Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Cannonball Adderley

Cannonball Adderley: (orig. Julian Edwin) (1928-1975) U.S. saxophonist, one of the most popular jazz musicians of the 1950s and ‘60s. Adderley was born in Tampa, Florida, and worked as a music teacher before moving to New York in 1955. Arriving shortly after the death of Charlie Parker, he was hailed as Parker’s stylistic successor. He performed with Miles Davis from 1957 to 1959, then led an ensemble with his brother, cornetist Nat Adderley (1931-2000). Also influenced by Benny Carter, Adderley’s playing showed a strong blues inspiration, and his music in the 1960s reflected the introduction of gospel-music harmonies. He died following a stroke at age 46.

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Term of Art: Cognitive Style

“cognitive style: The preferred way an individual processed information, usually described as a personality dimension that influences attitudes, values, and social interaction. Unlike individual differences in abilities that describe peak performance, styles describe a person’s typical mode of thinking, remembering, or problem solving. Having more of an ability is usually considered beneficial, while having a particular cognitive style simply denotes a tendency to behave in a certain manner.

Field Independence/Dependence A number of cognitive styles have been identified and studies over the years; field independence/field dependence is probably the most well known. Individuals view the world in different ways. Those who are called “field-dependent” perceive the world in terms of larger patterns and relationships, whereas those who are “field-independent” perceive the world in terms of discrete elements–they look at the pieces that make up the whole.

Most schools in Western culture favor a field-independent approach, rewarding students who tend to work and organize information on their own. These learneer are objective in that they make what is being studies into an object to be analyzed and understood.

Studies have identified a number of connections between this cognitive style and learning. For example, field-independent individuals are likely to learn more effectively by studying by themselves, and are influenced less by social reinforcement.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Write It Right: Both Alike

“Both alike. ‘They are both alike.’ Say, they are alike. One of them could not be alike.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Fin de Siecle

“Fin de Siecle: (Fr., end of century) Art of the end of the nineteenth century, also known as decadent art, which was created under the influence of the Aesthetic Movement in the style of Art Nouveau. Particularly associated with the highly stylized, black-and-white illustrations of Aubrey Beardsley.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Adjective

“adjective: Defined traditionally as a word added to a noun, which characteristically denotes a property of whoever or whatever is referred to. One function therefore is as a modifier: e.g. tall in tall men is an adjective modifying men. Another is in predicative position: e.g. that of tall in These men are tall.

Adjectives were included in antiquity in the same part of speech as nouns. Distinguished in the later Middle Ages, as ‘nouns adjective’ in contrast to ‘nouns substantive’; and so called, still, in the early decades of the 20th century.

An adjectival element is on either forming or having the role of adjectives: e.g. -less in clueless is an adjectival affix; English participial adjectives in -ed, such as interested in very interested, have been called ‘adjectival passives.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Walter Page Hines on Woodrow Wilson

“The air currents of the world never ventilated his mind.”

Walter Page Hines on Woodrow Wilson

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Winer Werkstatten

Winer Werkstatten: (Ger., Vienna workshops) An organization of designers and craftsmen established in Vienna in 1903 which espoused the aesthetic principles of the Arts and Crafts movement, but expressed them in a distinct style akin to Art Nouveau.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Devil’s Dictionary: Abstruseness

“Abstruseness, n. The bait of a bare hook.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Ad Nauseam

“Ad Nauseam To the point of vomiting: to a sickening or wearisome degree, unrelievedly.

‘Henry Miller couldn’t feel anything and dug graves for a living. William Burroughs was an exterminator, Carl Sandburg was a janitor, Faulkner had to run rum, and so on, ad nauseam.’ Robert Hendrickson, The Literary Life”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Excursus

“Excursus: (Latin ‘running out’) A detailed examination and analysis of a point often added as an appendix to a book. An incidental discussion or digression.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.