Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Relative Pronoun

“Relative Pronoun: A pronoun that alone or as part of a phrase introduces a relative clause: who in the man who came to dinner; on whom in the woman on whom I reply. The relative pronoun refers to an antecedent (the man/who, the woman/oh whom), and functions within the relative clause: as subject in who came to dinner; as complement of a preposition in on whom. There is a gender contrast between the personal set of who pronouns and the non-personal which pronoun, and there are case distinctions in the who set: subjective who(ever), objective whom(ever), genitive whose. However, except in a formal context, who(ever) replaces whom(ever). That can be used as a relative pronoun in place of who, whom, or which, except as complement of a preposition: the woman who/that I rely on, but only the woman on whom I rely. That can be omitted when functioning as object (a man that I know; a man I know), but not as a subject (a man that knows me). The omitted pronoun is sometimes referred to as a zero relative.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Whole-Language Approach

“whole-language approach: An educational philosophy characterized by the belief that language learning is a natural outgrowth of a child-centered process that integrates speaking, listening, reading, and writing. The whole language approach emphasizes the fact that reading is closely linked to spoken language. As a result, students of this approach are exposed to language-rich classrooms to help make them better readers and writers.

The way American schools teach children to read and write for many years has been affected by the influence of two opposite schools of thought. A conventional curriculum tends to rely on phonics and basic readers. This traditional theory of learning, which was popularized in the 19th century, is based on the idea that children learn a complex skill such as reading by first making sense of letters and then progressing to the understanding of sounds, words, and sentences. Proponents of this theory believe that children learn to read by learning to decode the language; understanding follows after they break the code and master the parts. Traditional American education begins with reading lessons that focus on phonics (sounding out first letters, then combinations of letters), tightly controlled vocabulary, and short basic reading passages, followed by exercises, each with only one correct answer.

Whole language represents a completely different philosophy about teaching, learning, and the role of language in the classroom, emphasizing the idea that children should use language in ways that relate to their own lives and cultures. In the whole language classroom, the final answer is not as important as the process. Children are encouraged to decode words by their context.

Whole language advocates point out that the average first grader has already acquired a vocabulary of 10,000 words and inherently understands many of the rules of grammar without being formally taught. The common techniques of whole language teaching, which include daily journal and letter writing plus reading much real literature, represent that philosophy in action.

The popularity of the whole language approach has been so dramatic that some teachers complain they cannot find basic readers anymore. In addition, many new teachers say their university professors no longer discuss how to teach phonics.

Critics of the whole language approach believe it overemphasizes understanding at the expense of accuracy. The whole language movement had a significant impact on reading and writing instruction in the 1980s and 1990s, when the appeal of whole language instruction influenced many schools to revise their curricula. As a result of this movement, a vigorous debate emerged amongst educators over how children learn language. Many special educators felt that whole language was flawed by its neglect of explicit language skills such as phonics, spelling, and grammar. Since a language-rich classroom does not help many students, especially those with learning disabilities, learn to read and spell, a ‘back to basics’ movement in education began to move back to explicit skill instruction.

On the other hand, advocates of the whole language approach say that an overemphasis on rules and rote learning is stifling and leads children to see reading and writing as boring and difficult chores, rather than an interested way of gathering information.

Research strongly indicates that students will be the most successful if a balanced approach is used, teaching phonics in a systematic fashion within the context of real stories. Today, many classrooms use this combination approach utilizing elements of both whole language and phonics, spelling and grammar.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

 

Caricature

“Caricature (noun): Exaggerated, distorted, of oversimplified representation of someone of something, as by accenting certain qualities or traits, whether intentionally for ludicrous effect or unintentionally, as in a too broadly or shallowly fictional character; gross or reductive imitation. Adjective: caricaturable, caricatural; noun: caricaturist; verb: Caricature.

‘As always with Mcaulay, the portrait was exaggerated—a caricature rather than a portrait—but, alas, caricatures usually include more than a grain of truth?’ J.H. Plumb, The New York Times.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

C.P. Snow

Snow, C(harles) P(ercy) later Baron Snow (of the City of Leicester) (1905-1980) British novelist, scientist, and government administrator. Snow was a molecular physicist at Cambridge University for some 20 years and served as an advisor to the British government. His 11-novel sequence Strangers and Brothers (1940-70), which analyzes bureaucratic man and the corrupting influence of power, includes The Masters (1951), The New Men (1954), and Corridors of Power (1964). The Two Cultures and the Scientific Revolution (1959) and later nonfiction works deal with the cultural separation between practitioners of science and literature.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Algonquin Wits: George S. Kaufman on Jed Harris

Kaufman once visited the office of Jed Harris, the theater producer, and was received by the unpredictable tycoon stark naked. Accustomed to Harris’ flights of pretentious fancy, Kaufman addressed him calmly: ‘Mr. Harris, your fly is open.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Term of Art: Writing Process

“writing process: A particular approach to writing instruction that has become common in school systems and colleges during the past 25 years. There are many meanings of the phrase ‘writing process,’ but most refer to the concept that writing is part of the thinking process involving many different mental activities over a period of time. Effective instruction in writing teaches students how to generate, organize, and revise their writing, rather than focusing solely on written language structures.

In its early years of development, the process theory of writing instruction focused largely on individual expression and the facilitation of the development of a student’s ‘voice.’ This approach to the writing process was in many ways a reaction to traditional methods of writing instruction, which focused mainly on structural and mechanical elements such as grammar, punctuation, and following paragraph and essay models.

In the early 1980s, Linda Flower and John Hayes developed a theoretical model of writing as a thought process involving a number of different mental activities, including planning, generating, organizing, translating, reviewing, and editing. In their model, any given activity might interrupt any other one at any stage. The Flower/Hayes model continues to be useful, especially for understanding the writing problems of students with learning disabilities and attention disorder. However, the primary contemporary model emphasizes the ways in which writing is a social practice, and focuses on collaborative approaches to developing writing skills and producing written work.

In practical terms, effective writing instruction involves understanding that writing involves different activities of generating, organizing, drafting, and revising, and that incorporates collaborative activities in helping students develop a sense of voice, audience, and using writing as a communication tool.

A process approach to writing is particularly vital for students with learning disabilities, in that it enables them to take the different cognitive tasks involved in writing and spread them over a series of steps and periods of time. For example, a student with dyslexia may benefit from putting off any attention to editing and spelling until late in the process, instead focusing mainly on generating ideas and language first.

Likewise a student with attention deficit disorder may do better by taking out a highly specific approach to planning a paper and mapping out the steps that will be involved, using a checklist to monitor completion of each step.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on Hyphenation

OK, moving along on this cool, rainy morning in Southwestern Vermont, here is a learning support on hyphenation. Like several others I have posted here recently, this text comes from Paul Brians’ book, which, amazingly, he has made available at no cost on the Washington State University website, Common Errors in English Usage.

As Professor Brians points out, for a full exposition on the rules for hyphenation in English prose one really must consult The Chicago Manual of Style or something like it. This document does supply as much about hyphenation as the high-school, and perhaps even the college, writer needs to know.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Will Rogers on the Advance of Civilization

“You can’t say civilization isn’t advancing; in every war they kill you in a new way.”

Will Rogers

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Bait and Switch

“Bait and Switch (adjective): Describing or pertaining to advertising that offers a product insincerely, with the true intention being to sell another, more expensive or profitable product.

‘Ads that deceive or claims that can’t be backed are no-nos, and techniques such as “bait and switch” in which goods are offered to lure customers to buy higher-priced substitutes are also verboten.’ Bernice Kanner, New York Daily News”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Thematic Maturity

“thematic maturity: The sophistication of writing. Plot development, sentence structure, and cohesion based on an individual’s age and grade are some elements that are considered in evaluating thematic maturity.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.