Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Chapter 1 of The Reading Mind, “On Your Marks”: Summary, Implications and Discussion Questions

“Summary

  • We consider the purpose of cognitive activities (like reading) because it’s easier to think about the smaller-scale pieces of this activity if you know the larger goal to which they contribute.
  • The purpose of reading is the communication of thought across time and space.
  • Communicating thought directly into symbols would be impractical because it would require a lot of memorization, but a bigger obstacle is that we’d have to figure out how to represent grammar.
  • Instead of writing down thoughts, we write down oral language. Writing codes sound.

 Implications

  • The fact that writing codes spoken language should lead us to expect that reading ability in adults will be closely related to their ability to understand spoken language. It is. There is a strong relationship between oral comprehension and reading comprehension among people who can decode fluently. If you can’t follow a complicated written argument, for example, you wouldn’t be able to follow the argument if someone read it to you.
  • The fact that writing codes spoken language should also lead us to expect that explicit teaching of that code will be an important part of learning to read. It is. The amount of explicit instruction children need in the code varies, depending on other aspects of their oral language, but for some children this explicit instruction is vital.
  • The fact that our writing system does not use many logographs indicates that it would be a bad plan to treat words as though they are logographs—in other words, to teach children to focus on what words look like, rather than the sound they code. (The exception would be irregularly pronounced words that are very common, i.e. “be,” and “have.”)

 Discussion Questions

  • Sometimes a tool can be developed for one purpose but then used for another purpose. Are there purposes other than “transmit thoughts” to which writing is put?
  • I said that one of the disadvantages of a logographic writing system is that reading and writing would require the memorization of a lot of symbols. Suppose we did use a logographic writing system. What would this change mean for schooling and more broadly for society? Would different people be literate?
  • Consider the popularity of one type of logograph, the emoji. Their ubiquity, along with the fact that all writing systems use at least some logographs, suggests that there may be something that logographs communicate well that an alphabetic system does not capture well. What might that be?
  • Language is meant to transmit thoughts and it usually seems to serve that purpose well. Email messages, however, seem especially prone to misinterpretation. What tends to go wrong with email messages and why might that be?
  • I claimed that writing captures thoughts through oral language—you write what you say. But some types of communication seem to be closer to “what we say” than others. The writing in text messages, for example, is closer to the way I would speak to the person who will read it than, say, a letter I would write out. Should this matter to our characterization of what writing is?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Effective

“Effective: Indicating (with a verb) the final stage or point or the result of an action.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Historical Term: Agitprop

“agitprop Agitation propaganda, a theatrical device employed by the left-wing in Europe and the USA during the 1950s; in the 1960s it developed into what is now termed ‘street theater.’ Its purpose was to convey a political message, or political education, by seeking to interest and entertain.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Use the Active Voice

[If you want a copy of this text as learning support in Microsoft Word you’ll find it under that hyperlink.]

“Use the active voice.

The active voice is always more direct and vigorous than the passive:

I shall always remember my first visit to Boston.

This is much better than

My first visit to Boston will always be remembered by me.

The latter sentence is less direct, less bold, and less concise. If the writer tries to make it more concise by omitting “by me,”

My first visit to Boston will always be remembered,

it becomes indefinite: is it the writer or some undisclosed person or the world at large that will always remember this visit?

This rule does not, of course, meant that the writer should entirely discard the passive voice, which is frequently convenient and sometimes necessary.

The dramatists of the Restoration are little esteemed today.

Modern readers have little esteem for the dramatists of the restoration.

The first would be the preferred form in a paragraph on the dramatists of the restoration, the second in a paragraph on the tastes of modern readers. The need to make a particular word the subject of the sentence will often, as in these examples, determine which voice is to be used.

The habitual use of the active voice, however, makes for forcible writing. This is true not only in narrative concerned principally with action, but in writing of any kind. Many a tame sentence of description or exposition can be made lively and emphatic by substituting a transitive in the active voice for some such perfunctory expression as there is or could be heard.

There were a great deal of dead leaves lying on the ground.

 Dead leaves covered the ground.

 At dawn the crowing of a rooster could be heard.

 The cock’s crow came with dawn.

 The reason that he left college was that his health became impaired.

 Failing health compelled him to leave college.

 It was not long before she was very sorry that she had said what she had.

 She soon repented her words.

Note, in the examples above, that when a sentence is made stronger, it usually becomes shorter. Thus, brevity is the by-product of vigor.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

The Last of the Mohicans

“The Last of the Mohicans: A romantic historical novel (1826) by the US writer James Fenimore Cooper (1789-1851), one of The Leatherstocking Tales. This tale is set in the hills and forests of northeastern North America at the time of the French and Indian Wars of the mid-18th century, and follows the adventures of Alice and Cora Munro, the frontiersman Natty Bumppo (also called Hawkeye), the unpleasant Huron leader Magua, and Chingachgook and his son Uncas, the last of the Mohicans—the rest of their tribe have been killed off by the Hurons. At the end Uncas and Cora are forced to jump off a cliff to their deaths to escape their enemies.

Historically, Uncas was a 17th-century chief of the Mohegans, an Algonquian tribe of Connecticut. Cooper apparently confused the Mohegans with the Mahicans, an Algonquian confederacy along the Hudson River.

There have been a number of film versions, the finest being those from 1936, Randolph Scott as Hawkeye, and 1992, with Daniel Day-Lewis in the role.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Frank Rich on “Starlight Express”

“A confusing jamboree of piercing noise, routine roller skating, misogyny and Orwellian special effects, Starlight Express is the perfect gift for the kid who has everything except parents.”

Frank Rich

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Teleology

“Teleology: A teleological explanation either explains a process by the end-state towards which it is directed; or explains the existence of something by the function it fulfills. In sociology, the former tends to be confined to theories of purposive human action, whereas the latter is a feature of functionalism. It is widely argued that teleological explanations are admissible only with reference to individuals and groups since they alone have explicitly formulated purposes or goals. Societies, by contrast, set themselves no such objectives. Evolutionary and systems theories, as well as theories which imply a historical logic or inevitability (such as historical materialism), are often criticized as being unacceptably teleological—although there have been controversial attempts to argue that even these explanations can be translated into conventional causal accounts.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Distributive

“Distributive: Indicating reference to a particular thing of to every member of a group, e.g., the pronouns ‘each’ and ‘none.’”

 Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Herm

“Herm: Pillar-form sculpture of classical antiquity, typically with a bearded face, armless torso, and prominent phallus. Originally, it probably represented the god Hermes. In European iconography it is symbolic of revelry and abandonment.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Algonquin Wits: George S. Kaufman to Adolph Zukor

“Hollywood’s Adolph Zukor was said to have offered a trifling $30,000 for movie rights to a Kaufman play. The playwright sent back a telegram offering Zukor $40,000 for Paramount.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.