Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Colette

“Colette in full Sidonie-Gabrielle Colette: (1873-1954) French writer. Her first four Claudine novels (1900-03), the reminiscences of a libertine ingenue, were published by her first husband, an important critic, under his pen name, Willy. She later worked as a music hall performer. Among her later works are Cheri (1920), My Mother’s House (1922), The Ripening Seed (1923), The Last of Cheri (1926), Sido (1930), and Gigi (1944; musical film, 1958), a comedy about a girl raised to be a courtesan. Her novels of the pleasures and pains of love are remarkable for their exact evocation of sounds, smells, tastes, textures, and colors. She collaborated with Maurice Ravel on the opera L’enfant et les sortileges (1925). In her highly eventful life, she freely flouted convention and repeatedly scandalized the French public, but by her late years she had become a national icon.”

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Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Sarah Barnwell Elliot

“Sarah Barnwell Elliott: (1848-1928) American writer and feminist activist. Elliott was one of the “local color” (or regionalist) writers, and is best known for her novel Jerry (1891). Her most powerful fiction represents the displaced slave-owning class into which she was born, as it confronts hard economic times and a new social order. Elliott was a feminist activist in the South and led the fight for Tennessee to ratify the 19th amendment. Her fiction is often valued for its liberal attitudes toward women, as in The Making of Jane (1901). Her stories about race relations during Reconstruction are extremely problematic: the portraits of ex-slaves in An Incident, and Other Stories (1899) are both nostalgic and derogatory, and seem to contradict her family’s sense of noblesse oblige and well-known resistance to virulent racism. The title story is the first representation in American literature of a black man pursued by a lynch mob for raping a white woman. Elliott’s work raises questions about the attitudes toward race among Southern white women and the roles they played in reestablishing white supremacy in the postbellum South.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Miss Manners on Political Demonstrations

“The first obligation of the demonstrator is to be legible. Miss Manners cannot sympathize with a cause whose signs she cannot make out even with her glasses on.”

Excerpted from: Sherrin, Ned, ed. The Oxford Dictionary of Humorous Quotations. New York: Oxford University Press. 1996.

Rebecca [Blaine] Harding Davis

“Rebecca [Blaine] Harding Davis: (1808-1889) American author. Davis was one of the earliest American realists, known for her attempts to deal in fiction with the life of industrial workers, the problems of black Americans, and political corruption. Her first success was as a muckraker with Life in the Iron Mills, published in the Atlantic Monthly in April, 1961. This was followed by Margaret Howth (1862), a novel set in an Indiana milltown. Waiting for the Verdict (1868) was a story about racial bias; John Andross (1874) was a tale of political corruption. She also raised a large family and, from 1869 to the mid-1870s, was an associate editor of the New York Tribune.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Ruth Benedict

“Ruth Benedict originally Ruth Fulton: (1887-1948) U.S anthropologist. Born in New York City, she received her PhD under Franz Boas at Columbia University in 1923 and taught at Columbia from 1930 until her death. In Patterns of Culture (1934), her most famous work, she emphasized how small a part of the range of human behavior is elaborated or emphasized in any one society. She described how these forms of behavior are integrated into patterns or configurations, and she supported cultural relativism, or the judging of cultural phenomena in the context of the culture in which they occur. In The Chrysanthemum and the Sword (1946), she applied her methods to Japanese culture. Her theories had a profound influence on cultural anthropology.” 

­­­­­­­Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Dorothy Parker Schools a Young Playwright

“A young playwright, who Mrs. Parker felt had been copying her themes, described his most recent to play to her as follows: ‘It’s hard to say—except that it’s a play against all isms.’

Mrs. Parker added, ‘Except plagiarism.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Helena Petrovna Blavatsky

“Helena Petrovna Blavatsky: (called Mme Blavatsky, 1831-1891) Russian-born spiritualist, medium, magician, and occultist. Blavatsky founded the Theosophical Society. She wrote Isis Unveiled (1877) and The Secret Doctrine (1888), influential books of occult lore. She toured India, Europe, and the U.S., developing and preaching her doctrines. The poet William Butler Yeats was profoundly influenced by her work.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Lydia Maria Child

“Lydia Maria Child originally Lydia Maria Francis: (1802-1880) U.S. abolitionist. Born in Medford, Massachusetts, she wrote historical novels and a popular manual, The Frugal Housewife (1829), and founded the first children’s periodical, Juvenile Miscellany. After meeting William Lloyd Garrison in 1831, she became active in abolitionist work. Her Appeal in Favor of That Class of Americans Called Africans (1833) was widely read and induced many to join the abolitionist cause. She edited the National Anti-Slavery Standard (1841-43) and made her home a stage on the Underground Railroad.”

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Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Langston Hughes: Excerpt from “Theme for English B”

“As I learn from you,

I guess you learn from me—

although you’re older—and

white

and somewhat more free.

This is my page for English B.”

Langston Hughes

Theme for English B l. 37″ (1951)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Brian and Eddie Holland

“Brian and Eddie Holland (originally Edward): U.S. songwriters and producers. In 1962 the Detroit-born brothers Brian (b.1941) and Eddie (b.1939) formed a team with Lamont Dozier (b.1941) which subsequently created a series of hits for almost every artist on the Motown label, and helped define its characteristic sound through blending elements of gospel music and rhythm and blues with elaborate arrangements. Their songs include ‘Baby Love,’ ‘Stop! In the Name of Love’ (two of the seven number one hits they wrote for the Supremes), ‘Heat Wave,’ ‘Baby I Need Your Loving,’ and dozens of other hit for such artists as Marvin Gaye and the Temptations.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.