 1605, in Don Quixote, James Joyce’s Leopold Bloom in Ulysses, Kingsley Amis’s Jim Dixon in Lucky Jim, and Joseph Heller’s Yossarian in Catch 22 are antiheroes.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.