Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Thomas Reed Powell on the Legal Mind

“If you think you can think about a thing inextricably attached to something else without thinking of the thing which it is attached to, then you have a legal mind.”

Thomas Reed Powell

Quoted in Thurman W. ArnoldThe Symbols of Government

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Jerome Bruner on Narrative

“A ‘story’ (fictional or actual) involves an Agent who Acts to achieve a Goal in a recognizable Setting by the use of certain Means. What drives the story, what makes it worth telling, is Trouble: some misfit between Agent, Acts, Goals, Settings, and Means.”

Jerome Bruner

The Culture of Education

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Rotten Reviews: In Cold Blood

[In this squib, Stanley Kaufmann alludes to Truman Capote’s famously snarky remark about Jack Kerouac’s prose, to wit, “That’s not writing, that’s typing”.]

“One can say of this book–with sufficient truth to make it worth saying: ‘This isn’t writing. It’s research.'”

Stanley KaufmannThe New Republic

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Euphony

“euphony: Literally the property of ‘sounding well.’ But used at one time of principle equivalent to that of ‘ease or articulation’: thus it was for reasons of ‘euphony’ that one consonant undergoes assimilation to another, or that successive syllables are matched in vowel harmony.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Opposites

“Articulate the word ‘Sun’ and you soon find yourself thinking of the Moon. Man and Woman, Love and Hate, Right and Wrong, Farmer and Shepherd, Left and Right, Queen and King, North and South, Positive and Negative, Heaven and Hell, East and West, Life and Death, Victory and Defeat, Earth and Sky, Sunrise and Sunset. So, two is an inauspicious number in its cracking of unity.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Small is Beautiful by E.F. Schumacher

Small is Beautiful: An influential book (1973) by the German-born British economist E.F. Schumacher (1911-77), subtitled ‘A Study of Economics as if People Mattered.’ Schumacher argues in favor of small-scale institutions and sustainable development, and against capital-intensive, high-tech solutions, especially in the Third World. The title phrase has entered popular usage.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Trompe L’Oeil

“trompe l’oeil: (Fr., deceives the eye) Painting that, through precise naturalism, the use of shade, perspective, or all of these, creates the illusion of being that which is depicted. Most often applied to small details, such as drops of dew on flower petals.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Anecdote

“A brief account of or a story about an individual or an incident. The anecdotal digression is a common feature of narrative in prose and verse. In the history of English literature and of literary characters the anecdote has a specific importance. In his Dictionary Samuel Johnson defined the term as “something yet unpublished; secret history”. During the 18th century and interest in “secret histories increased steadily, and no doubt there is some connection between this and the growing popularity of –ana, table-talk and biography (qq.v) at that time. During the second half of the 18th century there was almost a craze for “secret” histories. In the last thirty years of it over a hundred books of anecdotage were published in England. Isaac Disraeli, father of Benjamin, became one of the best known and most assiduous gleaners of anecdotes. In 1791 he published three volumes titled Curiosities of Literature, consisting of Anecdotes, Characters, Sketches, and Observations, Literary, Historical, and Critical. These he followed with other collections: Calamities of Authors (1812-1813) in two volumes, and Quarrels of Authors (1814) in three volumes. In 1812 John Nichols published the first of nine volumes in a series titled Literary Anecdotes of the 18th Century. Such works remained popular during the Victorian period. Nor is the appetite for collections of anecdotes assuaged. In 1975 there was The Oxford Book of Literary Anecdotes.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

E.H. Gombrich on Cave Painting

“Why do you think these prehistoric people painted animals on the walls of caves? Just for decoration? That doesn’t seem likely, because the caves were so dark. Of course we can’t be sure, but we think they may have been trying to make magic, that they believed that painting pictures of animals on the walls would make those animals appear. Rather like when we say ‘Talk of the devil’ (‘look who’s here’) when someone we’ve been talking about turns up unexpectedly. After all, these animals were their prey, and without them they would starve. So, they may have been trying to invent a magic spell. It would ne nice to think that such things work. But they never have yet.”

Excerpted from: Gombrich, E.H. Trans. Caroline Mustill. A Little History of the World. New Haven: Yale University Press, 2005.

H.L. Mencken, Presciently, on the Current State of Patriotism

“When you hear a man speak of his love for his country, it is a sign that he expects to be paid for it.”

H.L. Mencken

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.