“I once said cynically of a politician, ‘He’ll double-cross that bridge when he comes to it.’”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
“I once said cynically of a politician, ‘He’ll double-cross that bridge when he comes to it.’”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged humor, literary oddities
“Halftone: In photoengraving, a process in which gradations of light (value) are obtained by manipulating the density of minute dots on the printing surface. The conversion of image to dots is achieved by photographing the subject through a special screen. Halftones have been in use since 1878.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Agreement: The correspondence of a verb with its subject in person and number (Karen goes to Cal Tech; her sisters go to UCLA), and of a pronoun with its antecedent in person, number and gender (As soon as Karen finished the exam, she picked up her bookbag and left the room).”
Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.
Posted in English Language Arts, Quotes, Reference
Summary
Implications
Discussion Questions
Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.
“Adverbial Phrase: A phrase that functions as an adverb. Landon laughs with abandon.”
Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.
Posted in English Language Arts, Quotes, Reference
“We are born weak, we have need of help; we are born destitute of everything, we stand in need of assistance; we are born stupid, we have need of understanding. All that we are not possessed of at our birth, and which we require when we grow up, is bestowed upon us by education.”
Jean Jacques Rousseau (1712-1778)
Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.
Posted in Essays/Readings, Quotes, Reference, Social Sciences
“Adverb: A word that modifies or otherwise qualifies a verb, an adjective, or another adverb. Gestures gracefully; exceptionally quiet engine.”
Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.
Posted in English Language Arts, Quotes, Reference
“Social Fact: A complex notion, with attributes of externality, constraint, and ineluctability. It is to be understood within the context of Emile Durkheim’s conception of collective conscience and collective representations. Social facts are ways of acting which emanate from collectively elaborated and therefore authoritative rules, maxims, and practices, both religious and secular. Norms and institutions are examples of social facts in more or less solidified forms. They constitute practices of the group taken collectively and thus impose themselves and are internalized by the individual. Because they are collectively elaborated they are moral and therefore constrain individual behavior. The interesting problem for sociologists concerns the gap between the ideal representations and the material social organizations and their constituent actions—as, for example, between the socially approved forms and the actual practice.”
Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.
“Formalism: A central tenet of modernist art criticism that emphasized the importance of line, color, and space (significant form). Representational content was considered irrelevant in the eyes of formalist critics. Since formalism provided ‘objective’ methods for looking at all art whether Western or not, ancient or contemporary, it was thought of as egalitarian. But the advent of Pop Art necessitated a different analysis that went beyond the work itself and examined influences from popular culture. Postmodern approaches to art-making and criticism investigate both form and content, as well as the context of art and its role in society.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“The Manchurian Candidate: A memorable film (1962) directed by John Frankenheimer, based on Richard Condon’s novel of the same name (1959). It tells the story of a Korean War ‘hero’ (played by Laurence Harvey) who returns to the USA as a brainwashed zombie triggered to kill a liberal politician, his ‘control’ being his ambitious mother (played by Angela Lansbury). She goes on to order him to kill the presidential nominee, so that her husband, the vice-presidential candidate, can take over. Manchuria is a region of communist China to the north of North Korea. The expression ‘Manchurian candidate’ has subsequently been used to denote a person who has been brainwashed by some organization or foreign power and programmed to carry out its orders automatically.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
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