Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Historical Term: Ailing Giants

“ailing giants Declining industries in the 1920s and 30s—coal, textiles, shipbuilding, iron and steel—which had formed the basis of Britain’s 19-century supremacy. Weakened by outdated techniques and management, falling demand and foreign competition, they accounted for the bulk of long-term unemployment.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

 Renaissance Art

Renaissance Art: Strictly, art of the period from ca. 1400 to ca. 1520, but sometimes traced back to the time of Giotto, ca. 1300. During the 14th century, Italian art, especially painting, increasingly took account of scientific perspective and moved toward realism. During the 15th century, early Renaissance development was spurred by the rediscovery of ancient classical art. Reached its climax in the first decades of the 16th century with High Renaissance Art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Disjunctive

“Disjunctive: Indicating contrast, difference, alternatives, etc., between words, phrases or clauses, e.g. the conjunctions ‘but,’ ‘or,’ ‘though.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Rotten Rejections: William Faulkner

William Faulkner I: Sanctuary

“Good God, I can’t publish this. We’d both be in jail.”

William Faulkner II: Sartoris

“If the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t this would be of any use. My chief objection is that you don’t have any story to tell.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Book of Answers: Babbitt

“What is Babbitt’s profession? George F. Babbitt (1922), is a real estate dealer in Zenith, an average American city. He is married to Myra Babbitt; his children are named Verona and Ted.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Synthesis

“Synthesis: The combination of two (or more) contradictory phenomena to produce something qualitatively new. The term is usually associated with the dialectical logic employed by some Marxists: for example, the economic contradictions of capitalism and the class conflict they generate, together produce socialism.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Happening

“Happening: Happenings developed from a combination of assemblage and environment art as artists sought to free art further from the constraints of the wall and the frame. Resembling performance, these events often involved sculpture, sound, time, motion, and living persons. While participants began with a plan, there was no rehearsal and no repeat performance. Spontaneous audience participation was sometimes encouraged. Allen Kaprow is credited with inventing happenings, which took place in New York City in the 1960s.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Determinative

“Determinative: Indicating the pointing forward to a subsequent phrase or clause that explains or completes, e.g., ‘such words as…,’ ‘the one that….’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Society

“Society: Generally, a group of people who share a common culture, occupy a particular territorial area, and feel themselves to constitute a unified and distinct entity—but there are many different sociological conceptions (see D. Frisby and D. Sayer, Society, 1986).

In everyday life the term society is used as if it referred in an unproblematic way to something that exists ‘out there’ and beyond the individual subject: we speak of ‘French society,’ and ‘capitalist society,’ and of ‘society’ being responsible for some observed social phenomenon. On reflection, however, such a usage clearly has its problems: for example, is British society a clear unity, or can we talk also of Welsh, Scottish, and Northern Irish societies? And, even within England, are there not wide cultural differences between (say) north and south? Is there one capitalist society—or many? Nor is a society the same thing as a nation-state. The former Yugoslavia clearly contained several societies: Croat, Slovenian, Serbian, and so on.

While many sociologists use the term in a commonsense way others question this use. Some symbolic interactionists, for example, argue that there is no such thing as society: it is simply a useful covering term for things we don’t know about or understand properly (see P. Rock, The Making of Symbolic Interactionism, 1979). Others, such as Emile Durkheim, treat society as a reality in its own right (see The Rules of Sociological Method, 1895).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Rotten Reviews: Virginia Woolf

Virginia Woolf, Part I: To the Lighthouse

“Her work is poetry; it must be judged as poetry, and all the weaknesses of poetry are inherent in it.”

New York Evening Post

Virginia Woolf Part II: The Waves

“This chamber music, this closet fiction, is executed behind too firmly closed windows…the book is dull.”

H.C. Harwood, Saturday Review of Literature

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.