Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Term of Art: Taxonomy

“Taxonomy: A taxonomy (or typology) is a classification. To classify social phenomena is not to explain them. For example, sociologists of religion commonly use a taxonomy of religious organizations which embraces the categories of church, denomination, sect, and cult. This classifies religious groupings according to their organizational structure (for example, bureaucratic or informal), adjustment to the prevailing order (world-rejecting, world accommodating, and so forth), and principal mode of recruitment (ascribed membership by birth or achieved membership by voluntary attachment). This particular classification does not explain why certain individuals practice religion, while others do not, nor does it offer a theory of how religious organizations arise or develop. In practice, however, many sociological taxonomies are implicitly etiological (causal). A well-known example is Durkheim’s classification of the types of suicide—egoistic, altruistic, anomic, and fatalistic—a taxonomy which also embodies a theory about why people kill themselves intentionally.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Jackie Robinson as Precursor to Colin Kaepernick

“Today as I look back on that opening game of my first world series, I must tell you that it was Mr. [Branch] Rickey’s drama and that I was only a principal actor. As I write this twenty years later, I cannot stand and sing the anthem. I cannot salute the flag; I know that I am a black man in a white world. In 1972, in 1947, at my birth in 1919, I know that I never had it made.”

Jackie Robinson

I Never Had It Made introduction (1972)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Annie Allen

“Annie Allen: (1949) A book by Gwendolyn Brooks, winner of the Pulitzer Prize in 1950. Its three parts fom a connected sequence about a black girl growing to womanhood. ‘Notes from the Childhood and the Girlhood’ includes eleven poems which provide glimpses of Annie’s birth, her practical and didactic mother, and her response to racism, killing, and death. ‘The Anniad,’ a mock heroic poem in forty-three stanzas, and three ‘Appendix’ poems, reveal Annie’s dreams of a gallant lover who goes off to war, returns home, marries her, leaves her, and returns home to die. The fifteen poems of ‘The Womanhood’ show how Annie looks bravely at a world she would like to reform. By the end, her outlook on life has changed from egoistic romanticism into realistic idealism.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: Ralph Ellison

What is novelist Ralph Ellison’s middle name? Waldo

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Claude Brown on Escaping the Promised Land

“For where does one run to when he’s already in the promised land?”

Manchild in the Promised Land Foreword (1965)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Manchild in the Promised Land by Claude Brown

“Manchild in the Promised Land: (1965) An autobiographical novel by Claude Brown. Set in Harlem in the 1940s and 1950s, the novel is a coming-of-age story in which Sonny, the author, escapes the ghetto and the drugs, prostitution, and violence that plague it. Having sought refuge in higher education, the author conveys a sense of warmth toward the Harlem ghetto while simultaneously contributing to the spirited social criticism of the time.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Leroy Robert “Satchel” Paige on Dietary Prudence

“Avoid fried meats which angry up the blood.”

Leroy Robert “Satchel” Paige

“How to Keep Young,” Colliers, 13 June 1953

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Arna Bontemps

“Arna [Wendell] Bontemps: (1902-1973) American writer, librarian, and teacher. Born in Alexandria, Louisiana, Bontemps moved to California at the age of three. After graduating from Pacific Union college in 1923, he moved to Harlem, where he emerged as an award-winning poet during the Harlem Renaissance. His best-known works, however, are his novels, particularly Black Thunder (1936), and historical novel about the abortive slave rebellion led by Gabriel Prosser in the Virginia of 1800. Bontemps’s most enduring legacy was his work as a librarian and historian of African-American culture. During his twenty-two year career as Librarian at Fisk University, he created one of the principal archival sources for study in the field. Among Bontemps’s thirty works are two additional novels, God Sends Sunday (1931) and Drums at Dusk (1939); a major anthology of folklore coedited with Langston Hughes, The Book of Negro Folklore (1958). A collection of memoirs, The Harlem Renaissance Remembered: Essays (1972); and several histories and fictional accounts of black life written for a juvenile audience. He collaborated with Countee Cullen to transform God Sends Sunday into a successful Broadway musical, St. Louis Woman (1945).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: Countee Cullen

Was Countee Cullen male or female? The poet of the Harlem Renaissance was male.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Harlem Renaissance

“Harlem Renaissance: With the largest concentration of African-American, West Indian, and African populations in the U.S., Harlem had become the ‘Negro Capital’ (as it was then called) of America by the early 20th century. After World War I, the flourishing intellectual, artistic, musical and political scene focused on historical recollection and redefinition of the African-American experience. Among the best-known artists are Aaron Douglas, William Johnson, and Jacob Lawrence.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.