Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

Thomas Piketty on One Way to Think about Teaching Social Studies

“Social scientific research is and always will be tentative and imperfect. It does not claim to transform economics, sociology, and history into exact sciences. But by patiently searching for facts and patterns and calmly analyzing the economic, social, and political mechanisms that might explain them, it can inform democratic debate and focus attention on the right questions. It can help to redefine the terms of debate and focus attention on the right questions. It can help to redefine the terms of debate, unmask certain preconceived or fraudulent notions, and subject all positions to critical scrutiny. In my view, this is the role that intellectuals, including social scientists, should play as citizens like any other but with the good fortune to have more time than others to devote themselves to study (and even to be paid for it—a signal privilege).”

Piketty, Thomas. Trans. Arthur Goldhammer. Capital in the Twenty-First Century. Cambridge: The Belknap Press of Harvard University, 2014.

Johann Heinrich Pestalozzi’s Advice to Teachers

“Endeavor, first, to broaden your children’s sympathies and, by satisfying their daily needs, to bring love and kindness into such unceasing contact with their impressions and their activity, that these sentiments may be engrafted in their hearts.”

Johann Heinrich Pestalozzi (1746-1827) as Quoted in The Teacher and the Taught (1963)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Review Essay: A Lesson Plan on Ghoti and Its Others

The amount of research on reading is voluminous. Even after reading what I consider and exhaustive (and occasionally exhausting) amount of this material across a period of 15 years, I still barely scratched the surface of this body of literature. At the classroom level, however, teaching practice demands keen attention to two things: decoding–i.e. recognizing the correspondence between letters and their sounds, known as phonemic awareness, and comprehension–i.e. understanding the meanings of words and applying that understanding, in synthesis, to the entire body of a text to understand it.

English is a tough language to decode. One person who recognized this and wanted to do something about it was the Irish playwright and Nobel Laureate George Bernard Shaw. Shaw was sufficiently concerned about the odd vagaries of English spelling that he actually bequeathed money in his estate for spelling reform. Indeed, there is a form of orthography known as the Shavian Alphabet (Aside: Shavian is both an adjective and a noun meaning, basically, related to George Bernard Shaw and his writings.)

In any case, one of the well-known representations of the challenges of English phonics, often erroneously (it first appeared, apparently, in a letter from Charles Ollier to Leigh Hunt) attributed to Shaw, is the word ghoti. It is possible, using English phonics, to pronounce this word as fish: take the gh from tough (i.e. f), the o from the plural women (i.e. short i), and the ti from action (i.e. sh).

Over the years, when I had a few minutes left in a class period, generally at the beginning of the school year, I would trot this out for the struggling readers and English language learners I served. After explaining–in summary of course–much of the foregoing in this essay, I would point out to students that if they struggled with English phonics and their representation in orthography, they were in very good company: George Bernard Shaw, Nobel prizewinning author whose plays are still routinely performed today.

This year, I finally wrote out this lesson plan on ghoti for use in a full class period. Here is the accompanying worksheet and the teacher’s copy of same. I added a few words, which I grabbed somewhere along the line. Now it’s yours if you can use it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Kyokutei Bakin

[Over the years in my classrooms, it was hard to miss the fact that students who struggled with reading, particularly the students of Asian Pacific descent I served, would nonetheless exhaust my school library’s supply of anime. In researching this post, I learned that Bakin’s best-known book, Hakkendenhas been adapted to anime. For that reason, I have tagged this as high-interest material.]

“Kyokutei Bakin: (1767-1849) Japanese fiction writer of the late-Tokugawa period. Bakin was among the most gifted writers of his time, and succeeded in establishing himself as a serious writer in an age dominated by the lowbrow entertainment genre of Gesaku. Bakin is best known for an extraordinary tour-de-force, Hakkenden (1814-1832), whose title translates, improbably, as “Eight Canine Biographies.” This high-flown historical romance of noble vengeance, with its thickly applied Confucianist morality of virtue rewarded and vice punished, ranks as Japan’s longest literary narrative. Hakkenden has retained its popularity in contemporary Japan, albeit in abridged modern editions.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Work Ethic

“Work Ethic: The idea of productive labor, or work, being valued in and for itself for those who do it, encouraging them to invest greater effort than could be achieved by social pressures, incentive payments, or other devices developed by employers to extract maximum output from their workforces. The concept is a unique product of Western European culture; other cultures rely on different social, religious, and political ideologies to encourage productive labor and the fulfillment of social obligations. The idea was derived originally from the protestant ethic, which presents work as a religious and moral obligation, and is now widely used as a simplified popular version of that concept, especially in the context of explanations for low or high productivity and economic growth. The relevant American and British research in sociology, psychology, economics, and political science is reviewed in Michael Rose, Reworking the Work Ethic (1985).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Chinese Power of 9

“Nine has always been respected by the Chinese, for it has tonal resonance with ‘long lasting’ and was also associated with the Emperor, who had nine dragons embroidered on his robe and ruled over a court divided between nine ranks of courtiers who could gain nine sorts of reward. This respect for the power of 9 led to many social listings of 9, often charged with an observant sense of humor, as well as the more serious concept of how individuals were bound ninefold to their family, clan, and community.

Here are the 9 Admirable Social Habits:

*Relieving tension * Courteous attention. * Discreet

Mention * Tenacious retention * Assiduousness *

Wise abstention * Calculated prevention * Truthful

Intervention * A sense of dimension

The 9 Virtues—as defined for the near legendary Emperor Yu (2205-2100. BC) by his chief minister Kao-Yao:

*Affability combined with dignity * Mildness with

firmness * Bluntness with respectfulness * Ability with

reverence * Docility with boldness * Straightforwardness

with gentleness * Easiness with discrimination * Vigo

with sincerity * Valor with goodness

The 9 Follies:

*To think oneself immortal * To think investments are

secure * To mistake conventional good manners for

friendship * To expect any reward for doing right * To

imagine the rich regard you as an equal * To continue to

drink after you have begun to declare that you are sober

* To recite your own verse * To lend money and expect

its return * To travel with too much luggage

The 9 Jollities of a Peasant:

*To laugh * To fight * To fill the stomach * To forget

* To sing * To take vengeance * To discuss * To boast

* To fall asleep

The 9 Deplorable Public Habits:

*Drunkenness * Dirtiness * Shuffling * Over-loud voice

* Scratching * Unpunctuality * Peevishness

* Spitting * Repeated jests

And the 9 Final Griefs:

*Disappointed expectations * Irretrievable loss

* Inevitable fatigue * Unanswered prayers

* Unrequited service * Ineradicable doubt

* Perpetual dereliction * Death * Judgement”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Skill

“Skill: In everyday speech, skill means a relatively precise set of manual or mental techniques which, though they may depend on aptitude, have to be learned through training or schooling. Sociological work, though not denying this aspect of skill, is primarily concerned with the management of skill; that is, how skill is defined, constructed, and recognized. Since the publication of Harry Braverman’s work in the 1970s, much scholarship has been devoted to examining Karl Marx’s claim that ‘valorization’ in the capitalist labor process requires a continual attempt to de-skill expensive forms of labor. De-skilling means either the disintegration and mechanization of craft techniques; or a refusal adequately to recognize established or new capabilities still required of the worker. The latter is very common in women’s employment. Many writers, Marxist and non-Marxist alike, argue that de-skilling is not inevitable. Workers, individually or through trade unions, may resist mechanization, or insist that de-skilled processes are reserved for workers with established training, who continue to be paid a premium for their displaced skills. Also, employers may upgrade (or ‘upskill’) workers; because they wish to recognize and retain dependable or experienced workers; or to control and inhibit labor unrest; or because, notwithstanding Marx, the development of technology has created new skills in place of older ones. In any case, jobs may be de-skilled without necessarily implying the de-skilling of individual workers, or indeed the labor force as a whole. A selection of empirical case studies are reported in Roger Penn et al (eds.), Skill and Occupational Change (1994).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Marxism

“Marxism: Provides an analysis exposing the social relations that operate in the production of material goods. Marxist art critiques demystify the relationship between artists and patrons, demonstrating who supports whom and why. By exposing the market forces weighing on artists, such an analysis demonstrates how both aesthetic and monetary value may be ascribed to artworks (see commodification). As a political ideology, it has influenced the modern muralists Diego Rivera and Jose Clemente Orozco as social realists. Recently, Hans Haacke has created Marxist artworks exposing pervasive corporate sponsorship in the art world.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Samurai

“Samurai: (from Japanese. “those who serve”) Warrior retainers of Japan’s daimyo (feudal lords). Prominent from the 12th century, they were not a separate class until Hideyoshi limited the right to bear arms to them, after which they became a hereditary caste. Their two swords were their badge. Their conduct was regulated by Bushido (Warrior’s Way), a strict code that emphasized the qualities of loyalty, bravery, and endurance. Their training from childhood was Spartan. Their ultimate duty when defeated or dishonored was seppuku, ritual self-disembowelment.”

Excerpted from: Wright, Edmund, Ed. The Oxford Desk Encyclopedia of World History. New York: Oxford University Press, 2006.

Term of Art: Word Salad

“Word Salad: One of the most common symptoms of schizophrenia is a disturbance in the use of language. Rather than select words which make communication possible, schizophrenics may combine words in idiosyncratic ways, or use associations that are out of context. This tendency may generate a minor language disturbance; or, in extreme cases, a word salad in which the combination of words is unintelligible to the listener and so makes communication impossible.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.